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$49.95
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Over the last thrity years, Candida Hofer has created meticulously composed images of the interiors of public and institutional spaces-spaces marked with the richness of human activity, yet largely devoid of human presence. "Architecture of absence" examines how Hofer's oeuvre and the relationship to her architecture work to that of the Becher circle-noted students of(...)
Monographies photo
octobre 2004, New York
Candida Hofer : architecture of absence
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Over the last thrity years, Candida Hofer has created meticulously composed images of the interiors of public and institutional spaces-spaces marked with the richness of human activity, yet largely devoid of human presence. "Architecture of absence" examines how Hofer's oeuvre and the relationship to her architecture work to that of the Becher circle-noted students of the Dusseldorf Art Academy's renowed professor Bernd Becher, including Thomas Ruff, Thomas Stuth, Andreas Gursky and Axel Hutte.
livres
octobre 2004, New York
Monographies photo
livres
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
$79.00
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By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
Théorie de la photographie
septembre 1997, Munich
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
livres
septembre 1997, Munich
Théorie de la photographie
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Judy Fiskin: Some aesthetic decisions
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Théorie de la photographie
$62.95
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John(...)
Light, paper, process: reinventing photography
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$62.95
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt - who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits.
Photographie- collections
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication(...)
Ed Ruscha and some Los Angeles apartments
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist’s thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves.