Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter(...)
Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter hallward on Alain Badiou on Sarkozy Gail Day on Marxism and the History of Art Steve Edwards on John Roberts's The Intangibilities of Form Andrew Chitty on David Leopold's The young Karl Marx Fabian Säfer on Re-politicising the Kyoto School as Philosophy
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Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake(...)
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake of the radical movements of the 1960s, in philosophy and other fields. Radical Philosophy is not committed to any particular philosophy, ideology or political programme. The purpose of the journal is to provide a forum for debate and discussion of theoretical issues on the left. It encourages the serious and informed discussion of such issues in clear and non-technical language, aimed to reach a wide audience.
Revues
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Can society be engineered in the twenty-first century?
Open 15 social engineering 2008 no. 15
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Can society be engineered in the twenty-first century?
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Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by(...)
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Théorie de la photographie
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Public phenomena by temporary services
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Espaces Public
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
New realities: being syncretic
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
Théorie de l’architecture
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This publication brings together a series of essays by Slavoj Zizek, Gianni Vattimo, Christiane Paul, Rirkrit Tiravanija and al.
Sustainabilities / sostenibilidades
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This publication brings together a series of essays by Slavoj Zizek, Gianni Vattimo, Christiane Paul, Rirkrit Tiravanija and al.
Théorie de l’architecture
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Follies exist only by grace of their viewers. They are not there to live or work in, but only to provoke a reaction. Through their bizarre styles, forms and stories, they act as masonry mirrors of the soul; without a response from the passer-by, they do not exist. International follyDOCK Contest The changing situation of Heijplaat prompted the visual artist Lowieke Duran(...)
Follydock expo: 16 follies in Heijplaat / Rotterdam
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Follies exist only by grace of their viewers. They are not there to live or work in, but only to provoke a reaction. Through their bizarre styles, forms and stories, they act as masonry mirrors of the soul; without a response from the passer-by, they do not exist. International follyDOCK Contest The changing situation of Heijplaat prompted the visual artist Lowieke Duran to announce The International follyDOCK Contest. The brief: design a folly. A folly may be described as an architectural scherzo, a visually provocative, poetical structure without a specific function.
Théorie de l’urbanisme
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Published on the occasion of the exhibition Catherine Opie: American Photographer, organized by Jennifer Blessing with Nat Trotman, Solomon R. Guggenheim Museum, New York, September 26, 2008 - January 7, 2009.
Catherine Opie: american photographer
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Published on the occasion of the exhibition Catherine Opie: American Photographer, organized by Jennifer Blessing with Nat Trotman, Solomon R. Guggenheim Museum, New York, September 26, 2008 - January 7, 2009.
Monographies photo