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Follies exist only by grace of their viewers. They are not there to live or work in, but only to provoke a reaction. Through their bizarre styles, forms and stories, they act as masonry mirrors of the soul; without a response from the passer-by, they do not exist. International follyDOCK Contest The changing situation of Heijplaat prompted the visual artist Lowieke Duran(...)
Follydock expo: 16 follies in Heijplaat / Rotterdam
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Follies exist only by grace of their viewers. They are not there to live or work in, but only to provoke a reaction. Through their bizarre styles, forms and stories, they act as masonry mirrors of the soul; without a response from the passer-by, they do not exist. International follyDOCK Contest The changing situation of Heijplaat prompted the visual artist Lowieke Duran to announce The International follyDOCK Contest. The brief: design a folly. A folly may be described as an architectural scherzo, a visually provocative, poetical structure without a specific function.
Théorie de l’urbanisme
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Published on the occasion of the exhibition Catherine Opie: American Photographer, organized by Jennifer Blessing with Nat Trotman, Solomon R. Guggenheim Museum, New York, September 26, 2008 - January 7, 2009.
Catherine Opie: american photographer
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Published on the occasion of the exhibition Catherine Opie: American Photographer, organized by Jennifer Blessing with Nat Trotman, Solomon R. Guggenheim Museum, New York, September 26, 2008 - January 7, 2009.
Monographies photo
Architecture bulletin 04
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Published twice a year, the Netherlands Architecture Institute's house journal "Architecture Bulletin" presents essays (in word and image) on the built environment of today, yesterday and tomorrow-subjective arguments complemented by personal reflection, but always emphasizing the essay as an appropriate form for the consideration of architecture. These essays originate(...)
Architecture bulletin 04
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Published twice a year, the Netherlands Architecture Institute's house journal "Architecture Bulletin" presents essays (in word and image) on the built environment of today, yesterday and tomorrow-subjective arguments complemented by personal reflection, but always emphasizing the essay as an appropriate form for the consideration of architecture. These essays originate from design disciplines such as architecture, urban planning and landscape architecture, or from architecture historians, philosophers, artists and sociologists. "Architecture Bulletin" is about the ways that we arrive at judgments about architecture, whether we encounter them through the media or streamlined in a scale model. It is also about the ways in which architecture can imbue our identities and behaviors with meaning, in metropolises like Hong Kong, postcolonial nations like Indonesia or at home, wherever that may be. These essays are about every aspect of architecture's impact in our world today.
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Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
Trisha Brown: so that the audience does not know whether i have stopped dancing
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Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
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What is routing? And a signature? What's the difference between gravure printing and offset? Printing and typography often present words and terms hard to understand for the reader not involved in it. This handbook explains in a short and clear way the basic concepts of every print: techniques of printing, paper sizes, binding, how to write a quote. With a dictionary of(...)
Handbook for the graphic arts
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What is routing? And a signature? What's the difference between gravure printing and offset? Printing and typography often present words and terms hard to understand for the reader not involved in it. This handbook explains in a short and clear way the basic concepts of every print: techniques of printing, paper sizes, binding, how to write a quote. With a dictionary of technical terms translated in Italian, English and French. An essential book for all the readers who want to better understand all the sides of a century-old art.
Transient city
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Urban Landmarks: Didier Fiuza Faustino, Olaf Nicolai, Bert Theis, Simone Decker, Périphériques, Justin Bennett, Carl Michael von Hausswolff, Xu Tan, Hehe Community Life: Jung Yeondoo, Rirkrit Tiravanija, Bik Van der Pol & Apolonija Sustersic, Carlos Garaicoa, Surasi Kusolwong. Tsuyoshi Ozawa. Urban Lab: Rem Koolhass/AMO/OMA, FCJZ, Atelier Bow-Wow, Multiplicity, ESAD,(...)
Transient city
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Urban Landmarks: Didier Fiuza Faustino, Olaf Nicolai, Bert Theis, Simone Decker, Périphériques, Justin Bennett, Carl Michael von Hausswolff, Xu Tan, Hehe Community Life: Jung Yeondoo, Rirkrit Tiravanija, Bik Van der Pol & Apolonija Sustersic, Carlos Garaicoa, Surasi Kusolwong. Tsuyoshi Ozawa. Urban Lab: Rem Koolhass/AMO/OMA, FCJZ, Atelier Bow-Wow, Multiplicity, ESAD, ENSAN, Bilgi University, Domus Academy
Théorie de l’urbanisme
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein,(...)
Radical Philosophy 149 may / june
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism Robert Spencer John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade Steve Edwards Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left Gail Day Joanna Hodge, Derrida on Time Jean-Paul Martinon
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Kö>Mix Sany>MIx
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This Comic/Erotic/Poet zine is a collaboration between Körner Union and Reala. It features the comics Mickey Has a Gun, Factorius and Cornel + the pictorial sequence Érotisme de Mal. Körner Union is a swiss team, working mostly with illustration, photography and art. Samuel Nyholm is part of the swedish design collective Reala. All are teachers at ECAL in Lausanne and(...)
Kö>Mix Sany>MIx
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This Comic/Erotic/Poet zine is a collaboration between Körner Union and Reala. It features the comics Mickey Has a Gun, Factorius and Cornel + the pictorial sequence Érotisme de Mal. Körner Union is a swiss team, working mostly with illustration, photography and art. Samuel Nyholm is part of the swedish design collective Reala. All are teachers at ECAL in Lausanne and founding members of the New Thing movement.
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Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter(...)
Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter hallward on Alain Badiou on Sarkozy Gail Day on Marxism and the History of Art Steve Edwards on John Roberts's The Intangibilities of Form Andrew Chitty on David Leopold's The young Karl Marx Fabian Säfer on Re-politicising the Kyoto School as Philosophy
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Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake(...)
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake of the radical movements of the 1960s, in philosophy and other fields. Radical Philosophy is not committed to any particular philosophy, ideology or political programme. The purpose of the journal is to provide a forum for debate and discussion of theoretical issues on the left. It encourages the serious and informed discussion of such issues in clear and non-technical language, aimed to reach a wide audience.
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