Transient city
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Urban Landmarks: Didier Fiuza Faustino, Olaf Nicolai, Bert Theis, Simone Decker, Périphériques, Justin Bennett, Carl Michael von Hausswolff, Xu Tan, Hehe Community Life: Jung Yeondoo, Rirkrit Tiravanija, Bik Van der Pol & Apolonija Sustersic, Carlos Garaicoa, Surasi Kusolwong. Tsuyoshi Ozawa. Urban Lab: Rem Koolhass/AMO/OMA, FCJZ, Atelier Bow-Wow, Multiplicity, ESAD,(...)
Transient city
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Urban Landmarks: Didier Fiuza Faustino, Olaf Nicolai, Bert Theis, Simone Decker, Périphériques, Justin Bennett, Carl Michael von Hausswolff, Xu Tan, Hehe Community Life: Jung Yeondoo, Rirkrit Tiravanija, Bik Van der Pol & Apolonija Sustersic, Carlos Garaicoa, Surasi Kusolwong. Tsuyoshi Ozawa. Urban Lab: Rem Koolhass/AMO/OMA, FCJZ, Atelier Bow-Wow, Multiplicity, ESAD, ENSAN, Bilgi University, Domus Academy
Théorie de l’urbanisme
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein,(...)
Radical Philosophy 149 may / june
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism Robert Spencer John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade Steve Edwards Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left Gail Day Joanna Hodge, Derrida on Time Jean-Paul Martinon
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Kö>Mix Sany>MIx
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This Comic/Erotic/Poet zine is a collaboration between Körner Union and Reala. It features the comics Mickey Has a Gun, Factorius and Cornel + the pictorial sequence Érotisme de Mal. Körner Union is a swiss team, working mostly with illustration, photography and art. Samuel Nyholm is part of the swedish design collective Reala. All are teachers at ECAL in Lausanne and(...)
Kö>Mix Sany>MIx
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This Comic/Erotic/Poet zine is a collaboration between Körner Union and Reala. It features the comics Mickey Has a Gun, Factorius and Cornel + the pictorial sequence Érotisme de Mal. Körner Union is a swiss team, working mostly with illustration, photography and art. Samuel Nyholm is part of the swedish design collective Reala. All are teachers at ECAL in Lausanne and founding members of the New Thing movement.
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Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter(...)
Radical Philosophy 148
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Commentaries: Looking back on May '68 Articles: Art and Immaterial Labour Maurizio Lazzarato: Art, Work and Politics in Societies of Security Judith Revel: Against Idealism and New Vitalisms Franco Berardi/Bifo: Conjunction/Connection Antonio Negri: Concerning Periodization in Art Review: Knox Peden on Bourg's May 1968 and Contemporary French Thought Peter hallward on Alain Badiou on Sarkozy Gail Day on Marxism and the History of Art Steve Edwards on John Roberts's The Intangibilities of Form Andrew Chitty on David Leopold's The young Karl Marx Fabian Säfer on Re-politicising the Kyoto School as Philosophy
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Can society be engineered in the twenty-first century?
Open 15 social engineering 2008 no. 15
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Can society be engineered in the twenty-first century?
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Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by(...)
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Théorie de la photographie
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Public phenomena by temporary services
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Espaces Public
Auto-stop
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Auto-Stop is a project that attempts to examine and test the institution, the institutional role and exhibition making. The projest investigates how curators and institutions present artists' works and ideas, and how can exhibitions are prepared, created and presented. With: Slater Bradley, Nina Canell, Leif Holmstrand, Sture Johannesson, John Koner, Runo Lagomarsino,(...)
Auto-stop
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Auto-Stop is a project that attempts to examine and test the institution, the institutional role and exhibition making. The projest investigates how curators and institutions present artists' works and ideas, and how can exhibitions are prepared, created and presented. With: Slater Bradley, Nina Canell, Leif Holmstrand, Sture Johannesson, John Koner, Runo Lagomarsino, Ariane Müller, Stina Östberg, Ahmet Ögüt, Mia Joo Rosasco, Frida Yngström and Franz West.
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake(...)
Radical Philosophy 147
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Radical Philosophy is a journal of socialist and feminist philosophy. It was founded in 1972 in response to the widely felt discontent with the sterility of academic philosophy at the time (in Britain completely dominated by the narrowest sort of "ordinary language" philosophy), with the purpose of providing a forum for the theoretical work which was emerging in the wake of the radical movements of the 1960s, in philosophy and other fields. Radical Philosophy is not committed to any particular philosophy, ideology or political programme. The purpose of the journal is to provide a forum for debate and discussion of theoretical issues on the left. It encourages the serious and informed discussion of such issues in clear and non-technical language, aimed to reach a wide audience.
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