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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
te magazine n.2: Song of the Nightingale
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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
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te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from(...)
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from overarching narratives, to direct our attention to the individual, the local, and to subjects that have long been part of our own lives—a more agile, intuitive mindset. The third issue of te magazine took shape in this context, and chose to confront experiences of 'plight'—plight of the persecuted, of the artists, of the forgotten, and of those living with colonial legacies. How might we, as individuals, transmute plights in order to learn to live in this world? If each piece in this issue can be said to propose a mode of healing, the aim is not only about specific pathologies, but rather to recommend adjustments and defenses in moments of crisis.
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The moment human fingertips lifted from the ground, upright walking became a privilege rather than a mere posture. The liberated hands could now be used to create tools for defense and hunting. The pupils’ gazes shifted from a level view to a downward perspective, a physical change that also translated into an awareness that overlooked other species. The spine, situated(...)
te magazine no.4: Spinal Memory
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The moment human fingertips lifted from the ground, upright walking became a privilege rather than a mere posture. The liberated hands could now be used to create tools for defense and hunting. The pupils’ gazes shifted from a level view to a downward perspective, a physical change that also translated into an awareness that overlooked other species. The spine, situated at the center of the human body, acts like a covert ruler, measuring the scale of evolution and supporting the illusion of being "human-centric." Thus, humans stand, placing themselves far above all other creatures. Following this profound gestural revolution came the imagination and manipulation of non-human animals (the Others), turning them into livestock and companions, as their wildness was rewritten as docility. Their bodies became resources to be medicated and refined, transforming into instruments for milk and nutritious meat production. They became basic knowledge and research data, linking humanity’s ever-expanding and illusory colonial territories.
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This inaugural issue of te magazine adopts Ye Wuji's "The Lost Society" as the central theme. The term "lost" means ephemeral silence and enfeeblement rather than disappearance and extinction. This means that many cultures only dissipated temporarily, and some are metamorphised. Food happens to witness this transition, and the word "society" refers to a collective(...)
te magazine no. 1: Lost society
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This inaugural issue of te magazine adopts Ye Wuji's "The Lost Society" as the central theme. The term "lost" means ephemeral silence and enfeeblement rather than disappearance and extinction. This means that many cultures only dissipated temporarily, and some are metamorphised. Food happens to witness this transition, and the word "society" refers to a collective destiny. In this issue, we invited 13 creative practitioners of different disciplines — to bring in and reflect upon their respective expertise, knowledge system and research trajectories from and in anthropology, sociology, and contemporary art — to explore food as a multi-faceted intricacy, at the same time reconstruct the relationship between food and geography.
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