183 Résultats
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
Titre:
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$45.95
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Titre:
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Acoustique
Acoustique
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livres
livres
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia(...)
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia(...)
Titre:
John Coltrane Frank Kofsky: Conversation
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia en 1971, « Black Nationalism and the Revolution in Music » que Pathfinder Press rééditera plus tard sous le titre « John Coltrane and the Jazz Revolution of the 1960s. »
John Coltrane Frank Kofsky: Conversation
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia en 1971, « Black Nationalism and the Revolution in Music » que Pathfinder Press rééditera plus tard sous le titre « John Coltrane and the Jazz Revolution of the 1960s. »
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$115.00
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Résumé:
On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation.(...)
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Résumé:
On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation.(...)
Titre:
Sound scenography: the art of designing sound for spaces
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On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.
Sound scenography: the art of designing sound for spaces
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Résumé:
On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Titre:
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
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livres
livres
Publication:
février 2022
février 2022
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
The nomadic listener
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
Titre:
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$54.00
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran(...)
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran(...)
Titre:
The Cricket: Black music in evolution, 1968-69
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, “The Cricket” laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists, and a range of musicians to devise new styles of music writing. This publication gathers all issues of the magazine.
The Cricket: Black music in evolution, 1968-69
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A rare document of the 1960s Black Arts Movement, “The Cricket” fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka’s New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip alongside concert and record reviews and essays on music and politics. Over four mimeographed issues, “The Cricket” laid out an anticommercial ideology and took aim at the conservative jazz press, providing a space for critics, poets, and journalists, and a range of musicians to devise new styles of music writing. This publication gathers all issues of the magazine.
Classification:
livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$35.95
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Résumé:
In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and(...)
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and(...)
Titre:
The politics of vibration: Music as cosmopolitical practice
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological determinant of subjectivity. Boon contends that music, as a shaping of vibration, needs to be recognized as a cosmopolitical practice—in the sense introduced by Isabelle Stengers—in which what music is within a society depends on what kinds of access to vibration are permitted, and to whom. This politics of vibration constitutes the hidden ontology of contemporary music because the organization of vibration shapes individual music scenes as well as the ethical choices that participants in these scenes make about how they want to live in the world.
The politics of vibration: Music as cosmopolitical practice
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In this publication, Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological determinant of subjectivity. Boon contends that music, as a shaping of vibration, needs to be recognized as a cosmopolitical practice—in the sense introduced by Isabelle Stengers—in which what music is within a society depends on what kinds of access to vibration are permitted, and to whom. This politics of vibration constitutes the hidden ontology of contemporary music because the organization of vibration shapes individual music scenes as well as the ethical choices that participants in these scenes make about how they want to live in the world.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$18.95
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Résumé:
Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages(...)
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages(...)
Titre:
Les mots et les sons : Un archipel sonore
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages rhétoriques de « ce qu’entendre veut dire ». Dans ce livre, François J. Bonnet explore les voix fantômes, l’inframince du son, le sampling, la phonographie et les résonances dont notre univers est peuplé et qui échappent aujourd’hui à la forme traditionnelle de l’écoute. Il ouvre sur des archipels sonores inouïs, éphémères et précaires comme les TAZs (Zones autonomes temporaires), mais riches de nouvelles expériences d’écoute, propres à éduquer nos oreilles à mieux entendre l’imperceptible.
Les mots et les sons : Un archipel sonore
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Dire le 'sonore' a été une des gageures de l’écriture esthétique et, au XXe siècle, on aura plus largement insisté sur la structure et la forme, au détriment de la sensation, en affirmant la toute-puissance du discours. Mais il suffit de porter l’oreille à une conque marine pour que le son de la mer qu’on y entend, ébranle les édifices, mette à bas les échafaudages rhétoriques de « ce qu’entendre veut dire ». Dans ce livre, François J. Bonnet explore les voix fantômes, l’inframince du son, le sampling, la phonographie et les résonances dont notre univers est peuplé et qui échappent aujourd’hui à la forme traditionnelle de l’écoute. Il ouvre sur des archipels sonores inouïs, éphémères et précaires comme les TAZs (Zones autonomes temporaires), mais riches de nouvelles expériences d’écoute, propres à éduquer nos oreilles à mieux entendre l’imperceptible.
Classification:
livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Ways of hearing
Ways of hearing
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$29.95
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Résumé:
In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing''(...)
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Résumé:
In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing''(...)
Titre:
Ways of hearing
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In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing'' began as a BBC television series, ''Ways of Hearing'' is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds.
Ways of hearing
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In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing'' began as a BBC television series, ''Ways of Hearing'' is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Acoustique
Acoustique
