181 Résultats
Classification:
livres
livres
Prix:
$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
$143.00
(disponible sur commande)
Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
Titre:
Architecture acoustics: principles and practice, second edition
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$143.00
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This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Architecture acoustics: principles and practice, second edition
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$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
Titre:
See this sound : audiovisuology 2 (essays)
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$55.00
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This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
See this sound : audiovisuology 2 (essays)
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$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$30.00
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
$30.00
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Titre:
Site of Sound #2: Of architecture and the ear
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$30.00
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Site of Sound #2: Of architecture and the ear
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$30.00
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$29.95
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
$29.95
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Résumé:
Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
Titre:
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$94.95
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
$94.95
(disponible sur commande)
Résumé:
The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
Titre:
Architecture music: Boa Baumann and Fritz Hauser
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$94.95
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Architecture music: Boa Baumann and Fritz Hauser
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$94.95
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Résumé:
The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$25.00
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
Titre:
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
A brief history of new music
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Titre:
A brief history of new music
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$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
A brief history of new music
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$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$27.95
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
$27.95
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Résumé:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
Titre:
Sounding new media, immersion and embodiment in the arts and culture
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$27.95
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Sounding new media, immersion and embodiment in the arts and culture
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$27.95
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Résumé:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
Titre:
Night music, essays on music 1928-1962
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$34.95
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Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Night music, essays on music 1928-1962
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$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Classification:
livres
livres
Publication:
octobre 2009, Chicago
octobre 2009, Chicago
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$27.95
(disponible sur commande)
Résumé:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
$27.95
(disponible sur commande)
Résumé:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
Titre:
Cracked media : the sound of malfunction
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$27.95
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Cracked media : the sound of malfunction
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$27.95
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Résumé:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
