Manuel de l'acousmonium
$21.95
(disponible en magasin)
Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est(...)
Manuel de l'acousmonium
Actions:
Prix:
$21.95
(disponible en magasin)
Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est encore trop souvent soumise aux contingences et aux infrastructures traditionnelles, ce manuel propose également des outils conceptuels et pratiques applicables à des contextes et des dispositifs variés afin de conduire l'expérience du concert au plus près de l'écoute.
Acoustique
$25.00
(disponible sur commande)
Résumé:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
Surface tension : problematics of site
Actions:
Prix:
$25.00
(disponible sur commande)
Résumé:
From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Acoustique
$45.00
(disponible sur commande)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers(...)
Boooook: The life and work of Bob Cobbing
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers Forum. Edited by William Cobbing and Rosie Cooper – and illustrated with reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Andrew Wilson, and others.
Acoustique
$41.95
(disponible sur commande)
Résumé:
Silence, John Cage's first book and epic masterpiece, was published in October 1961. In these lectures, scores, and writings, Cage tries, as he says, to find a way of writing that comes from ideas, is not about them, but that produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I(...)
Silence: lectures and writings of John Cage, 50th anniversary edition
Actions:
Prix:
$41.95
(disponible sur commande)
Résumé:
Silence, John Cage's first book and epic masterpiece, was published in October 1961. In these lectures, scores, and writings, Cage tries, as he says, to find a way of writing that comes from ideas, is not about them, but that produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching. Fifty years later comes a beautiful new edition with a foreword by eminent music critic Kyle Gann
Acoustique
Spectre n° 02 : résonances
$29.95
(disponible sur commande)
Résumé:
Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage,(...)
Spectre n° 02 : résonances
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Le deuxième numéro de la publication annuelle consacrée à l'expérimentation sonore et musicale, coéditée par Shelter Press et l'Ina GRM – Groupe de Recherches Musicales, autour du concept de résonances, avec des contributions de Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop et Christian Zanési.
Acoustique
$54.00
(disponible sur commande)
Résumé:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In(...)
Stereophonica: Sound and space in science, technology and the arts
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In ''Stereophonica,'' Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound.
Acoustique
Structure and synthesis
$54.00
(disponible sur commande)
Résumé:
In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
Structure and synthesis
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music.
Acoustique
$115.00
(disponible sur commande)
Résumé:
On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation.(...)
Sound scenography: the art of designing sound for spaces
Actions:
Prix:
$115.00
(disponible sur commande)
Résumé:
On the occasion of the 15-year anniversary of Idee und Klang Audio Design (Idea and Sound Audio Design), a publication has been created that is dedicated to sound scenography and at the same time reflects the work of the atelier. It includes questions about the still-young field of acoustic exhibition design as well as personal experiences in the area of audio creation. The topic is framed by interviews and texts by guest authors within this discipline.
Acoustique
$45.95
(disponible sur commande)
Résumé:
During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Bone music: Soviet X-Ray audio
Actions:
Prix:
$45.95
(disponible sur commande)
Résumé:
During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Acoustique
The nomadic listener
$25.00
(disponible sur commande)
Résumé:
Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
The nomadic listener
Actions:
Prix:
$25.00
(disponible sur commande)
Résumé:
Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
Acoustique