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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Théorie de l’architecture
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Les études sur l'enseignement de l'architecture en France n'ont pas manqué ces dernières années, mais elles n'ont qu'incidemment pris pour sujet les élèves et les professeurs. Loin de l'histoire administrative ou de celle de la pédagogie, les textes ici réunis associent biographies et prosopographies pour donner un visage à celles et ceux qui ont fait vivre les écoles.(...)
Théorie de l’architecture
janvier 2024
Les Mondes de l'enseignement de l'architecture : élèves, enseignants et enseignantes
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Les études sur l'enseignement de l'architecture en France n'ont pas manqué ces dernières années, mais elles n'ont qu'incidemment pris pour sujet les élèves et les professeurs. Loin de l'histoire administrative ou de celle de la pédagogie, les textes ici réunis associent biographies et prosopographies pour donner un visage à celles et ceux qui ont fait vivre les écoles. Enquêter au-delà des souvenirs qui nous sont parvenus, comprendre ce qu'ont été ces hommes et ces femmes et mettre en perspective leur situation actuelle, tels sont les objectifs de cet ouvrage.
Théorie de l’architecture
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Jesús María Aparicio Guisado expounds here his conception of architecture by exploring the notion of the wall in four major buildings through drawing and words.
Théorie de l’architecture
janvier 2024
Le mur : Concept essentiel dans le projet architectonique
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Jesús María Aparicio Guisado expounds here his conception of architecture by exploring the notion of the wall in four major buildings through drawing and words.
Théorie de l’architecture
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Convaincu que l'écriture poétique est plus à même de restituer un fait architectural qu'une photographie, Michel Vernes fut un véritable écrivain d'architecture. Exceptionnelle par sa richesse, son érudition et sa qualité littéraire, son oeuvre, composée essentiellement d'articles et d'essais, est longtemps restée dispersée. Ce recueil réunit une sélection de trente-deux(...)
Project et souvenirs : Écrits sur l'art et l'architecture, la ville et le paysage
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Convaincu que l'écriture poétique est plus à même de restituer un fait architectural qu'une photographie, Michel Vernes fut un véritable écrivain d'architecture. Exceptionnelle par sa richesse, son érudition et sa qualité littéraire, son oeuvre, composée essentiellement d'articles et d'essais, est longtemps restée dispersée. Ce recueil réunit une sélection de trente-deux textes qui offrent enfin une vue d'ensemble sur son travail original et exigeant, éclectique et buissonnier. Convaincu que l'écriture poétique est plus à même de restituer un fait architectural qu'une photographie, Michel Vernes fut un véritable écrivain d'architecture. Exceptionnelle par sa richesse, son érudition et sa qualité littéraire, son oeuvre, composée essentiellement d'articles et d'essais, est longtemps restée dispersée. Ce recueil réunit une sélection de trente-deux textes qui offrent enfin une vue d'ensemble sur son travail original et exigeant, éclectique et buissonnier.
Théorie de l’architecture
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A spider spinning its web in a dark corner. Wasps building a nest under a roof. There’s hardly any part of the built environment that can’t be inhabited by nonhumans, and yet we are extremely selective about which animals we keep in or out. This book imagines new ways of thinking about architecture and the more-than-human and asks how we might design with animals and the(...)
Animal architecture: Beasts, buildings and us
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A spider spinning its web in a dark corner. Wasps building a nest under a roof. There’s hardly any part of the built environment that can’t be inhabited by nonhumans, and yet we are extremely selective about which animals we keep in or out. This book imagines new ways of thinking about architecture and the more-than-human and asks how we might design with animals and the other lives that share our spaces in mind. This volume is a provocative exploration of how to think about building in a world where humans and other animals are already entangled, whether we acknowledge it or not.
Théorie de l’architecture
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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the(...)
Kenneth Frampton: Conversations with Daniel Talesnik
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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of "critical regionalism" and "tectonic culture," and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s "criticality" and his enduring impact on architectural practice. As a whole, this volume is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.
Théorie de l’architecture
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This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
Modern architecture and climate: Design before air conditioning
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This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Théorie de l’architecture
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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as(...)
Radical normal: Propositions for the architecture of the city
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The cycle of production and consumption, artificially accelerated by advertising and marketing, has characterised our society for decades. This cycle has recently also taken hold of the architecture of the city, leading to a waste that is both economically and ecologically unacceptable. The destruction of buildings that are not actually obsolete is just as questionable as the production of extravagant architectures for which there is no real need. This book is a protest against the merciless globalisation of the city and its dissolution into faceless, inhospitable peripheries. At the same time, it puts forward alternative strategies of urban design to counteract such globalisation and dissolution. It formulates a different approach to urbanism, one which views the city not as a carnivalesque display of vanities but as a sophisticated spatial construction that lays down the conditions for a productive, sociable, serene, and happy life.
Théorie de l’architecture
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Montessori schools became trendsetting educational institutions early on, and their concept is strongly reflected in their architecture and equipment. This is the first book that comprehensively addresses architectural design, construction, and the use of materials in and the furnishing of educational spaces according to Montessori’s ideas. The book’s first part explores(...)
Montessori architecture: A design instrument for schools
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Montessori schools became trendsetting educational institutions early on, and their concept is strongly reflected in their architecture and equipment. This is the first book that comprehensively addresses architectural design, construction, and the use of materials in and the furnishing of educational spaces according to Montessori’s ideas. The book’s first part explores spatial and design principles that make up good kindergarten and school buildings. In the second part, nine case studies are featured in detail through photographs, plans, and concise texts. These examples are located in Europe (the Netherlands, Belgium, Great Britain) as well as in tropical countries (Burkina Faso, Tanzania, Bangladesh, Sri Lanka). Thus, this highly illustrative volume offers practical advice and a wealth of information that is of utmost importance for the design of school buildings in general.
Théorie de l’architecture
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural(...)
Crash: Peter Eisenman. Iuav Venezia 1986-87
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Peter Eisenman, one of the greatest contemporary architects, taught in Italy in 1986 at the IUAV University of Venice. This book, edited by his students Raffaella Laezza and Shuli Beimel aims to be a lucid witness of a period of great cultural change in international architectural design that found at IUAV, in the academic year 1986-87, in Peter Eisenman’s Architectural Composition III course one of its most significant moments. Twenty-five students, selected by the American professor, were introduced to new thinking and a new design method that confronted the concepts of ''time / site / space'' in a completely innovative way. This caused in each young student a real ''crash''. But wasn’t such a ''crash'' already an unstoppable, international wave? The book invites us into the thinking of the American architect who states in the interview, ''I have always loved Italy, the culture, the food, the people, so making this book was very important to me.''
Théorie de l’architecture