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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the(...)
The everyday life of memorials
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the study of the everyday and memory studies. This book explores how memorials end up where they are, grow invisible, fight with traffic, get moved, are assembled into memorial zones, and are drawn anew into commemorations and political maelstroms that their original sponsors never could have imagined. Finally, exploring how people behave at memorials and what memorials ask of people reveals just how strange the commemorative infrastructure of modernity is.
Théorie de l’architecture
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Aline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. ''When Eero met his match'' draws on the couple’s personal correspondence to reconstruct the early days of their thrilling(...)
When Eero met his match: Aline Louchheim Saarinen and the making of an architect
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Aline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. ''When Eero met his match'' draws on the couple’s personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim’s gradual takeover of Saarinen’s public narrative in the 1950s, the decade when his career soared to unprecedented heights. Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen’s work would not have been nearly as well known. Providing a new understanding of postwar architectural history in the United States, ''When Eero met his match'' is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
Théorie de l’architecture
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The past two decades have seen revolutionary shifts in our ability to navigate, inhabit, and define the spatial realm. The data flows that condition much of our lives now regularly include Global Positioning System (GPS) readings and satellite images of a quality once reserved for a few militaries and intelligence agencies, and powerful geographic information system (GIS)(...)
Close up at a distance: mapping, technology and politics
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The past two decades have seen revolutionary shifts in our ability to navigate, inhabit, and define the spatial realm. The data flows that condition much of our lives now regularly include Global Positioning System (GPS) readings and satellite images of a quality once reserved for a few militaries and intelligence agencies, and powerful geographic information system (GIS) software is now commonplace. These new technologies have raised fundamental questions about the intersection between physical space and its representation, virtual space and its realization. In ''Close up at a distance,'' Laura Kurgan offers a theoretical account of these new digital technologies of location and a series of practical experiments in making maps and images with spatial data. Neither simply useful tools nor objects of wonder or anxiety, the technologies of GPS, GIS, and satellite imagery become, in this book, the subject and the medium of a critical exploration. ''Close up at a distance'' records situations of intense conflict and struggle, on the one hand, and fundamental transformations in our ways of seeing and of experiencing space, on the other. Kurgan maps and theorizes mass graves, incarceration patterns, disappearing forests, and currency flows in a series of cases that range from Kuwait (1991) to Kosovo (1999), New York (2001) to Indonesia (2010). Using digital spatial hardware and software designed for military and governmental use in reconnaissance, secrecy, monitoring, ballistics, the census, and national security, Kurgan engages and confronts the politics and complexities of these technologies and their uses. At the intersection of art, architecture, activism, and geography, she uncovers, in her essays and projects, the opacities inherent in the recording of information and data and reimagines the spaces they have opened up.
Théorie de l’architecture
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Today, many feel fettered by insomnia, untouchability, and restrictions on movement. Looking for a more holistic approach to bodily and mental health, this book explores architectures and elementary forms of care and healing in different time periods: from the powers of sleep, touch, and travel in Asklepieia, the ancient healing temples for divine dream encounters(...)
Architecture of healing: Cure through sleep, touch, and travel
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Today, many feel fettered by insomnia, untouchability, and restrictions on movement. Looking for a more holistic approach to bodily and mental health, this book explores architectures and elementary forms of care and healing in different time periods: from the powers of sleep, touch, and travel in Asklepieia, the ancient healing temples for divine dream encounters alleviating the pain of the ailing pilgrim; to the attentiveness carried through the healing touch from the establishment of Byzantine hospitals till our times; to a pilgrimage center in modern-day Lesbos on a personal search for healing from the traumas of war and patriarchy; to the liberating and self-preserving powers of sleep as a healing response to past and current systems of oppression.
Théorie de l’architecture
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This volume is a theory of contemporary architecture, spanning the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, the book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference(...)
Inscriptions: Architecture before speech
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This volume is a theory of contemporary architecture, spanning the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, the book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images, there is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call "Inscription", manages to both offer fundamentally intelligible form to architecture’s audiences, while at the same time advancing the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention.
Théorie de l’architecture
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Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works "The Mathematics of the Ideal Villa and Other Essays" (1976) and "Collage City" (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, "carefully careless, " both witty and erudite. This(...)
Théorie de l’architecture
décembre 2022
I almost forgot: Unpublished Colin Rowe
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Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works "The Mathematics of the Ideal Villa and Other Essays" (1976) and "Collage City" (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, "carefully careless, " both witty and erudite. This publication gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally scathing, they fill in personal details and clarify key concepts in Rowe's work. The author’s voice and opinions are strong in his discussions of architecture, current events, and his own life and work. The writings are illustrated by images of Rowe's drawings, letters, and postcards; photographs and drawings of Rowe's only built work; and illustrations chosen by Rowe for lectures.
Théorie de l’architecture
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Théorie de l’architecture
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In this book, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy while giving readers a deeper understanding of Italy's architectural habitat and(...)
Some reasons for traveling to Italy
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In this book, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy while giving readers a deeper understanding of Italy's architectural habitat and cultural mythology. In Wilson's narratives and anecdotes, place names function as talismans; the events may not tally with recorded history, or with the exact topographies of actual places. Wilson offers historical reworkings, appropriations, and an architect's scrutiny of certain Italian tropes.
Théorie de l’architecture
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete(...)
Brutalism as found: Housing, form and crisis at Robin Hood Gardens
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete monstrosity" or a "modernist masterpiece"—have marginalized the estate's residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate's lived experience of a multiracial working class, not to displace the architecture's sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
Théorie de l’architecture
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The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the(...)
Behind the glass: The Villa Tugendhat and its family
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The Villa Tugendhat, designed by Mies van der Rohe in 1928, is an icon of architectural modernism and a UNESCO World Heritage site. This book tells the true story of the large family connected to it, who rose to prominence through industrial textile manufacturing. It traces the transformations in the life of the family, from their roots in a Jewish ghetto to part of the wealthy bourgeoisie in the Austro-Hungarian Empire to adaptation in interwar independent Czechoslovakia and flight in the face of Nazi invasion. Michael Lambek examines the generation born in the first decade of the twentieth century, especially Grete Tugendhat – Lambek’s maternal grandmother – who commissioned, inhabited, championed, and relinquished the distinctive modern house.The book also provides unpublished correspondence between Martin Heidegger and Ernst Tugendhat, Grete’s son, as well as a description of the impact of a 2017 family reunion.
Théorie de l’architecture