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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In this volume scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. The volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors(...)
Théorie de l’architecture
décembre 2022
Place matters: critical topographies in word and image
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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In this volume scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. The volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here?
Théorie de l’architecture
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Disability critiques of architecture usually emphasize the need for modification and increased access, but this publication calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for "the construction of disability," this book fundamentally reconsiders how we(...)
The architecture of disability: Buildings, cities, and landscapes beyond access
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Disability critiques of architecture usually emphasize the need for modification and increased access, but this publication calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for "the construction of disability," this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space.
Théorie de l’architecture
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With this book, Jeffrey Saletnik explores the origins of Josef Albers’s teaching practices and their significance in conveying attitudes about form, material, and sensory understanding to artists Eva Hesse and Richard Serra. He demonstrates how pedagogy is a framework that establishes the possibility for artistic discourse and how the methods through which artists learn(...)
Joseph Albers, late modernism, and pedagogic form
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With this book, Jeffrey Saletnik explores the origins of Josef Albers’s teaching practices and their significance in conveying attitudes about form, material, and sensory understanding to artists Eva Hesse and Richard Serra. He demonstrates how pedagogy is a framework that establishes the possibility for artistic discourse and how the methods through which artists learn are manifested in their individual practices. Tracing through lines from Albers’s training in German educational traditions to his influence on American postwar art, this volume positions Albers’s pedagogy as central to the life of modernism.
Théorie de l’architecture
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The second volume of the Laboratorium series takes a stance in the widespread discussion on research and the creative process of archi-tecture. Examples are used to show how individual insight can be applied to the design process, thereby making it communicable.
Researching architecture: Laboratorium 2
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The second volume of the Laboratorium series takes a stance in the widespread discussion on research and the creative process of archi-tecture. Examples are used to show how individual insight can be applied to the design process, thereby making it communicable.
Théorie de l’architecture
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It is only through committed confrontation in built and social contexts that locality-specific and therefore identity-creating buildings can be designed. The objective of this book - developed by internationally renowned architect Dietmar Eberle at the ETH Zurich is to document the complexity of the design process. With essays from various authors, this second edition(...)
Théorie de l’architecture
septembre 2010
From city to house, a design theory
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It is only through committed confrontation in built and social contexts that locality-specific and therefore identity-creating buildings can be designed. The objective of this book - developed by internationally renowned architect Dietmar Eberle at the ETH Zurich is to document the complexity of the design process. With essays from various authors, this second edition explores the complexity of the individual components of design. In corresponding exercise sections a clearly defined and structured methodology for the design process is formulated - a methodology that can be used for teaching as well as in practice.
Théorie de l’architecture
Histoire de l'architecture
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Après avoir été pendant longtemps au service de la pratique architecturale, l'histoire de l'architecture est devenue récemment un enjeu dans la légitimation culturelle d une profession. Cette histoire elle-même, depuis le milieu du XIXe siècle, n'a cessé de gagner en autonomie : problématiques nouvelles, territoires et objets diversifiés, posent à l'historien des(...)
Histoire de l'architecture
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Après avoir été pendant longtemps au service de la pratique architecturale, l'histoire de l'architecture est devenue récemment un enjeu dans la légitimation culturelle d une profession. Cette histoire elle-même, depuis le milieu du XIXe siècle, n'a cessé de gagner en autonomie : problématiques nouvelles, territoires et objets diversifiés, posent à l'historien des questions fortes. En retraçant l'histoire de l'architecture jusqu'au développement de ses démarches les plus contemporaines, ce livre nous aide à mieux comprendre les orientations actuelles d'une discipline dont les enjeux esthétiques, mais aussi sociaux et politiques, se révèlent fondamentaux dans notre monde moderne.
Théorie de l’architecture
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L'urbanisation des territoires de transition entre la ville et la campagne ceux de la suburbia, est oublieuse de l'épaisseur du passé, des transformations complexes des sites, aussi bien que des représentations que l'on s'en fait. La notion de sub-urbanisme, définie par l'auteur comme une " subversion de l'urbanisme ", remet profondément en question un telle attitude.(...)
L'art de la mémoire, le territoire et l'architecture
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L'urbanisation des territoires de transition entre la ville et la campagne ceux de la suburbia, est oublieuse de l'épaisseur du passé, des transformations complexes des sites, aussi bien que des représentations que l'on s'en fait. La notion de sub-urbanisme, définie par l'auteur comme une " subversion de l'urbanisme ", remet profondément en question un telle attitude. Cet essai plaide pour une démarche qui appréhenderait le site comme la matrice d'un projet explorant les multiples strates spatio-temporelles du territoire : l'architecture comme instrument de la mémoire et la mémoire comme matière de l'architecture. Quatre sources alimentent la démarche : les travaux de Frances Yates sur L'Art de la mémoire, consacrés aux pratiques mnémotechniques des anciens ; la "métaphore romaine" proposée par Sigmund Freud pour évoquer le mode de conservation du passé dans la structuration de la psyché ; la démarche de l'artiste américain Robert Smithson avec son concept de non-site ; et enfin le parc de Lancy réalisé dans la banlieue de Genève par l'architecte Georges Descombes. A l'instar du sub-urbanisme qu'elle entreprend d'illustrer, cette démon tration s'aventure dans l'épaisseur narrative des lieux, et invite le lecteur-visiteur à frayer son chemin à travers de nombreuses couches de mémoire et de culture. Le mot d'ordre est extrapolation.
Théorie de l’architecture
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Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as found in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to(...)
At home: A short history of private life
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Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as found in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to "write a history of the world without leaving home." The bathroom provides the occasion for a history of hygiene; the bedroom, sex, death, and sleep; the kitchen, nutrition and the spice trade; and so on, as Bryson shows how each has figured in the evolution of private life. Whatever happens in the world, he demostrates, ends up in our house, in the paint and the pipes and the pillows and every item of furniture.
Théorie de l’architecture
livres
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In this publication, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analyzing the interface among psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principle focus of this study is(...)
The psychologizing of modernity
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In this publication, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analyzing the interface among psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principle focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and postwar America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and most recently, to theory.
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décembre 2010
Théorie de l’architecture
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Ever since building began, architecture has relied on mathematics to achieve visual harmony, structural integrity, and logical construction. For most of the history of building, architects have applied the principles of Euclidean geometry, the description of points, lines, and volumes according to the three axes of space. Recently, however, digital design tools and(...)
The new mathematics of architecture
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Ever since building began, architecture has relied on mathematics to achieve visual harmony, structural integrity, and logical construction. For most of the history of building, architects have applied the principles of Euclidean geometry, the description of points, lines, and volumes according to the three axes of space. Recently, however, digital design tools and massive computer processing power, along with an increasing interest in physics and pure mathematics, have given architects the means to describe and build spatial constructs that would have been inconceivable even ten years ago. This survey of some forty international projects offers an overview of how different strategies are being employed through accessible illustrations and clear text. Each section presents case studies of projects by globally recognized architects through diagrams, photographs, and texts.
Théorie de l’architecture