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For almost 20 years, Detlef Mertins has been a critical voice in renewing our understanding of architectural modernity. Architect, historian, professor, his essays have often taken up familiar themes in order to redress inaccuracies and release energies that we were unaware of. These essays elaborate on such key modernist tropes as transparency, glass architecture,(...)
AA words 7: Modernity unbound
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For almost 20 years, Detlef Mertins has been a critical voice in renewing our understanding of architectural modernity. Architect, historian, professor, his essays have often taken up familiar themes in order to redress inaccuracies and release energies that we were unaware of. These essays elaborate on such key modernist tropes as transparency, glass architecture, organicism, life and event, sameness and difference. Previously published in a variety of different venues, from journals to anthologies – including such noted books as Lars Spuybroek's NOX: Machining Architecture and FOA's Phylogenesis – they are now assembled for the first time in this volume.
Théorie de l’architecture
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research(...)
20/20 : editorial takes on architectural discourse
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Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research collective that at the time of writing was on the cusp of being launched ([bracket]). Also included are contributions from the editors of 306090, AA Files, Actar, An Architektur, Footprint, Grey Room, Harvard Design Magazine, Hunch, Interstices, Log, Manifold, Mark, New Geographies, OASE, Praxis, Scapes, UME and Volume. 20/20 is a timely publication that provides today's architectural reader with concise viewpoints from the editors behind the magazines behind architectural culture.
Théorie de l’architecture
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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and(...)
AA Agenda 11 : mediating architecture
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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and between the actual design and its environment. To achieve this, the field of work, the tools of design and the representation of architects needs to develop. The architect has to design the design process itself. Mediating Architecture demonstrates the extended role of the architect through the applied work of AA's Diploma Unit 14 within London's Thames Gateway over three consecutive years. A series of essays reflect this methodology from the multi-disciplinary perspectives of architecture, urban design, landscape design and philosophy.
Théorie de l’architecture
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Danish artist Asger Jorn (1914-1973) is internationally renowned for his activities within the CoBrA and the International Situationist groups. Quite apart from his paintings, prints, ceramics and sculptures, Jorn produced a remarkable amount of theoretical work. His ideas are still extremely relevant to contemporary discourse. However, in contrast to his artistic oeuvre,(...)
L'architecture sauvage: Asger Jorn's critique and concept of architecture
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Danish artist Asger Jorn (1914-1973) is internationally renowned for his activities within the CoBrA and the International Situationist groups. Quite apart from his paintings, prints, ceramics and sculptures, Jorn produced a remarkable amount of theoretical work. His ideas are still extremely relevant to contemporary discourse. However, in contrast to his artistic oeuvre, Jorn's theoretical arguments have received much less attention from scholars of architecture, art history or philosophy. This book for the first time reveals this largely ignored aspect of Jorn's work. Jorn's opinions and motivations are subsequently contextualized within the theoretical debate of his time and are linked in the book to examples of built architecture, which influenced and informed his conception of architecture and urbanism.
Théorie de l’architecture
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The Danish artist Asger Jorn is primarily known as a painter who was active in the Høst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and his urge to provoke debate at all social levels. Fraternité Avant Tout is an(...)
Fraternité avant tout: Asger Jorn's writings on art and architecture
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The Danish artist Asger Jorn is primarily known as a painter who was active in the Høst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and his urge to provoke debate at all social levels. Fraternité Avant Tout is an anthology of Asger Jorn’s writings on art and architecture translated into English for the first time.
Théorie de l’architecture
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific(...)
avril 2011
Fallout shelter: Designing for civil defense in the Cold War
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific assumptions about race, gender, class, and power.
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism,(...)
Henri Lefebvre on space: architecture, urban research, and the production of theory
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Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism, sociology, and philosophy that occurred in France in the 1960s and 1970s, which was marked by a shift in the processes of urbanization at all scales, from the neighborhood to the global level. Lefebvre’s thinking was central to this encounter, which informed both his theory of space and the concept of urbanization becoming global.
Théorie de l’architecture
Architecture of thought
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In Architecture of Thought, Andrzej Piotrowski maps and conceptually explores material practices of the past, showing how physical artifacts and visual environments manifest culturally rooted modes of thought and participate in the most nuanced processes of negotiations and ideological exchanges. Combining design thinking with academic methods of inquiry, Piotrowski(...)
Architecture of thought
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In Architecture of Thought, Andrzej Piotrowski maps and conceptually explores material practices of the past, showing how physical artifacts and visual environments manifest culturally rooted modes of thought and participate in the most nuanced processes of negotiations and ideological exchanges. Combining design thinking with academic methods of inquiry, Piotrowski traces ancient to modern architectural histories and—through critical readings of select buildings—examines the role of nonverbal exchanges in the development of an accumulated Western identity. Operating from the assertion that buildings are the most permanent record of unself-conscious beliefs and attitudes, it discusses Byzantium and the West after iconoclasm, the conquest and colonization of Mesoamerica, the Reformation and Counter-Reformation in Eastern Europe, the rise of the culture of consumerism in Victorian England, and High Modernism as its consequence.
Théorie de l’architecture
Kissing architecture
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Kissing Architecture explores the mutual attraction between architecture and other forms of contemporary art. Sylvia Lavin develops the concept of "kissing" to describe the growing intimacy between architecture and new types of art--particularly multimedia installations that take place in and on the surfaces of buildings--and to capture the sensual charge that is being(...)
Kissing architecture
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Kissing Architecture explores the mutual attraction between architecture and other forms of contemporary art. Sylvia Lavin develops the concept of "kissing" to describe the growing intimacy between architecture and new types of art--particularly multimedia installations that take place in and on the surfaces of buildings--and to capture the sensual charge that is being designed and built into architectural surfaces and interior spaces today.
Théorie de l’architecture
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Les Entretiens sur l'architecture ont été publiés en 1863. Viollet-le-Duc y concentre, plus que dans le Dictionnaire, l'essentiel de son expérience et de sa pensée. L'architecture n'est pas la seule affaire des architectes, c'est l'affaire de tous : elle naît et se développe dans et avec les sociétés où elle s'incarne. Elle exprime et elle reflète, plus qu'elle n'est le(...)
Entretiens sur l'architecture
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Les Entretiens sur l'architecture ont été publiés en 1863. Viollet-le-Duc y concentre, plus que dans le Dictionnaire, l'essentiel de son expérience et de sa pensée. L'architecture n'est pas la seule affaire des architectes, c'est l'affaire de tous : elle naît et se développe dans et avec les sociétés où elle s'incarne. Elle exprime et elle reflète, plus qu'elle n'est le produit d'une science et de techniques. Elle est un métier et un art, une discipline et un style. C'est précisément ce que Viollet-le-Duc rend sensible de manière concrète et vivante, dans un livre qui reste un modèle et un outil de référence.
Théorie de l’architecture