The infinity of lists
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Author and philosopher Umberto Eco is currently resident at the Louvre, and his chosen theme of study is "the vertigo of lists." Reflecting on this enormous trove of human achievements, he has embarked on an investigation of the phenomenon of cataloging and collecting. This book, featuring lavish reproductions of artworks from the Louvre and other world-famous(...)
The infinity of lists
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Author and philosopher Umberto Eco is currently resident at the Louvre, and his chosen theme of study is "the vertigo of lists." Reflecting on this enormous trove of human achievements, he has embarked on an investigation of the phenomenon of cataloging and collecting. This book, featuring lavish reproductions of artworks from the Louvre and other world-famous collections, is a philosophical and artistic sequel to Eco’s recent acclaimed books, History of Beauty and On Ugliness, books in which he delved into the psychology, philosophy, history, and art of human forms. Here he examines the Western mind’s predilection for list-making and the encyclopedic. His central thesis is that in Western culture a passion for accumulation is recurring: lists of saints, catalogues of plants, collections of art. This impulse has recurred through the ages from music to literature to art.From medieval reliquaries to Andy Warhol’s compulsive collecting, Umberto Eco reflects in his inimitably inspiring way on how such catalogues mirror the spirit of their times.
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
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This is the only book of Gutman's collected essays to span his entire career, with the earliest essay included from 1965, and the most recent from 2005. Before his death in 2007, Gutman wrote a new introduction for the book, its chapters, and each of the included essays. The fourteen essays included here are the rare case of valuable historical documents that remain(...)
Architecture from the outside in, selected essays by Robert Gutman
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This is the only book of Gutman's collected essays to span his entire career, with the earliest essay included from 1965, and the most recent from 2005. Before his death in 2007, Gutman wrote a new introduction for the book, its chapters, and each of the included essays. The fourteen essays included here are the rare case of valuable historical documents that remain relevant to architects practicing today. Editors added twelve dialogues by some of Gutman's former students, now some of the best-known architects and theorists of today: Bryan Bell, Deborah Berke, Peggy Deamer, Frank Duffy, etc.
Théorie de l’architecture
L'architecture du bonheur
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Réflexion sur l'architecture des lieux où nous vivons et travaillons. En quoi le cadre de vie influence-t-il notre mode de pensée, notre façon de nous comporter, notre existence au quotidien ? De Paris à Tokyo, du Kent à l'Engadine, l'auteur évoque les idéaux architecturaux et les met en relation avec les lieux où il fait bon vivre.
L'architecture du bonheur
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Réflexion sur l'architecture des lieux où nous vivons et travaillons. En quoi le cadre de vie influence-t-il notre mode de pensée, notre façon de nous comporter, notre existence au quotidien ? De Paris à Tokyo, du Kent à l'Engadine, l'auteur évoque les idéaux architecturaux et les met en relation avec les lieux où il fait bon vivre.
Théorie de l’architecture
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This text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis. Divided into three sections, 'Brunelleschi,(...)
Brunelleschi, Lacan, Le Corbusier : architecture, space and the construction of subjectivity
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This text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis. Divided into three sections, 'Brunelleschi, Lacan, Le Corbusier' argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness.
Théorie de l’architecture
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While the potential of agency is most frequently taken to be the power and freedom to act for oneself, for the architectural community this also involves the power and responsibility to act as intermediaries on behalf of others. Presenting current thinking from practitioners and scholars from around the world, this book asks for a more active relationship between the(...)
Théorie de l’architecture
janvier 2010
Agency: working with uncertain architecture
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While the potential of agency is most frequently taken to be the power and freedom to act for oneself, for the architectural community this also involves the power and responsibility to act as intermediaries on behalf of others. Presenting current thinking from practitioners and scholars from around the world, this book asks for a more active relationship between the humanities, the architectural profession, and society. Considering issues of architectural research as an agency of transformation, this book explores how humanities research can better contribute towards understanding current architectural needs.
Théorie de l’architecture
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Formerly grounded in values of craftsmanship, in the skilled making of products, ‘quality’ is now associated with the management of administrative or technical processes. Its appreciation, once based in the exercise of individual judgement and taste, is now often founded on supposedly objective systems of evaluation. Practitioners of design are under pressure to(...)
Théorie de l’architecture
janvier 2010
Quality out of control: standards for measuring architecture
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Formerly grounded in values of craftsmanship, in the skilled making of products, ‘quality’ is now associated with the management of administrative or technical processes. Its appreciation, once based in the exercise of individual judgement and taste, is now often founded on supposedly objective systems of evaluation. Practitioners of design are under pressure to quantify ‘quality’, but it is questionable whether it is possible or even desirable to do so. This book considers this important issue, looking at how quality is defined,appreciated, evaluated, managed, and produced. With contributions from eminent architects and architectural critics, this book is for architects, academics, students and anyone interested in what architectural quality is, and how it may be achieved.
Théorie de l’architecture
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Bringing to light the debt twentieth-century modernist architects owe to the vernacular building traditions of the Mediterranean region, this book considers architectural practice and discourse from the 1920s to the 1980s. The essays here situate Mediterranean modernism in relation to concepts such as regionalism, nationalism, internationalism, critical regionalism, and(...)
Théorie de l’architecture
janvier 2010
Modern architecture and the Mediterranean: vernacular dialogues and contested identities
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Bringing to light the debt twentieth-century modernist architects owe to the vernacular building traditions of the Mediterranean region, this book considers architectural practice and discourse from the 1920s to the 1980s. The essays here situate Mediterranean modernism in relation to concepts such as regionalism, nationalism, internationalism, critical regionalism, and postmodernism - an alternative history of the modern architecture and urbanism of a critical period in the twentieth century.
Théorie de l’architecture
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This book is a follow-up to Hertzberger's Lessons for Students in Architecture published in 1991. Similar in approach to the earlier book, it aims to trace some of the sources for, and examples of, the author's architectural projects of the last 10 years.
Space and the architect, lessons in architecture 2
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This book is a follow-up to Hertzberger's Lessons for Students in Architecture published in 1991. Similar in approach to the earlier book, it aims to trace some of the sources for, and examples of, the author's architectural projects of the last 10 years.
Théorie de l’architecture
livres
Objectivity
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Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences—and show how the concept differs from its alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific(...)
Objectivity
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Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences—and show how the concept differs from its alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences—from anatomy to crystallography—are those featured in scientific atlases, the compendia that teach practitioners what is worth looking at and how to look at it. Galison and Daston use atlas images to uncover a hidden history of scientific objectivity and its rivals. Whether an atlas maker idealizes an image to capture the essentials in the name of truth-to-nature or refuses to erase even the most incidental detail in the name of objectivity or highlights patterns in the name of trained judgment is a decision enforced by an ethos as well as by an epistemology.
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janvier 2007
Théorie de l’architecture