2221 Résultats
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Titre:
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
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livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$38.99
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture(...)
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture(...)
Titre:
Utopia's ghost: architecture and postmodernism, again
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.
Utopia's ghost: architecture and postmodernism, again
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.
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livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$32.95
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and(...)
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and(...)
Titre:
A manufactured wilderness: Summer camps and the shaping of American youth, 1890-1960
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children.
A manufactured wilderness: Summer camps and the shaping of American youth, 1890-1960
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$24.95
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a(...)
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a(...)
Titre:
Violence taking place: the architecture of the Kosovo conflict
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.
Violence taking place: the architecture of the Kosovo conflict
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published(...)
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published(...)
Titre:
The essential Frank Lloyd Wright: Critical writings on architecture
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published two years before his death. This volume is illustrated with original drawings and photographs.
The essential Frank Lloyd Wright: Critical writings on architecture
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published two years before his death. This volume is illustrated with original drawings and photographs.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Meet the Nelsons
Meet the Nelsons
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Meet the Nelsons, the sixth volume of the Forum Pamphlet Series, documents Wes Jones notorious comic strip that appeared in ANY Magazine (Architecture New York) from 1994 to 2001. This book addresses themes ranging from the legacy of the machine aesthetic to the challenges of virtuality to key disciplinary personalities such as Buckminster Fuller and Manfredo Tafuri.
$22.95
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Résumé:
Meet the Nelsons, the sixth volume of the Forum Pamphlet Series, documents Wes Jones notorious comic strip that appeared in ANY Magazine (Architecture New York) from 1994 to 2001. This book addresses themes ranging from the legacy of the machine aesthetic to the challenges of virtuality to key disciplinary personalities such as Buckminster Fuller and Manfredo Tafuri.
Titre:
Meet the Nelsons
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$22.95
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Résumé:
Meet the Nelsons, the sixth volume of the Forum Pamphlet Series, documents Wes Jones notorious comic strip that appeared in ANY Magazine (Architecture New York) from 1994 to 2001. This book addresses themes ranging from the legacy of the machine aesthetic to the challenges of virtuality to key disciplinary personalities such as Buckminster Fuller and Manfredo Tafuri.
Meet the Nelsons
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$22.95
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Résumé:
Meet the Nelsons, the sixth volume of the Forum Pamphlet Series, documents Wes Jones notorious comic strip that appeared in ANY Magazine (Architecture New York) from 1994 to 2001. This book addresses themes ranging from the legacy of the machine aesthetic to the challenges of virtuality to key disciplinary personalities such as Buckminster Fuller and Manfredo Tafuri.
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$42.95
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Bruno Taut was the leading architectural theorist in Germany during the years 1914–1920. The architectural and social premises which he developed in this seminal period were to be of paramount importance in the subsequent development of modern architecture in Germany in the 1920s. The German example, in turn, was to become a model for the international modern movement.(...)
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Bruno Taut was the leading architectural theorist in Germany during the years 1914–1920. The architectural and social premises which he developed in this seminal period were to be of paramount importance in the subsequent development of modern architecture in Germany in the 1920s. The German example, in turn, was to become a model for the international modern movement.(...)
Titre:
Bruno Taut and the architecture of activism
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Bruno Taut was the leading architectural theorist in Germany during the years 1914–1920. The architectural and social premises which he developed in this seminal period were to be of paramount importance in the subsequent development of modern architecture in Germany in the 1920s. The German example, in turn, was to become a model for the international modern movement. Whereas the history of the modern movement in architecture has generally been written in terms of functionalism, and the availability of materials and technology, the author suggests that many of the roots of modern architecture were mystical and irrational, and were concerned less with function and purpose and more with millenarian dreams of the a society which might be achieved through the meditation of the architecture. Boyd Whyte also suggests that there were political reasons behind this type of architecture and why it failed to achieve its aim of improving the physical and social condition of society.
Bruno Taut and the architecture of activism
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Bruno Taut was the leading architectural theorist in Germany during the years 1914–1920. The architectural and social premises which he developed in this seminal period were to be of paramount importance in the subsequent development of modern architecture in Germany in the 1920s. The German example, in turn, was to become a model for the international modern movement. Whereas the history of the modern movement in architecture has generally been written in terms of functionalism, and the availability of materials and technology, the author suggests that many of the roots of modern architecture were mystical and irrational, and were concerned less with function and purpose and more with millenarian dreams of the a society which might be achieved through the meditation of the architecture. Boyd Whyte also suggests that there were political reasons behind this type of architecture and why it failed to achieve its aim of improving the physical and social condition of society.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Modernism after Wagner
Modernism after Wagner
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In this publication, Juliet Koss explores the history and legacy of Wagner’s concept, laying out its genealogy and the political, aesthetic, and cultural context from which it emerged, and tracing its development and reception through the 1930s. Beginning with Wagner’s initial articulation of the Gesamtkunstwerk in the wake of the 1848–49 revolution, Koss addresses a(...)
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In this publication, Juliet Koss explores the history and legacy of Wagner’s concept, laying out its genealogy and the political, aesthetic, and cultural context from which it emerged, and tracing its development and reception through the 1930s. Beginning with Wagner’s initial articulation of the Gesamtkunstwerk in the wake of the 1848–49 revolution, Koss addresses a(...)
Titre:
Modernism after Wagner
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In this publication, Juliet Koss explores the history and legacy of Wagner’s concept, laying out its genealogy and the political, aesthetic, and cultural context from which it emerged, and tracing its development and reception through the 1930s. Beginning with Wagner’s initial articulation of the Gesamtkunstwerk in the wake of the 1848–49 revolution, Koss addresses a series of linked episodes in German aesthetic theory and artistic practice that include the composer’s efforts to build a theater to house his music dramas, culminating in the construction of the festival theater at Bayreuth in 1876; German aesthetic theory and criticism in the visual arts, theater, film, and radio from the 1870s to the 1920s; the founding of the Darmstadt Artists’ Colony in 1901 and that of the Munich Artists’ Theater in 1908; performances and parties at the Bauhaus in the 1920s and 1930s; and the legacy of the Gesamtkunstwerk under National Socialism. Attending to Wagner’s absorption into Fascist aesthetics, Koss foregrounds the revolutionary origins of the Gesamtkunstwerk and its emancipatory potential.
Modernism after Wagner
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In this publication, Juliet Koss explores the history and legacy of Wagner’s concept, laying out its genealogy and the political, aesthetic, and cultural context from which it emerged, and tracing its development and reception through the 1930s. Beginning with Wagner’s initial articulation of the Gesamtkunstwerk in the wake of the 1848–49 revolution, Koss addresses a series of linked episodes in German aesthetic theory and artistic practice that include the composer’s efforts to build a theater to house his music dramas, culminating in the construction of the festival theater at Bayreuth in 1876; German aesthetic theory and criticism in the visual arts, theater, film, and radio from the 1870s to the 1920s; the founding of the Darmstadt Artists’ Colony in 1901 and that of the Munich Artists’ Theater in 1908; performances and parties at the Bauhaus in the 1920s and 1930s; and the legacy of the Gesamtkunstwerk under National Socialism. Attending to Wagner’s absorption into Fascist aesthetics, Koss foregrounds the revolutionary origins of the Gesamtkunstwerk and its emancipatory potential.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$40.00
(disponible en magasin)
Résumé:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
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The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
Titre:
Hans Ulrich Obrist & Cedric Price: The conversation series
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The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Hans Ulrich Obrist & Cedric Price: The conversation series
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The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$48.00
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Résumé:
How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of(...)
$48.00
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Résumé:
How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of(...)
Titre:
Nortopia: Nordic modern architecture and postwar Germany
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of Interbau 1957 presented a timely opportunity to reappraise the Hansaviertel in Berlin and the entire New Building movement. In this context, Nordic conceptions of architecture and town planning seemed particularly worthy of critical reflection. The “people's home” (folkhem), as well as various national strands of modernization, architectural preferences and even geopolitical considerations play a role in the formation of the Nordic model. The contributors to this volume take the example of the Hansaviertel as an opportunity to investigate Nordic-German transfer in modernism—aesthetically, socioculturally and programmatically.
Nortopia: Nordic modern architecture and postwar Germany
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$48.00
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Résumé:
How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of Interbau 1957 presented a timely opportunity to reappraise the Hansaviertel in Berlin and the entire New Building movement. In this context, Nordic conceptions of architecture and town planning seemed particularly worthy of critical reflection. The “people's home” (folkhem), as well as various national strands of modernization, architectural preferences and even geopolitical considerations play a role in the formation of the Nordic model. The contributors to this volume take the example of the Hansaviertel as an opportunity to investigate Nordic-German transfer in modernism—aesthetically, socioculturally and programmatically.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
