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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life,(...)
Atomic dwelling: anxiety, domesticity, and postwar architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today.
Théorie de l’architecture
Dwelling with architecture
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This book can be read in a number of ways. It is first a book about houses and particularly the theme 'dwelling and the land'. It examines the poetic and prosaic issues inherent in claiming a piece of the landscape to live on. It could also be seen as a kind of road map, full of both warnings and encouragements for all those involved with, or just interested in, the(...)
Dwelling with architecture
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This book can be read in a number of ways. It is first a book about houses and particularly the theme 'dwelling and the land'. It examines the poetic and prosaic issues inherent in claiming a piece of the landscape to live on. It could also be seen as a kind of road map, full of both warnings and encouragements for all those involved with, or just interested in, the making of houses.
Théorie de l’architecture
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these(...)
Designed for habitat : collaborations with Habitat for humanity
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these collaborations present huge challenges for often-opposing cultures, but can yield unprecedented payoffs. With America's housing in a perpetual state of crisis, such partnerships are more important than ever. This highly-instructive, landmark book is an unmatched guide for future collaborations. It communicates so clearly and so convincingly to Habitat and its homeowners that they too deserve good design; indeed, we all do." -John Cary, Author, The Power of Pro Bono; Founder & Editor, PublicInterestDesign.org
Théorie de l’architecture
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Suite à L’habiter dans sa poétique première, ce livre recueille les actes du colloque tenu en septembre 2009 à Cerisy-la-Salle. Il s’agit à présent de la création, c’est-à-dire de la poïétique d’un monde autre que l’insoutenable monde actuel. Insoutenable, notre monde l’est puisque non viable écologiquement, injustifiable moralement (car de plus en plus inégalitaire), et(...)
Théorie de l’architecture
juin 2012
Donner lieu au monde : la poétique de l’habiter
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Suite à L’habiter dans sa poétique première, ce livre recueille les actes du colloque tenu en septembre 2009 à Cerisy-la-Salle. Il s’agit à présent de la création, c’est-à-dire de la poïétique d’un monde autre que l’insoutenable monde actuel. Insoutenable, notre monde l’est puisque non viable écologiquement, injustifiable moralement (car de plus en plus inégalitaire), et inacceptable esthétiquement (car il « tue le paysage »). Dans la réarticulation cosmologique du Vrai (ici l’adéquation de notre mode de vie aux capacités de la Terre), du Bien et du Beau, les auteurs ont donc été invités à imaginer un nouveau poème du monde, au-delà de la modernité qui l’a fait taire en disjoignant les champs respectifs de la technoscience, de l’éthique et de l’esthétique.
Théorie de l’architecture
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Le livre recueille les actes du colloque tenu à Cerisy-la-Salle, du 1 er au 8 septembre 2006. Le point de départ est la phrase de F. Hölderlin que M. Heidegger a rendu fameuse : « L’humain habite en poète ». Cette idée, peu à peu diffusée, a fini par subvertir les dogmes fonctionnalistes du mouvement moderne en architecture. Une maison est davantage qu’une « machine à(...)
Théorie de l’architecture
juin 2012
L’habiter dans sa poétique première
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Le livre recueille les actes du colloque tenu à Cerisy-la-Salle, du 1 er au 8 septembre 2006. Le point de départ est la phrase de F. Hölderlin que M. Heidegger a rendu fameuse : « L’humain habite en poète ». Cette idée, peu à peu diffusée, a fini par subvertir les dogmes fonctionnalistes du mouvement moderne en architecture. Une maison est davantage qu’une « machine à habiter » ! Ce « davantage » de l’habiter humain – sa poétique – il s’est agi d’en saisir la dynamique première dans certains de ses motifs privilégiés, la spatialité, la temporalité, la corporéité, la musique, la poésie…, à partir de ce qui la fonde : la Terre, comme à la fois planète et sol phénoménologique. Cette poétique, c’est effectivement ce qui a peu à peu entraîné les participants et leurs spécialités diverses – architecture, anthropologie, chorégraphie, géographie, musique, informatique, peinture, littérature, cinema – dans la synergie que favorisait le lieu.
Théorie de l’architecture
Wajiro Kon retrospective
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Known as the founder of “modernology”, the Japanese scholar Wajiro Kon (1888-1973) was an avid observer and recorder of changes that occurred to the landscapes and people of Tokyo, a city that underwent dramatic urban change in the early days of the nineteenth century. This book looks back on Kon’s wide-ranging work as an architect, designer, and folklore researcher,(...)
Wajiro Kon retrospective
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Known as the founder of “modernology”, the Japanese scholar Wajiro Kon (1888-1973) was an avid observer and recorder of changes that occurred to the landscapes and people of Tokyo, a city that underwent dramatic urban change in the early days of the nineteenth century. This book looks back on Kon’s wide-ranging work as an architect, designer, and folklore researcher, showcasing not only sketches and photos, but also his architectural and design drawings. Kuroishi Izumi provides an insightful essay on the more unknown aspects of Wajiro Kon’s work and his critical ideas on philosophy, science and history.
Théorie de l’architecture
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Ces 10 clefs abordent l'architecture non par une approche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle(...)
Dix clefs pour s'ouvrir à l'architecture
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Ces 10 clefs abordent l'architecture non par une approche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle de certaines réalisations qui se prêtent aux jeux des caméra et deviennent de parfaits décors pour le fond d'écran des journaux télévisés.
Théorie de l’architecture
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Since its launch in late 2000, Cabinet magazine has become a touchstone for a certain approach to understanding culture, one that shuns orthodox distinctions--high/low, serious/humorous, professional/amateur--in favor of a commitment to the idea that all objects, practices and discourses can, if read against the grain, teach us something important about the world. Its(...)
Curiosity and method: ten years of Cabinet Magazine
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Since its launch in late 2000, Cabinet magazine has become a touchstone for a certain approach to understanding culture, one that shuns orthodox distinctions--high/low, serious/humorous, professional/amateur--in favor of a commitment to the idea that all objects, practices and discourses can, if read against the grain, teach us something important about the world. Its hybrid sensibility merges the visually engaging style of an arts periodical, the exuberance of a fanzine and the in-depth exploration of a scholarly journal to create a sourcebook of ideas for an international audience of readers, from artists and designers to scientists, philosophers and historians. Using essays, interviews and artist projects to present a variety of topics in language accessible to the non-specialist, Cabinet has aimed to encourage a new culture of curiosity.
Théorie de l’architecture
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance(...)
Oblique drawing : a history of anti-perspective
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
Théorie de l’architecture
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Since the middle of the eighteenth century, political thinkers of all kinds--radical and reactionary, professional and amateur--have been complaining about “bureaucracy.” But what, exactly, are they complaining about? In The Demon of Writing, Ben Kafka offers a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork.(...)
The demon of writing: powers and failures of paperwork
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Since the middle of the eighteenth century, political thinkers of all kinds--radical and reactionary, professional and amateur--have been complaining about “bureaucracy.” But what, exactly, are they complaining about? In The Demon of Writing, Ben Kafka offers a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again, this paperwork proves to be unreliable. Examining episodes that range from the story of a clerk who lost his job and then his mind in the French Revolution to an account of Roland Barthes’s brief stint as a university administrator, Kafka reveals the powers, the failures, and even the pleasures of paperwork. Many of its complexities, he argues, have been obscured by the comic-paranoid style that characterizes much of our criticism of bureaucracy. Kafka proposes a new theory of what Karl Marx called the “bureaucratic medium.”
Théorie de l’architecture