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"As architects," writes David Chipperfield, "we must both be part of and stand apart from the culture within which we operate. To be effective we must embrace power but also distance ourselves, we must engage in dialogue and we must refuse to listen, we must explore the familiar and the unfamiliar, we must embrace history and reject it. Finally we must resolve our ideas(...)
David Chipperfield: form matters
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"As architects," writes David Chipperfield, "we must both be part of and stand apart from the culture within which we operate. To be effective we must embrace power but also distance ourselves, we must engage in dialogue and we must refuse to listen, we must explore the familiar and the unfamiliar, we must embrace history and reject it. Finally we must resolve our ideas in matter and form." This publication was initiated and designed by the architect, who, in four sections, writes on form, language, composition and materiality. His choice of images, including architectural sketches and drawings, help to make this a personal notebook that documents the resolution and realization of formal ideas from his own viewpoint. Also featuring plans and illustrations of built and unbuilt projects, it explores the relationship between form and matter, both theoretically and practically.
Théorie de l’architecture
The autobiography of an idea
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This autobiography is a fascinating look at the early creative years of the pioneering American architect and theorist called the "father of the skyscraper." This publication includes a wealth of projects, insights, and evaluations.
The autobiography of an idea
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This autobiography is a fascinating look at the early creative years of the pioneering American architect and theorist called the "father of the skyscraper." This publication includes a wealth of projects, insights, and evaluations.
Théorie de l’architecture
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What is Architectural History? considers the questions and problems posed by architectural historians since the rise of the discipline in the late nineteenth century. How do historians of architecture organise past time and relate it to the present? How does historical evidence translate into historical narrative? Leach treats the disciplinarity of architectural history(...)
What is architectural history?
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What is Architectural History? considers the questions and problems posed by architectural historians since the rise of the discipline in the late nineteenth century. How do historians of architecture organise past time and relate it to the present? How does historical evidence translate into historical narrative? Leach treats the disciplinarity of architectural history as an open question, moving between three key approaches to historical knowledge of architecture: within art history, as an historical specialisation and, most prominently, within architecture.
Théorie de l’architecture
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This revealing memoir by Aldo Rossi (1937–1997) intermingles discussions of Rossi's architectural projects—including the major literary and artistic influences on his work—with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book(...)
Aldo Rossi: a scientific autobiography
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This revealing memoir by Aldo Rossi (1937–1997) intermingles discussions of Rossi's architectural projects—including the major literary and artistic influences on his work—with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book originally appeared as one of the landmark titles in the MIT Press's Oppositions Books series, but has been out of print for many years. This newly issued paperback reprint includes illustrations—photographs, evocative images, and a set of drawings of Rossi's major architectural projects—selected by the author himself to augment the text.
Théorie de l’architecture
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.
avril 2010
Architecture or Techno-utopia: Politics after Modernism
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Théorie de l’architecture
livres
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture(...)
Utopia's ghost: architecture and postmodernism, again
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Architectural postmodernism had a significant impact on the broader development of postmodern thought: Utopia’s Ghost is a critical reconsideration of their relationship. Combining discourse analysis, historical reconstruction, and close readings of buildings, projects, and texts from the 1970s and 1980s, Reinhold Martin argues that retheorizing postmodern architecture gives us new insights into cultural postmodernism and its aftermath.
livres
avril 2010
Théorie de l’architecture
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and(...)
A manufactured wilderness: Summer camps and the shaping of American youth, 1890-1960
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Abigail A. Van Slyck discusses the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children.
Théorie de l’architecture
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a(...)
Violence taking place: the architecture of the Kosovo conflict
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.
Théorie de l’architecture
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published(...)
The essential Frank Lloyd Wright: Critical writings on architecture
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The Essential Frank Lloyd Wright is a compendium of Wright's most critically important writings on every conceivable aspect of his craft. Beginning early in Wright's career with The Art and Craft of the Machine in 1901, the book follows major themes through The Disappearing City , The Natural House , and many other writings, and ends with A Testament in 1957 , published two years before his death. This volume is illustrated with original drawings and photographs.
Théorie de l’architecture