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Comment, dans un paysage politique en ruines, reconstituer la vérité des faits ? La réponse d'Eyal Weizman tient en une formule-programme: "l'architecture forensique". Approche novatrice au carrefour de plusieurs disciplines, cette sorte d'architecture se soucie moins de construire des bâtiments que d'analyser des traces que porte le bâti afin de rétablir des vérités(...)
La vérité en ruines : Manifeste pour une architecture forensique
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Comment, dans un paysage politique en ruines, reconstituer la vérité des faits ? La réponse d'Eyal Weizman tient en une formule-programme: "l'architecture forensique". Approche novatrice au carrefour de plusieurs disciplines, cette sorte d'architecture se soucie moins de construire des bâtiments que d'analyser des traces que porte le bâti afin de rétablir des vérités menacées. Impacts de balles, trous de missiles, ombres projetées sur les murs de corps annihilés par le souffle d'une explosion : l'architecture forensique consiste à faire parler ces indices. Si elle mobilise à cette fin des techniques en partie héritées de la médecine légale et de la police scientifique, c'est en les retournant contre la violence d'État, ses dénis et ses "fake news". Il s'agit donc d'une "contre-forensique" qui tente de se réapproprier les moyens de la preuve dans un contexte d'inégalité structurelle d'accès aux moyens de la manifestation de la vérité. Au fil des pages, cet ouvrage illustré offre un panorama saisissant des champs d'application de cette démarche, depuis le cas des frappes de drone au Pakistan, en Afghanistan et à Gaza, jusqu'à celui de la prison secrète de Saidnaya en Syrie, en passant par le camp de Staro Sajmiste, dans la région de Belgrade.
Théorie de l’architecture
Hip-hop Architecture
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This(...)
Hip-hop Architecture
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"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other." As architecture grapples with its own racist legacy, "Hip-Hop architecture" outlines a powerful new manifesto- the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of "Hip-Hop architecture," the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture.
Théorie de l’architecture
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"Visual delight in architecture" examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all(...)
Visual delight in architecture: daylight, vision, and view
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"Visual delight in architecture" examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives. All types of environmental designers, along with anyone interested in human health and well- being, will find new insights offered by "Visual delight in architecture". The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.
Théorie de l’architecture
The architect is absent
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The white cubical house, the vernacular architecture in the Aegean Archipelago, knows no author. Its capacity to resist harsh climatic and topographic circumstances has been improved and adjusted through time and seems today close to perfection. The white-washed Cycladic House has become iconic to the image of Greece through the construction of national and tourism(...)
The architect is absent
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The white cubical house, the vernacular architecture in the Aegean Archipelago, knows no author. Its capacity to resist harsh climatic and topographic circumstances has been improved and adjusted through time and seems today close to perfection. The white-washed Cycladic House has become iconic to the image of Greece through the construction of national and tourism narratives. What happens when an architect steps into this process of anonymous transmission of skills? In 1966 music composer, architect, and engineer Iannis Xenakis articulated a response to this tradition and designed, from his base in Paris, a holiday house on the island of Amorgos while choosing to remain absent throughout the construction process.
Théorie de l’architecture
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'Alter Architecture Research Collective' (AARC) is an interdisciplinary group of thinkers and practitioners that come together to observe, question and distort existing strategies of cultural and spatial production. Understanding architecture as appropriation, production and organization of space, mostly governed centrally by economic logics that work to entrap(...)
AARC- Alter Architecture Research Collective 01
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'Alter Architecture Research Collective' (AARC) is an interdisciplinary group of thinkers and practitioners that come together to observe, question and distort existing strategies of cultural and spatial production. Understanding architecture as appropriation, production and organization of space, mostly governed centrally by economic logics that work to entrap subjectivity, AARC seeks to inhabit and distort these mechanism. Where counter-strategies imply simply opposition, alteration opens space for multiplicities and difference.
Théorie de l’architecture
Retail apocalypse
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As shopping shifts online and the economic shocks associated with the coronavirus pandemic push bankruptcies to unprecedented levels, retail is facing its own version of the end of days. The arsenal of commercial techniques that retail has developed can no longer function as usual. As a result, the entangled worlds of architecture, fashion, business, and art appear to us(...)
Théorie de l’architecture
août 2021
Retail apocalypse
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As shopping shifts online and the economic shocks associated with the coronavirus pandemic push bankruptcies to unprecedented levels, retail is facing its own version of the end of days. The arsenal of commercial techniques that retail has developed can no longer function as usual. As a result, the entangled worlds of architecture, fashion, business, and art appear to us in a new light, testifying to a culture that is going extinct. At the same time, retail’s techniques of attraction and distraction have become visible in a new way. Stripped of their use-value, they reveal themselves as techniques of pure display. 'Retail Apocalypse' presents a compendium of case studies, interventions, and object lessons rescued from the bonfire of retail culture, ranging from Friedrich Kiesler’s display windows to Gae Aulenti’s Fiat showrooms; from J. G. Ballard’s dystopian fantasies to TELFAR’s critical utopias; and from Rem Koolhaas to Herzog & de Meuron.
Théorie de l’architecture
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Dans 'La théorie du diamant' le projet d'architecture est envisagé autant dans sa dimension pratique que théorique. Pensée critique et création sont ici indissociables. C'est ainsi que le travail de l'architecte est comparé à celui du tailleur de diamants et la pensée s'articule autour de trois axes de réflexion : le regard attentif, la précision de la taille, et le(...)
La théorie du diamant et le projet d’architecture
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Dans 'La théorie du diamant' le projet d'architecture est envisagé autant dans sa dimension pratique que théorique. Pensée critique et création sont ici indissociables. C'est ainsi que le travail de l'architecte est comparé à celui du tailleur de diamants et la pensée s'articule autour de trois axes de réflexion : le regard attentif, la précision de la taille, et le travail risqué. Sept œuvres d'architecture, sept 'espaces-diamants', viennent donc illustrer cette théorie.
Théorie de l’architecture
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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne), and emerged as an admired example for architectural(...)
The Architectural Association in the postwar years
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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne), and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA. This book traces the history of the school from the end of the war until the mid-1960's, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodeled the AA as a postmodern, "internationalist" school and detached it from its modernist, British origins. Thus, there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.
Théorie de l’architecture
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization(...)
Echo's chambers: architecture and the idea of acoustic space
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Théorie de l’architecture
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Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls 'psychological functionalism.' Recruited by(...)
The architecture of good behaviour
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Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls 'psychological functionalism.' Recruited by federal construction and research programs for institutional reform and expansion — which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs. In the 1960s – 1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design. In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. 'The Architecture of Good Behavior' explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Théorie de l’architecture