Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of(...)
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of volumes on Wright, the most essential part of his life – his life as an architect, working, as he said, ‘in the cause of architecture’ – remains virtually unexplored. "Frank Lloyd Wright" offers an account of Wright’s life as an architect, the ideas, beliefs and relationships that shaped his life and work, and the manner in which these affected, and are reflected in, his architecture. During a tumultuous life and extensive career which includes such hugely defining buildings as the Guggenheim Museum, Fallingwater, Taliesin, Unity Temple, and the prolific Prairie Houses, Wright endeavoured to shape the emerging and evolving American democracy, its mode of dwelling, and its relation to the traditional conception of the city. Fusing ancient construction geometries with contemporary ideals of Transcendental philosophy, Wright sought to develop an appropriate architecture for the new world of the twentieth century. In doing so, he served as the primary inspiration for the emergence of Modern architecture around the world. Robert McCarter examines how Wright’s architecture crystallized key conceptions of both private dwelling and public citizenship for American society, and relates how, through his work and writings, Wright developed relationships with key leaders of the arts, industry and society. He analyses how and why Wright maintained that architecture was the ‘background or framework’ for daily life, never the literal ‘object’ of our attention, as well as Wright’s belief that architects have the most significant ethical responsibilities to improve the larger society and culture to which they belong. In exploring Wright’s life, times and culture, Robert McCarter shows how Wright was an architect of astonishing ability, whose works continue to shape the world around us, fifty years after his death.
Architecture, monographies
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and(...)
Frank Lloyd Wright's Larkin building : myth and fact
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin building as a structure at the center of economic and personal relationships. Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
Architecture, monographies
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For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to(...)
Architecture, monographies
juin 2006, Basel / Boston / Berlin
« Colour is communication » selected projects for Foster+partners
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For more than ten years, the celebrated artist Per Arnoldi of Copenhagen has been working together with the world famous London architect Norman Foster. Arnoldi’s contributions range from posters of Foster’s buildings to targeted chromatic interventions in interior spaces to the complex total "chromatic concept” for a massive new structure. His color choices serve to create atmosphere and also guide the user clearly through the space. This book provides systematic and detailed documentation of this entire collaborative spectrum. Projects include: the Commerzbank in Frankfurt, the Reichstag in Berlin, the Imperial College in London, HM Treasury in London, the National Police Monument in London, the Arag Tower in Düsseldorf, the World Port Center in Rotterdam, and Decaux’s headquarters in London. The photographs were taken specially for this book to capture the specific qualities of the interplay between space and color.
Architecture, monographies
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Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
Claude-Nicolas Ledoux : architecture and utopia in the era of the french revolution
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Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
Architecture, monographies
$67.50
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has(...)
Peter Zumthor : atmospheres : architectural environments - surrounding objects
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Architecture, monographies
livres
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175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel.(...)
Architecture, monographies
avril 2006, Baden
Yad Vashem : Moshe Safdie - the architecture of memory
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175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel. The architect, a student of Louis Kahn who began his career with the sensational residential complex Habitat at the 1967 Montreal World’s Fair, maintains offices in Boston, Toronto, and Jerusalem. The museum, its architecture, and its series of interior spaces with their carefully designed exhibition facilities are documented in an indepth photo essay and are illustrated with texts and plans.
livres
avril 2006, Baden
Architecture, monographies
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Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While(...)
Eero Saarinen : an architecture of multiplicity
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Saarinen's buildings are famous worldwide: the Gateway Arch in St. Louis, the TWA terminal in JFK Airport, Dulles Airport, outside Washington D.C., the CBS Building in New York, the General Motors Technical Center in Michigan, the US Embassy in London, and many other landmarks. Equally celebrated are his furniture designs, including the Tulip Table and Womb Chair. While Saarinen's exuberant, even expressionistic, forms were lightning rods for many critics, his unique personal style is now much admired, making him a key figure for many designers practicing today. Saarinen's was a career of innovation. His airport terminals combined the poetry of sculpture with daring structural feats and raganizational genius; his pioneering industrial complexes for GM, IBM, and Bell Labs brought rational modernism to corporate America; and his furniture and residential buildings conveyed an optimistic, humane vision for the future. This illustrated monograph spans Saarinen's entire career, including his drawings, models, most important built works, and furniture.
Architecture, monographies
Utzon's own houses
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The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
Architecture, monographies
janvier 2006, Copenhagen
Utzon's own houses
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The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
Architecture, monographies
Utzon and the new tradition
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This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
Architecture, monographies
janvier 2006, Copenhagen
Utzon and the new tradition
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This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
Architecture, monographies
$62.95
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In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects,(...)
Architecture, monographies
décembre 2005, Rotterdam
Onix : awaiting signification
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In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects, such as the much-discussed ecological farm for the disabled in Haren, the bureau seeks out novel positions where the context and specificity of the local play an important role, yet without ever falling into the traps of facile historicizing solutions. Even more important for Onix is the view that contemporary architecture is overly dominated by concepts and images, and too little by actual architectonic experience.
Architecture, monographies