3136 Résultats
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livres
livres
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$65.95
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A study of vernacular wood architecture, this book is a beautiful reprint of the original edition published in 1963. Photographies by Josef Dapra.
$65.95
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A study of vernacular wood architecture, this book is a beautiful reprint of the original edition published in 1963. Photographies by Josef Dapra.
Titre:
Raimund Abraham : architectonics
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A study of vernacular wood architecture, this book is a beautiful reprint of the original edition published in 1963. Photographies by Josef Dapra.
Raimund Abraham : architectonics
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$65.95
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A study of vernacular wood architecture, this book is a beautiful reprint of the original edition published in 1963. Photographies by Josef Dapra.
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livres
livres
Publication:
janvier 1900, Salzburg
janvier 1900, Salzburg
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
![Bernard Tschumi Architect[e]s : Virtuael](/img-bookstore/uCNXdT_KP1AJPzkMgreYI-D8rVU=/700x681/MIG-14767.jpg)
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This book documents the comprehensive development of the project designed by Bernard Tschumi Urbanistes Architectes for the Exposition internationale 2004 in Paris / Seine St-Denis. The Expo will remain in a virtual state, since it was cancelled in August 2002. The design of the master plan, gates, bridges, pavilions, kiosks, and the agora, leads to an original project(...)
$57.95
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This book documents the comprehensive development of the project designed by Bernard Tschumi Urbanistes Architectes for the Exposition internationale 2004 in Paris / Seine St-Denis. The Expo will remain in a virtual state, since it was cancelled in August 2002. The design of the master plan, gates, bridges, pavilions, kiosks, and the agora, leads to an original project(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mars 2004, Barcelona
mars 2004, Barcelona
Titre:
Bernard Tschumi Architect[e]s : Virtuael
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$57.95
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This book documents the comprehensive development of the project designed by Bernard Tschumi Urbanistes Architectes for the Exposition internationale 2004 in Paris / Seine St-Denis. The Expo will remain in a virtual state, since it was cancelled in August 2002. The design of the master plan, gates, bridges, pavilions, kiosks, and the agora, leads to an original project for a contemporary question: what would be, architecturally speaking, the image of the image, the theme of the theme of Expo 2004? This exploration of the real and the virtual is the major theme of the book.
Bernard Tschumi Architect[e]s : Virtuael
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This book documents the comprehensive development of the project designed by Bernard Tschumi Urbanistes Architectes for the Exposition internationale 2004 in Paris / Seine St-Denis. The Expo will remain in a virtual state, since it was cancelled in August 2002. The design of the master plan, gates, bridges, pavilions, kiosks, and the agora, leads to an original project for a contemporary question: what would be, architecturally speaking, the image of the image, the theme of the theme of Expo 2004? This exploration of the real and the virtual is the major theme of the book.
Classification:
livres
livres
Publication:
mars 2004, Barcelona
mars 2004, Barcelona
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Tadao Ando : detail 3
Tadao Ando : detail 3
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With overlayered plans, sections and perspectives, with various details in different scales, Ando's drawing has unique three dimensional character. The drawings represent not only the literal information of details, but also his philosophy of architecture. From "Row house in Sumiyoshi" to recent projects, this volume contains Ando's architectural details of major(...)
$89.95
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With overlayered plans, sections and perspectives, with various details in different scales, Ando's drawing has unique three dimensional character. The drawings represent not only the literal information of details, but also his philosophy of architecture. From "Row house in Sumiyoshi" to recent projects, this volume contains Ando's architectural details of major(...)
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Tadao Ando : detail 3
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With overlayered plans, sections and perspectives, with various details in different scales, Ando's drawing has unique three dimensional character. The drawings represent not only the literal information of details, but also his philosophy of architecture. From "Row house in Sumiyoshi" to recent projects, this volume contains Ando's architectural details of major projects and embodies the spirit of Ando.
Tadao Ando : detail 3
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$89.95
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With overlayered plans, sections and perspectives, with various details in different scales, Ando's drawing has unique three dimensional character. The drawings represent not only the literal information of details, but also his philosophy of architecture. From "Row house in Sumiyoshi" to recent projects, this volume contains Ando's architectural details of major projects and embodies the spirit of Ando.
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livres
livres
Publication:
mai 2003, Tokyo
mai 2003, Tokyo
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$63.00
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Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two(...)
$63.00
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Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two(...)
Titre:
A friendly alien : ein Kunsthaus für Graz - Peter Cook, Colin Fournier Architects
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Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two London-based architects Peter Cook and Colin Fournier to transform a visionary concept into built reality: the Kunsthaus Graz, a new and unique site for international exhibitions of modern and contemporary art. With this radical architecture project, Graz received a futuristic-looking building which satisfies to a high degree both the psychological and the functional demands of a visitor-oriented international art museum. The unusual biomorphic forms of the Friendly Alien make for a suspenseful dialog with the historic old town, especially with the century-old Graz landmark, the cubic clock-tower high up on castle hill. The documentation at hand presents the development of the Friendly Alien from a Utopian concept to a highly complex functional body. The extensive photographic material includes first-rate computer simulations and sheds light on the urban environment and its history, shows the unique architectural features of the building, and investigates with an "x-ray view" the complex network of static and technical utilities in the "skin", the nerve center of the Friendly Alien.
A friendly alien : ein Kunsthaus für Graz - Peter Cook, Colin Fournier Architects
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$63.00
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Résumé:
Pioneering architecture in Graz: the radical architecture project known as the Friendly Alien - the new building for the Kunsthaus Graz - was developed by the British star architects Peter Cook and Colin Fournier. Within the scope of Graz 2003 - Kulturhauptstadt Europas (Graz 2003 - Cultural Capital of Europe) the city of Graz provided the possibility for the two London-based architects Peter Cook and Colin Fournier to transform a visionary concept into built reality: the Kunsthaus Graz, a new and unique site for international exhibitions of modern and contemporary art. With this radical architecture project, Graz received a futuristic-looking building which satisfies to a high degree both the psychological and the functional demands of a visitor-oriented international art museum. The unusual biomorphic forms of the Friendly Alien make for a suspenseful dialog with the historic old town, especially with the century-old Graz landmark, the cubic clock-tower high up on castle hill. The documentation at hand presents the development of the Friendly Alien from a Utopian concept to a highly complex functional body. The extensive photographic material includes first-rate computer simulations and sheds light on the urban environment and its history, shows the unique architectural features of the building, and investigates with an "x-ray view" the complex network of static and technical utilities in the "skin", the nerve center of the Friendly Alien.
Classification:
livres
livres
Publication:
octobre 2003, Ostfildern
octobre 2003, Ostfildern
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Zaha Hadid : Architecture
Zaha Hadid : Architecture
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$65.00
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This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive(...)
$65.00
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This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 2003, Ostfildern-Ruit
janvier 2003, Ostfildern-Ruit
Titre:
Zaha Hadid : Architecture
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$65.00
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This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive overview over her oeuvre. It contains numerous color illustrations of designs, models and as yet mostly unpublished paintings by Hadid as well as photographs of buildings realised and under construction. Includes texts by Andreas Ruby and Patrik Schuhmacher. shedding profound light onto the architect´s oeuvre. Another special feature is the documentation of the installation "Ice-Storm" especially developed for the MAK exhibition, a "space experiment" with a surface area of 300 m2, a weight of eight tons and height of seven metres, providing the audience with a possibility for an active approach to Hadid´s radically new language of form and space.
Zaha Hadid : Architecture
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$65.00
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Résumé:
This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive overview over her oeuvre. It contains numerous color illustrations of designs, models and as yet mostly unpublished paintings by Hadid as well as photographs of buildings realised and under construction. Includes texts by Andreas Ruby and Patrik Schuhmacher. shedding profound light onto the architect´s oeuvre. Another special feature is the documentation of the installation "Ice-Storm" especially developed for the MAK exhibition, a "space experiment" with a surface area of 300 m2, a weight of eight tons and height of seven metres, providing the audience with a possibility for an active approach to Hadid´s radically new language of form and space.
Classification:
livres
livres
Publication:
janvier 2003, Ostfildern-Ruit
janvier 2003, Ostfildern-Ruit
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$97.95
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Architecte, théoricien, urbaniste et écrivain, Jozsef Vago travaille à Budapest (1900-1919, 1926-1940), à Rome (1919-1926) et à Genève (1927-1935), avant de s'établir en France (1940-1947). Jeune diplômé, il s'engage dans la Sécession hongroise fondée par Odon Lechner et s'attache, comme de nombreux architectes de sa génération, à élaborer un nouveau langage architectural(...)
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Architecte, théoricien, urbaniste et écrivain, Jozsef Vago travaille à Budapest (1900-1919, 1926-1940), à Rome (1919-1926) et à Genève (1927-1935), avant de s'établir en France (1940-1947). Jeune diplômé, il s'engage dans la Sécession hongroise fondée par Odon Lechner et s'attache, comme de nombreux architectes de sa génération, à élaborer un nouveau langage architectural(...)
Titre:
Jozsef Vago 1877-1947 : un architecte hongrois dans la tourmente européenne
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Architecte, théoricien, urbaniste et écrivain, Jozsef Vago travaille à Budapest (1900-1919, 1926-1940), à Rome (1919-1926) et à Genève (1927-1935), avant de s'établir en France (1940-1947). Jeune diplômé, il s'engage dans la Sécession hongroise fondée par Odon Lechner et s'attache, comme de nombreux architectes de sa génération, à élaborer un nouveau langage architectural national qui valorise la culture populaire. Jozsef Vago est aujourd'hui considéré comme l'une des figures de proue du renouveau architectural hongrois. Ses réalisations à Budapest entre 1903 et 1914, fleurons d'architecture " nationale " imprégnés de modernisme viennois, témoignent de son ouverture vers l'Occident et de son attention à la question sociale. Membre du Werkbund, engagé pendant la période révolutionnaire de 1918-1919, il est contraint d'émigrer en Italie lors de l'arrivée au pouvoir de l'amiral Horthy. Installé à Rome entre 1920 et 1926, il tente en vain de s'intégrer à la profession : il élabore des nouvelles typologies d'habitat social pour les cités-jardins romaines, publie de nombreux projets sous le nom de " Giuseppe Vago ", mais ne parvient à obtenir qu'une seule commande à Rome. Sans ressources, confronté à la xénophobie et au fascisme, il se réinstalle à Budapest, où il se voit empêché d'exercer par l'Ordre des architectes hongrois, créé en 1926. Sa victoire au concours du palais de la Société des Nations à Genève en 1927 inaugure une nouvelle phase de sa carrière. Ses démêlés avec ses associés - Henri-Paul Nénot, Jules Flegenheimer, Camille Lefèvre et Carlo Broggi - et avec Le Corbusier au cours de la réalisation du projet l'incitent, dans les années trente et quarante, à prendre part au débat architectural européen, à entamer une importante œuvre de critique et à élaborer une véritable philosophie de l'architecture et de l'urbanisme. Combattant les positions de l'avant-garde architecturale - et notamment de Le Corbusier -, il tente d'établir une synthèse entre les idéaux de l'Art nouveau et du modernisme, estimant que l'architecte doit s'efforcer de répondre aux aspirations sociales et économiques du Mouvement moderne sans pour autant renoncer au " superflu ", c'est-à-dire à la qualité artistique et à l'ornementation. Cette recherche, qui apparaît dans son ouvrage théorique À travers les villes (1930) et dans son projet d'urbanisation de Budapest (1933-1937), trouve son aboutissement dans son projet théorique de reconstruction opposé aux préceptes des CIAM et de la Charte d'Athènes : la Ville de l'Avenir (1940-1945)
Jozsef Vago 1877-1947 : un architecte hongrois dans la tourmente européenne
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Architecte, théoricien, urbaniste et écrivain, Jozsef Vago travaille à Budapest (1900-1919, 1926-1940), à Rome (1919-1926) et à Genève (1927-1935), avant de s'établir en France (1940-1947). Jeune diplômé, il s'engage dans la Sécession hongroise fondée par Odon Lechner et s'attache, comme de nombreux architectes de sa génération, à élaborer un nouveau langage architectural national qui valorise la culture populaire. Jozsef Vago est aujourd'hui considéré comme l'une des figures de proue du renouveau architectural hongrois. Ses réalisations à Budapest entre 1903 et 1914, fleurons d'architecture " nationale " imprégnés de modernisme viennois, témoignent de son ouverture vers l'Occident et de son attention à la question sociale. Membre du Werkbund, engagé pendant la période révolutionnaire de 1918-1919, il est contraint d'émigrer en Italie lors de l'arrivée au pouvoir de l'amiral Horthy. Installé à Rome entre 1920 et 1926, il tente en vain de s'intégrer à la profession : il élabore des nouvelles typologies d'habitat social pour les cités-jardins romaines, publie de nombreux projets sous le nom de " Giuseppe Vago ", mais ne parvient à obtenir qu'une seule commande à Rome. Sans ressources, confronté à la xénophobie et au fascisme, il se réinstalle à Budapest, où il se voit empêché d'exercer par l'Ordre des architectes hongrois, créé en 1926. Sa victoire au concours du palais de la Société des Nations à Genève en 1927 inaugure une nouvelle phase de sa carrière. Ses démêlés avec ses associés - Henri-Paul Nénot, Jules Flegenheimer, Camille Lefèvre et Carlo Broggi - et avec Le Corbusier au cours de la réalisation du projet l'incitent, dans les années trente et quarante, à prendre part au débat architectural européen, à entamer une importante œuvre de critique et à élaborer une véritable philosophie de l'architecture et de l'urbanisme. Combattant les positions de l'avant-garde architecturale - et notamment de Le Corbusier -, il tente d'établir une synthèse entre les idéaux de l'Art nouveau et du modernisme, estimant que l'architecte doit s'efforcer de répondre aux aspirations sociales et économiques du Mouvement moderne sans pour autant renoncer au " superflu ", c'est-à-dire à la qualité artistique et à l'ornementation. Cette recherche, qui apparaît dans son ouvrage théorique À travers les villes (1930) et dans son projet d'urbanisation de Budapest (1933-1937), trouve son aboutissement dans son projet théorique de reconstruction opposé aux préceptes des CIAM et de la Charte d'Athènes : la Ville de l'Avenir (1940-1945)
Classification:
livres
livres
Publication:
mars 2003, Bruxelles
mars 2003, Bruxelles
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Campo Baeza : light is more
Campo Baeza : light is more
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" Light is probably the feature that best characterizes the architecture of Campo Baeza, above and beyond his emblematic "more with less" that so fittingly disclosed his ability to achieve a maximum affect with the minimum use of elements. Campo Baeza's use of light as the principal variable characterizing his architecture moved me to enounce so the essence of his work,(...)
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" Light is probably the feature that best characterizes the architecture of Campo Baeza, above and beyond his emblematic "more with less" that so fittingly disclosed his ability to achieve a maximum affect with the minimum use of elements. Campo Baeza's use of light as the principal variable characterizing his architecture moved me to enounce so the essence of his work,(...)
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Campo Baeza : light is more
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" Light is probably the feature that best characterizes the architecture of Campo Baeza, above and beyond his emblematic "more with less" that so fittingly disclosed his ability to achieve a maximum affect with the minimum use of elements. Campo Baeza's use of light as the principal variable characterizing his architecture moved me to enounce so the essence of his work, as "light is more". " Manuel Blanco.
Campo Baeza : light is more
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" Light is probably the feature that best characterizes the architecture of Campo Baeza, above and beyond his emblematic "more with less" that so fittingly disclosed his ability to achieve a maximum affect with the minimum use of elements. Campo Baeza's use of light as the principal variable characterizing his architecture moved me to enounce so the essence of his work, as "light is more". " Manuel Blanco.
Classification:
livres
livres
Publication:
mai 2003, Madrid
mai 2003, Madrid
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$84.95
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Le passage, au début des années 1980, d’une architecture de béton à une architecture métallique amène Toyô Itô à concevoir des détails complexes et originaux qui créent transparences et fluidité, prolongeant les écrans translucides de l’architecture japonaise traditionnelle et favorisant les liens entre extérieur et intérieur. On trouvera dans cet ouvrage les détails de(...)
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Le passage, au début des années 1980, d’une architecture de béton à une architecture métallique amène Toyô Itô à concevoir des détails complexes et originaux qui créent transparences et fluidité, prolongeant les écrans translucides de l’architecture japonaise traditionnelle et favorisant les liens entre extérieur et intérieur. On trouvera dans cet ouvrage les détails de(...)
Titre:
Toyô Itô : structures légères, détails
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$84.95
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Le passage, au début des années 1980, d’une architecture de béton à une architecture métallique amène Toyô Itô à concevoir des détails complexes et originaux qui créent transparences et fluidité, prolongeant les écrans translucides de l’architecture japonaise traditionnelle et favorisant les liens entre extérieur et intérieur. On trouvera dans cet ouvrage les détails de construction dessinés par Toyô Itô. Ces dessins permettent de comprendre en profondeur la démarche conceptuelle de l’architecte.
Toyô Itô : structures légères, détails
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Le passage, au début des années 1980, d’une architecture de béton à une architecture métallique amène Toyô Itô à concevoir des détails complexes et originaux qui créent transparences et fluidité, prolongeant les écrans translucides de l’architecture japonaise traditionnelle et favorisant les liens entre extérieur et intérieur. On trouvera dans cet ouvrage les détails de construction dessinés par Toyô Itô. Ces dessins permettent de comprendre en profondeur la démarche conceptuelle de l’architecte.
Classification:
livres
livres
Publication:
juillet 2003, Paris
juillet 2003, Paris
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$73.50
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
$73.50
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Résumé:
Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
Titre:
FRS Yorke and the evolution of English modernism
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$73.50
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
FRS Yorke and the evolution of English modernism
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
Classification:
livres
livres
Publication:
mai 2003, Chichester
mai 2003, Chichester
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$127.50
(disponible en magasin)
Résumé:
This illustrated book explores Jeckyll's designs in architecture, furniture, metalwork, and interiors. It is the definitive study of Jeckyll’s life and work, and it presents his notable buildings and diverse examples of his decorative arts. Susan Weber Soros and Catherine Arbuthnott examine Jeckyll’s most important architectural commissions, among them the extravagant(...)
$127.50
(disponible en magasin)
Résumé:
This illustrated book explores Jeckyll's designs in architecture, furniture, metalwork, and interiors. It is the definitive study of Jeckyll’s life and work, and it presents his notable buildings and diverse examples of his decorative arts. Susan Weber Soros and Catherine Arbuthnott examine Jeckyll’s most important architectural commissions, among them the extravagant(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2003, New Haven
octobre 2003, New Haven
Titre:
Thomas Jeckyll : architect and designer, 1827-1881
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$127.50
(disponible en magasin)
Résumé:
This illustrated book explores Jeckyll's designs in architecture, furniture, metalwork, and interiors. It is the definitive study of Jeckyll’s life and work, and it presents his notable buildings and diverse examples of his decorative arts. Susan Weber Soros and Catherine Arbuthnott examine Jeckyll’s most important architectural commissions, among them the extravagant five-story Cambridge town house, Rance’s Folly. They also discuss the interiors he designed as well as the remarkable furniture and metalwork designs for which he is best known today, including the “Four Seasons Gates” that were exhibited in Paris and Vienna. This book is the catalogue for the first exhibition devoted to the work of Thomas Jeckyll. The exhibition will be open at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture from July 17 through October 19, 2003.
Thomas Jeckyll : architect and designer, 1827-1881
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Prix:
$127.50
(disponible en magasin)
Résumé:
This illustrated book explores Jeckyll's designs in architecture, furniture, metalwork, and interiors. It is the definitive study of Jeckyll’s life and work, and it presents his notable buildings and diverse examples of his decorative arts. Susan Weber Soros and Catherine Arbuthnott examine Jeckyll’s most important architectural commissions, among them the extravagant five-story Cambridge town house, Rance’s Folly. They also discuss the interiors he designed as well as the remarkable furniture and metalwork designs for which he is best known today, including the “Four Seasons Gates” that were exhibited in Paris and Vienna. This book is the catalogue for the first exhibition devoted to the work of Thomas Jeckyll. The exhibition will be open at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture from July 17 through October 19, 2003.
Classification:
livres
livres
Publication:
octobre 2003, New Haven
octobre 2003, New Haven
Sujet:
Architecture, monographies
Architecture, monographies
