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Architecture in Detail series.
Willis Faber & Dumas Building: Ipswich 1974, Foster Associates
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mars 1993, London
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Architecture in Detail series.
Museum fur Kunsthandwerk : Frankfurt am Main 1984, Richard Meier
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Architecture in Detail series.
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janvier 1900, London
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Architecture in Detail series.
Melsetter House : Orkney 1898, William Lethaby
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Architecture in Detail series.
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avril 1993, London
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Architecture in Detail series.
Imagination Headquarters : London 1990, Herron Associates
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janvier 1900, London
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Hoover Factory : London 1931-38, Wallis Gilbert and Partners
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janvier 1900, London
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British Pavilion : Seville Exposition 1992, Nicholas Grimshaw & partners
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janvier 1992, London
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Traduit du brésilien par Henri Raillard. Dessins originaux de l'auteur.
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février 1999, Paris
Les courbes du temps : mémoires
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Traduit du brésilien par Henri Raillard. Dessins originaux de l'auteur.
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février 1999, Paris
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Among the post-war buildings in Norway, St. Hallvard Abbey at Enerhaugen in Oslo stands in a class by itself. When the main section of the complex was completed in 1966 it marked the introduction of a new stage of post-war architecture in which the paramount objective comprised expression and significance. Photographs by Jiri Havran.
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juillet 1997, Oslo
Lund & Slaatto : St. Hallvard Abbey
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Among the post-war buildings in Norway, St. Hallvard Abbey at Enerhaugen in Oslo stands in a class by itself. When the main section of the complex was completed in 1966 it marked the introduction of a new stage of post-war architecture in which the paramount objective comprised expression and significance. Photographs by Jiri Havran.
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juillet 1997, Oslo
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Palladio
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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical(...)
Palladio
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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.
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janvier 1900
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Architecture in Detail series.
Fallingwater: Bear Run, Pennsylvania 1935, Frank Lloyd Wright
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octobre 1994, London
Architecture, monographies