3169 Résultats
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements.(...)
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements.(...)
Titre:
Bertrand Goldberg: architecture of invention
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements. Featuring previously unpublished material, it also includes Goldberg's plans for unrealized projects as well as his collaborations with other prominent modern architects, such as Ludwig Mies van der Rohe and Buckminster Fuller. Goldberg's interest in the social dimension of architecture was reflected in many of his cutting-edge designs. In 1959, he conceived the plan for his most iconic structure, the sixty-story Marina City residential towers, in the heart of downtown Chicago. He created a number of hospitals that offered a new paradigm for how patients and staff interacted within the space. Goldberg's progressive designs also extended to schools, prefabricated structures, and furniture.
Bertrand Goldberg: architecture of invention
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Bertrand Goldberg (1913-1997) was a visionary Chicago architect whose designs for housing, urban planning, and industrial design made a distinctive mark in the modern era. This handsome publication, the first to focus in-depth on the entirety of Goldberg's life and work, traces his development from his early Bauhaus training to his notable architectural achievements. Featuring previously unpublished material, it also includes Goldberg's plans for unrealized projects as well as his collaborations with other prominent modern architects, such as Ludwig Mies van der Rohe and Buckminster Fuller. Goldberg's interest in the social dimension of architecture was reflected in many of his cutting-edge designs. In 1959, he conceived the plan for his most iconic structure, the sixty-story Marina City residential towers, in the heart of downtown Chicago. He created a number of hospitals that offered a new paradigm for how patients and staff interacted within the space. Goldberg's progressive designs also extended to schools, prefabricated structures, and furniture.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Aalto and America
Aalto and America
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The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States(...)
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The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States(...)
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Aalto and America
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The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States marked major turning points in his evolving position as an architect. His commissioned project for the Massachusetts Institute of Technology's Baker House dormitory (completed 1949) features an undulating facade of red brick, a material that references the building's Boston surroundings. Aalto's fan-shaped plan for the Mount Angel Abbey Library (completed 1970) in St. Benedict, Oregon, his consummate exploration of the library type, capitalizes on the local terrain and the use of natural light. Aalto's designs had a lasting impact on American modernism, but his experiences in America also profoundly influenced his own stylistic development. Aalto and America is a detailed survey of this beneficial relationship, with contributions by fifteen experts who explore these key designs in relation to larger themes in international politics, architectural culture, housing research, and modern criticism and design.
Aalto and America
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The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States marked major turning points in his evolving position as an architect. His commissioned project for the Massachusetts Institute of Technology's Baker House dormitory (completed 1949) features an undulating facade of red brick, a material that references the building's Boston surroundings. Aalto's fan-shaped plan for the Mount Angel Abbey Library (completed 1970) in St. Benedict, Oregon, his consummate exploration of the library type, capitalizes on the local terrain and the use of natural light. Aalto's designs had a lasting impact on American modernism, but his experiences in America also profoundly influenced his own stylistic development. Aalto and America is a detailed survey of this beneficial relationship, with contributions by fifteen experts who explore these key designs in relation to larger themes in international politics, architectural culture, housing research, and modern criticism and design.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea(...)
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea(...)
Titre:
Inigo Jones: the architect of kings
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
Inigo Jones: the architect of kings
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Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Adolf Loos: The Looshaus
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
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Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$75.00
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Résumé:
In the councils and magistracies of the Venetian Republic, politicians argued intently over civic building projects in a manner curiously reminiscent of a modern democracy, taking advice from architects, engineers, and the public. Written by a leading authority on Venetian architecture, the book explores the complex dialectic between theory and practice; utopia and(...)
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In the councils and magistracies of the Venetian Republic, politicians argued intently over civic building projects in a manner curiously reminiscent of a modern democracy, taking advice from architects, engineers, and the public. Written by a leading authority on Venetian architecture, the book explores the complex dialectic between theory and practice; utopia and(...)
Titre:
Venice disputed: Marc Antonio Barbaro and venetian architecture
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In the councils and magistracies of the Venetian Republic, politicians argued intently over civic building projects in a manner curiously reminiscent of a modern democracy, taking advice from architects, engineers, and the public. Written by a leading authority on Venetian architecture, the book explores the complex dialectic between theory and practice; utopia and reality; and design and technology that infused these disputes. The bitterly contested debates are seen through the experiences of one particular Venetian nobleman, Marc'Antonio Barbaro (1518-1595). Recognized as a gifted stuccoist and draftsman, Barbaro played a prominent role in the discussions about major state building projects such as Palladio's church of the Redentore, the restoration of the Doge's Palace, and the erection of the Rialto Bridge. He was a distinguished statesman and orator, but his idealistic views about the rhetorical power of classicism frequently clashed with local technological expertise. Venice Disputed recounts not only his public role but also his private life, centered on the now-famous family villa that he and his brother commissioned. Barbaro's compelling story thus weaves together politics, architectural history, and private life in early modern Venice.
Venice disputed: Marc Antonio Barbaro and venetian architecture
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In the councils and magistracies of the Venetian Republic, politicians argued intently over civic building projects in a manner curiously reminiscent of a modern democracy, taking advice from architects, engineers, and the public. Written by a leading authority on Venetian architecture, the book explores the complex dialectic between theory and practice; utopia and reality; and design and technology that infused these disputes. The bitterly contested debates are seen through the experiences of one particular Venetian nobleman, Marc'Antonio Barbaro (1518-1595). Recognized as a gifted stuccoist and draftsman, Barbaro played a prominent role in the discussions about major state building projects such as Palladio's church of the Redentore, the restoration of the Doge's Palace, and the erection of the Rialto Bridge. He was a distinguished statesman and orator, but his idealistic views about the rhetorical power of classicism frequently clashed with local technological expertise. Venice Disputed recounts not only his public role but also his private life, centered on the now-famous family villa that he and his brother commissioned. Barbaro's compelling story thus weaves together politics, architectural history, and private life in early modern Venice.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$76.95
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In Process a pour ambition de rassembler dans une édition annuelle une sélection d’une trentaine de bâtiments, «prêts à être construits», dont la démarche conceptuelle et les détails démontrent un mode de fabrication particulier ou un parcours original. Fidèles à leurs engagements, les membres de la French Touch sont allés à la rencontre de chaque concepteur dans(...)
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In Process a pour ambition de rassembler dans une édition annuelle une sélection d’une trentaine de bâtiments, «prêts à être construits», dont la démarche conceptuelle et les détails démontrent un mode de fabrication particulier ou un parcours original. Fidèles à leurs engagements, les membres de la French Touch sont allés à la rencontre de chaque concepteur dans(...)
Titre:
In process 010 : les éléments graphiques de l'architecture en construction
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In Process a pour ambition de rassembler dans une édition annuelle une sélection d’une trentaine de bâtiments, «prêts à être construits», dont la démarche conceptuelle et les détails démontrent un mode de fabrication particulier ou un parcours original. Fidèles à leurs engagements, les membres de la French Touch sont allés à la rencontre de chaque concepteur dans leurs lieux de travail afin de mieux rendre compte de la particularité des différents processus de fabrication, de la mémoire des projets et, d’une manière plus générale, de leur production. Pas d’images, pas de perspectives, juste des dessins à grandes échelles qui témoignent que l’architecture est aussi un savoir spécifique fait de pensée conceptuelle et de maîtrise constructive.
In process 010 : les éléments graphiques de l'architecture en construction
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In Process a pour ambition de rassembler dans une édition annuelle une sélection d’une trentaine de bâtiments, «prêts à être construits», dont la démarche conceptuelle et les détails démontrent un mode de fabrication particulier ou un parcours original. Fidèles à leurs engagements, les membres de la French Touch sont allés à la rencontre de chaque concepteur dans leurs lieux de travail afin de mieux rendre compte de la particularité des différents processus de fabrication, de la mémoire des projets et, d’une manière plus générale, de leur production. Pas d’images, pas de perspectives, juste des dessins à grandes échelles qui témoignent que l’architecture est aussi un savoir spécifique fait de pensée conceptuelle et de maîtrise constructive.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$61.95
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Pour accompagner l'exposition « Mario Botta. Architecture & mémoire », le Centre Dürrenmatt publie un catalogue (français/allemand) richement illustré mettant en évidence les thèmes évoqués ainsi que les « rencontres » fondatrices de la pensée de Mario Botta.
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Pour accompagner l'exposition « Mario Botta. Architecture & mémoire », le Centre Dürrenmatt publie un catalogue (français/allemand) richement illustré mettant en évidence les thèmes évoqués ainsi que les « rencontres » fondatrices de la pensée de Mario Botta.
Titre:
Mario Botta : architecture et mémoire
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Pour accompagner l'exposition « Mario Botta. Architecture & mémoire », le Centre Dürrenmatt publie un catalogue (français/allemand) richement illustré mettant en évidence les thèmes évoqués ainsi que les « rencontres » fondatrices de la pensée de Mario Botta.
Mario Botta : architecture et mémoire
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Pour accompagner l'exposition « Mario Botta. Architecture & mémoire », le Centre Dürrenmatt publie un catalogue (français/allemand) richement illustré mettant en évidence les thèmes évoqués ainsi que les « rencontres » fondatrices de la pensée de Mario Botta.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Zaha Hadid: une architecture
Zaha Hadid: une architecture
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Les créations de son agence au style mouvementé, riche en courbes et contre-courbes, sont devenues célèbres depuis le succès de l’opéra de Cardiff, de l’opéra de canton ou du pavillon- Pont de l’exposition internationale de Saragosse en 2008. Cet ouvrage est le catalogue officiel de l’exposition Zaha Hadid, une architecture, et de l’étude consacrée au Mobile Art(...)
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Les créations de son agence au style mouvementé, riche en courbes et contre-courbes, sont devenues célèbres depuis le succès de l’opéra de Cardiff, de l’opéra de canton ou du pavillon- Pont de l’exposition internationale de Saragosse en 2008. Cet ouvrage est le catalogue officiel de l’exposition Zaha Hadid, une architecture, et de l’étude consacrée au Mobile Art(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2011
juin 2011
Titre:
Zaha Hadid: une architecture
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$49.95
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Les créations de son agence au style mouvementé, riche en courbes et contre-courbes, sont devenues célèbres depuis le succès de l’opéra de Cardiff, de l’opéra de canton ou du pavillon- Pont de l’exposition internationale de Saragosse en 2008. Cet ouvrage est le catalogue officiel de l’exposition Zaha Hadid, une architecture, et de l’étude consacrée au Mobile Art (carrosserie aérodynamique de 720 m2 commandée par Chanel), de la célèbre architecture Zaha Hadid, à l’Institut du monde arabe.
Zaha Hadid: une architecture
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Les créations de son agence au style mouvementé, riche en courbes et contre-courbes, sont devenues célèbres depuis le succès de l’opéra de Cardiff, de l’opéra de canton ou du pavillon- Pont de l’exposition internationale de Saragosse en 2008. Cet ouvrage est le catalogue officiel de l’exposition Zaha Hadid, une architecture, et de l’étude consacrée au Mobile Art (carrosserie aérodynamique de 720 m2 commandée par Chanel), de la célèbre architecture Zaha Hadid, à l’Institut du monde arabe.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Paolo Portoghesi, architect
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised(...)
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised(...)
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Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised the ethical legacy of modern architecture by envisioning a future that can oppose the wave of consumerism and social competition. Portoghesi firmly believes in the new wave of Geo-architecture: an architecture that takes on the responsibility to help human society to forge a new alliance with nature.
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised the ethical legacy of modern architecture by envisioning a future that can oppose the wave of consumerism and social competition. Portoghesi firmly believes in the new wave of Geo-architecture: an architecture that takes on the responsibility to help human society to forge a new alliance with nature.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$79.95
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of(...)
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of(...)
Publication:
septembre 2011
septembre 2011
Titre:
Le Corbusier and Lucien Hervé: a dialogue between architect and photographe
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of sixteen of Le Corbusier’s most iconic buildings using Hervé’s edited sheets of contact prints as visual guides. These sheets, which became an effective tool in the collaborative dissemination of Le Corbusier’s work, capture Hervé’s dynamic perspectives and dramatic use of light. His sequencing of the individual prints creates an exhilarating rhythm that showcases the architect’s novel forms and materials.
Le Corbusier and Lucien Hervé: a dialogue between architect and photographe
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Résumé:
In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of sixteen of Le Corbusier’s most iconic buildings using Hervé’s edited sheets of contact prints as visual guides. These sheets, which became an effective tool in the collaborative dissemination of Le Corbusier’s work, capture Hervé’s dynamic perspectives and dramatic use of light. His sequencing of the individual prints creates an exhilarating rhythm that showcases the architect’s novel forms and materials.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
