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Detroit. Motor City. Ce nom est depuis cent ans le synonyme de l’industrie automobile américaine. Mais dans la musique, il signifie Haute Énergie, Usine à hits, P-Funk, techno et rap. Il évoque John Lee Hooker et Iggy Pop, Marvin Gaye et Jeff Mills, Bob Seger et George Clinton, Jack White et Eminem. Il embrasse toute l’histoire de la musique américaine, des big bands(...)
Detroit sampler: 100 ans de musique dans la Motor City
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Detroit. Motor City. Ce nom est depuis cent ans le synonyme de l’industrie automobile américaine. Mais dans la musique, il signifie Haute Énergie, Usine à hits, P-Funk, techno et rap. Il évoque John Lee Hooker et Iggy Pop, Marvin Gaye et Jeff Mills, Bob Seger et George Clinton, Jack White et Eminem. Il embrasse toute l’histoire de la musique américaine, des big bands swing qui soulevaient des ballrooms parmi les plus grandes du pays aux soirées électroniques qui faisaient vibrer les murs des friches industrielles, en passant par les shows télévisés prestigieux de Motown, le chaos des soirées psychédéliques des années de braise des seventies et la brutalité du hardcore enragé des années Reagan. Un siècle de musiques où Detroit a toujours été à l’avant-garde des musiques populaires. Cet ouvrage raconte une épopée de vinyle, de furie et d’électricité.
What about vernacular ?
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Cet un ouvrage est issu d’un roadtrip d’étude de trois mois, mené par trois jeunes femmes architectes, dans l’Est américain. Il rend compte de leur périple et présente douze thématiques qui regroupent constructions traditionnelles et contemporaines, témoignant toutes d’un «bon sens» constructif et écologique. Le livre rend compte de leur découverte in situ de modèles(...)
What about vernacular ?
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Cet un ouvrage est issu d’un roadtrip d’étude de trois mois, mené par trois jeunes femmes architectes, dans l’Est américain. Il rend compte de leur périple et présente douze thématiques qui regroupent constructions traditionnelles et contemporaines, témoignant toutes d’un «bon sens» constructif et écologique. Le livre rend compte de leur découverte in situ de modèles architecturaux redevenus inspirants par les savoir-faire artisanaux convoqués, la beauté naturelle des matériaux utilisés et l’absence de défi technologique. Leur travail fait ressortir d’une part la nécessité de prendre le temps de regarder pour comprendre et sentir les lieux, et celle de se constituer une sorte de «bibliothèque» de sensations, et d’autre part les vertus formatrices des voyages, sources de rencontres, d’échanges et d’expériences dynamisantes.
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s(...)
Chacarita Moderna: The Brutalist Necropolis of Buenos Aires
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In 1949 the construction of the Sexto Panteón, an underground necropolis containing 150,000 burial plots, was launched. This monumental brutalist-style cemetery is the first and largest experimentation of modern architecture applied to the funerary field, and yet it remains relatively unknown. Ítala Fulvia Villa (1913–1991), the project’s architect, was one of Argentina’s first female architects and urban planners, a pioneer of South American modernism who also contributed to Le Corbusier’s master plan for Buenos Aires. In this book, French architect Léa Namer rediscovers the necropolis through an in-depth investigation and feminist re-reading of this unique site and its creator.
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This is the latest in a series of biannual publications examining the most innovative examples of contemporary architecture from across Mexico, from both established and emerging architecture studios. It provides a general overview of Mexico's architectural scene, documenting changes in trends in recent years. Architects include: a|911, Ambrosi | Etchegaray, bgp(...)
Mexican Architectures: 2021–2022. The best of the 21st century
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This is the latest in a series of biannual publications examining the most innovative examples of contemporary architecture from across Mexico, from both established and emerging architecture studios. It provides a general overview of Mexico's architectural scene, documenting changes in trends in recent years. Architects include: a|911, Ambrosi | Etchegaray, bgp arquitectura. Bernardo Gómez-Pimienta, CCA Centro de Colaboración Arquitectónica, Colectivo C733, Dellekamp/Schleich, Estudio MMX, Fernanda Canales, Francisco Pardo Arquitecto, graciastudio, Héctor Barroso, Jorge Hernández de la Garza, JSa, Juan Carral, Julio Amezcua, LBR - Benjamín Romano, Legorreta, Lucio Muniain, Ludwig Godefroy, Macias Peredo, Manuel Cervantes, PRODUCTORA, Rojkind Arquitectos, Rozana Montiel Estudio de Arquitectura, S-AR, Serrano & Monjaraz, Sordo Madaleno Arquitectos, Taller | Mauricio Rocha, Taller Capital, Tatiana Bilbao ESTUDIO, TAX Taller de Arquitectura X, TO, +UdeB and AGENdA.
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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic(...)
janvier 2024
Modern architectures in Central America
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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and(...)
New York 2020; Architecture and urbanism at the beginning of the new century
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and illustrates the "supertalls" now populating our skyline, lush riverfront parks born from derelict waterfront, iconic cultural destinations, and thousands of smaller, unheralded residential and civic projects that enhance the built environment and the urban fabric. Readers will discover work by leading architects, including Norman Foster, Renzo Piano, Bjarke Ingels, Diller Scofidio + Renfro, Selldorf Architects, Frank Gehry, and Robert A.M. Stern Architects; a dazzling array of museums and institutions, including the High Line, Hudson Yards, the new Whitney Museum, and the expansions of MoMA and Lincoln Center; the rebuilding of the World Trade Center site; and more.
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In "The Architecture of Entertainment", architectural historian and author Robert Winter explain this "architecture of entertainment" - the inherent beauty and mystery of the era when historic architectural styles became adventurous escapades. Chapters cover topics such as "planning the city beautiful," "eclecticism," "housing for the masses," "gardens," "public(...)
avril 2006, Salt Lake City
The architecture of entertainment : L.A. in the twenties
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In "The Architecture of Entertainment", architectural historian and author Robert Winter explain this "architecture of entertainment" - the inherent beauty and mystery of the era when historic architectural styles became adventurous escapades. Chapters cover topics such as "planning the city beautiful," "eclecticism," "housing for the masses," "gardens," "public architecture," and more. Architects covered in this book include Bertram Goodhue; Morgan, Walls and Clements; Allison and Allison; and Parkinson and Parkinson working in public architecture; as well as Frank Lloyd Wright and Wallace Neff working in residential architecture. Also included are works of modernists Irving Gill, Alfred Loos, Richard Neutra, and others.
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture(...)
Designing Detroit: Wirt Rowland and the rise of modern American architecture
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"Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture" begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city’s fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge’s "dynamic symmetry" in Rowland’s work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland’s influence on Detroit architecture, but spans beyond his work in Michigan to include the designer’s broad reach from New York to Miami. A comprehensive appendix includes extensive lists of Rowland’s publications, locations he had designed, and jobs taken on by his firm during his tenure. This book represents new research and insights not previously discussed in either scholarly or general audience texts and will be of interest to casual readers of Detroit history, as well as architecture historians.
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at(...)
avril 2018
Exposed architecture: exhibitions, interludes, and essays
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Exposed Architecture offers an overview of work by young architects in Latin America. Published in collaboration with LIGA, Space for Architecture in Mexico City, it is broken into three parts. The first documents, through images and brief texts, exhibitions that twelve firms from Argentina, Brazil/Uruguay, Chile, Mexico, Peru, Venezuela, and from Portugal created at LIGA’s exhibition space in Mexico. In the second part, six “Studio Interludes” shed light on practice and aesthetics in contemporary Latin American architecture. The third part comprises short essays by Latin American architects, along with two interviews with local figures, looking at key aspects and topics against a backdrop of the many challenges the region poses for the production and communication of architecture.