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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous(...)
Publication:
juin 1999, Cambridge
juin 1999, Cambridge
Titre:
The Bauhaus and America : first contacts 1919-1936
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
The Bauhaus and America : first contacts 1919-1936
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After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
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Publication:
juin 1999, Cambridge
juin 1999, Cambridge
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Chronological survey of modernist building in Madrid destroyed during this century.
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Chronological survey of modernist building in Madrid destroyed during this century.
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janvier 1900, Madrid
janvier 1900, Madrid
Titre:
Madrid : lost architecture 1927 - 1986
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Chronological survey of modernist building in Madrid destroyed during this century.
Madrid : lost architecture 1927 - 1986
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Chronological survey of modernist building in Madrid destroyed during this century.
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janvier 1900, Madrid
janvier 1900, Madrid
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$75.00
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which(...)
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which(...)
Publication:
mars 1999, New York
mars 1999, New York
Titre:
The Pritzker architecture prize : the first twenty years
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which has been awarded to such outstanding international figures as Tadao Ando, Frank Gehry, Philip Johnson, Richard Meier, I. M. Pei, James Stirling, Robert Venturi, and most recently Renzo Piano. This volume features texts by Pritzker jury members and discussions of the prize and the laureates’ work by Colin Amery and William J. R. Curtis. Selected buildings and projects by each of the 21 winners are illustrated.
The Pritzker architecture prize : the first twenty years
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The Pritzker Architecture Prize is the world’s most highly regarded architecture award. It is presented annually to a living architect who has “produced consistent and significant contributions to humanity and the built environment through the art of architecture.” This splendid book celebrates the 20th anniversary of the prize, which has been awarded to such outstanding international figures as Tadao Ando, Frank Gehry, Philip Johnson, Richard Meier, I. M. Pei, James Stirling, Robert Venturi, and most recently Renzo Piano. This volume features texts by Pritzker jury members and discussions of the prize and the laureates’ work by Colin Amery and William J. R. Curtis. Selected buildings and projects by each of the 21 winners are illustrated.
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Publication:
mars 1999, New York
mars 1999, New York
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$118.95
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Ce livre présente l'architecture des stations balnéaires de Wissant, Ambleteuse, Wimereux, Hardelot, Le Touquet, Stella-Plage, Merlimont et Berck. Les photographies contemporaines sont de Dominique Delaunay.
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Ce livre présente l'architecture des stations balnéaires de Wissant, Ambleteuse, Wimereux, Hardelot, Le Touquet, Stella-Plage, Merlimont et Berck. Les photographies contemporaines sont de Dominique Delaunay.
Titre:
La côte d'Opale : architecture des années 20 et 30
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Ce livre présente l'architecture des stations balnéaires de Wissant, Ambleteuse, Wimereux, Hardelot, Le Touquet, Stella-Plage, Merlimont et Berck. Les photographies contemporaines sont de Dominique Delaunay.
La côte d'Opale : architecture des années 20 et 30
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Ce livre présente l'architecture des stations balnéaires de Wissant, Ambleteuse, Wimereux, Hardelot, Le Touquet, Stella-Plage, Merlimont et Berck. Les photographies contemporaines sont de Dominique Delaunay.
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Publication:
juin 1998, Paris
juin 1998, Paris
Classification:
livres
livres
Titre:
Architectural promenade
Architectural promenade
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$73.00
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Features the latest architectural works to be found in cities like London, Lille, Rotterdam, Amsterdam, Frankfurt, Singapore, Kuala Lumpur, Hong Kong, Shanghai, Tokyo, San Francisco, Los Angeles, Mexico, New York, Barcelona, Lyon, and Paris.
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Features the latest architectural works to be found in cities like London, Lille, Rotterdam, Amsterdam, Frankfurt, Singapore, Kuala Lumpur, Hong Kong, Shanghai, Tokyo, San Francisco, Los Angeles, Mexico, New York, Barcelona, Lyon, and Paris.
Publication:
septembre 1998, New York
septembre 1998, New York
Titre:
Architectural promenade
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Features the latest architectural works to be found in cities like London, Lille, Rotterdam, Amsterdam, Frankfurt, Singapore, Kuala Lumpur, Hong Kong, Shanghai, Tokyo, San Francisco, Los Angeles, Mexico, New York, Barcelona, Lyon, and Paris.
Architectural promenade
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Features the latest architectural works to be found in cities like London, Lille, Rotterdam, Amsterdam, Frankfurt, Singapore, Kuala Lumpur, Hong Kong, Shanghai, Tokyo, San Francisco, Los Angeles, Mexico, New York, Barcelona, Lyon, and Paris.
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Publication:
septembre 1998, New York
septembre 1998, New York
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Fabrications
Fabrications
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart;(...)
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart;(...)
Publication:
octobre 1998, Barcelona
octobre 1998, Barcelona
Titre:
Fabrications
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart; Wexner Center for the Arts: Stanley Saitowitz, Mockbee & Coker, Eric Owen Moss, John & Patricia Patkau; San Francisco Museum of Modern Art: Hodgetts & Fung, Rob Wellington Quigley, Elizabeth Ranieri and Byron Kuth, Sheila Kennedy and J. Frano Violich; Museum of Modern Art, New York: Enrique Norten, Monica Ponce de Leon and Nader Tehrani, Munkenbeck and Marshall, Smith-Miller & Hawkinson.
Fabrications
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This volume features full-scale architectural installations by 16 prominent architects or teams which suggest alternatives to the way architecture is conventionally presented in a museum context. The participating institutions and architects are as follows: Museu d'Art Contemporani de Barcelona: MVRDV, Riegler & Riewe, Abalos & Herreros, Vicente Guallart; Wexner Center for the Arts: Stanley Saitowitz, Mockbee & Coker, Eric Owen Moss, John & Patricia Patkau; San Francisco Museum of Modern Art: Hodgetts & Fung, Rob Wellington Quigley, Elizabeth Ranieri and Byron Kuth, Sheila Kennedy and J. Frano Violich; Museum of Modern Art, New York: Enrique Norten, Monica Ponce de Leon and Nader Tehrani, Munkenbeck and Marshall, Smith-Miller & Hawkinson.
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Publication:
octobre 1998, Barcelona
octobre 1998, Barcelona
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livres
livres
Titre:
New Tyrolean architecture
New Tyrolean architecture
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a(...)
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a(...)
Publication:
octobre 1998, Vienna
octobre 1998, Vienna
Titre:
New Tyrolean architecture
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a cosmopolitan flair that reflects contemporary international trends. This confident art of building employs a more modern architectural language, and uses steel, glass, and concrete as well as wood to achieve its aims. This title examines the work of a younger generation of architects practicing in the Tyrol. These buildings are of a remarkable variety and complexity, and range from more traditional family homes and apartment buildings to unusual designs for kindergardens, schools, footbridges, firehouses, and supermarkets. The author is the editor-in-chief of "Architektur aktuell", a bilingual magazine on international architecture focusing on Austria.
New Tyrolean architecture
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a cosmopolitan flair that reflects contemporary international trends. This confident art of building employs a more modern architectural language, and uses steel, glass, and concrete as well as wood to achieve its aims. This title examines the work of a younger generation of architects practicing in the Tyrol. These buildings are of a remarkable variety and complexity, and range from more traditional family homes and apartment buildings to unusual designs for kindergardens, schools, footbridges, firehouses, and supermarkets. The author is the editor-in-chief of "Architektur aktuell", a bilingual magazine on international architecture focusing on Austria.
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Publication:
octobre 1998, Vienna
octobre 1998, Vienna
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an (...)
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an (...)
Titre:
Revolution of forms : Cuba's forgotten art schools
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
Revolution of forms : Cuba's forgotten art schools
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
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Publication:
janvier 1999, New York
janvier 1999, New York
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$41.95
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
Publication:
janvier 1997, London
janvier 1997, London
Titre:
Frontiers - Artists and architects: AD Profile 128
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
Frontiers - Artists and architects: AD Profile 128
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
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Publication:
janvier 1997, London
janvier 1997, London
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$94.95
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New paperback edition. See hardcover for description.
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New paperback edition. See hardcover for description.
Publication:
avril 1998, New York
avril 1998, New York
Titre:
International architecture yearbook no. 3
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$94.95
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New paperback edition. See hardcover for description.
International architecture yearbook no. 3
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$94.95
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New paperback edition. See hardcover for description.
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livres
livres
Publication:
avril 1998, New York
avril 1998, New York
