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Titre:
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art

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Résumé:
In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.

Titre:
In Miami in the 1980s: The vanishing architecture of a paradise lost

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Résumé:
This publication celebrates a lost vision of Miami: the architectural golden age it enjoyed in the 1980s, when the subtropical city experienced a profound synergy between art and architecture. In these years, Miami’s architects partook of the discipline’s international discourse, pushing back against the utilitarian International Style with a playful yet innovative sensibility. Firms like Arquitectonica, an experimental studio founded in 1977, introduced thoroughly modern buildings typified by abstract designs in bold colors and graphics. Unfortunately, the contributions of these firms are often overlooked, and the era’s ethos of artistic inquiry has lapsed into a crude commercialism. The 2018 case of the Babylon, a building developed by Arquitectonica that was demolished only two years after its designation as a protected landmark, served as the impetus for Miami-based architectural historian and architect Charlotte von Moos’ research. Dismayed at the negligence shown toward such remarkable projects, she assembled this authoritative guide, compiling a group of essays and a photo series that delineate the treasures, built and unbuilt, of Miami’s 1980s architecture.

Titre:
Two sides of the border: reimagining the region

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$55.00
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Résumé:
What if we stopped dividing the US and Mexico, and instead saw the border as one region? This book envisions the cultural and industrial cohesion of the area. At a moment when migration has returned as a hot-button political issue and NAFTA is being renegotiated as the USMC, political discourse has exaggerated differences on either side of the shared US/Mexico border. But what if we stopped dividing the United States and Mexico into two separate nations, and instead studied their shared histories, cultures and economies, acknowledging them as parts of a single region? In 2018, under the direction of Mexican architect Tatiana Bilbao, 13 architecture studios and their students across the United States and Mexico undertook the monumental task of attempting to rethink the US/Mexico border as a complex and dynamic, but also cohesive and integrated, region. ''Two sides of the border'' envisions the borderlands through five themes: creative industries and local production, migration, housing and cities, territorial economies and tourism. Building on a long shared history in the region, the projects in this volume use design and architecture to address social, political and ecological concerns along our shared border.

Titre:
Infinite span: 90 years of Brazilian architecture

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'Infinite Span: 90 Years of Brazilian Architecture' assembles representative projects and works of Brazilian architecture made between 1920 and 2018. It creatively juxtaposes projects and proposes dialogues between them, and highlights intersections between architecture and music, literature, cinema and performing arts.

Titre:
Bien sûr, Chicago

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$31.00
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Résumé:
Le projet d’Adolf Loos pour le Chicago Tribune fait toujours énigme. L’architecte se place à contre-courant du formalisme moderne, « qui demain déjà sera obsolète ». Il prend l’arrogance du commanditaire au pied de la lettre pour mieux la révéler. Il raille les désirs de l’époque en proposant d’installer, si les limites de hauteur pouvaient être abolies un jour, une statue de tribun romain assis au sommet de la colonne dorique. Il avertit pourtant?: ce projet ne contredit en rien ses positions théoriques antérieures à propos de l’ornement. Loos nous avait alertés. La tour n’est pas un archétype, elle est un artefact.

Titre:
White House redux: 123 ideas for a new white house

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With almost 500 submissions from 42 countries around the world, White House Redux, a competition launched by Storefront for Art and Architecture and Control Group last January, became one of the most talked-about architecture competitions in 2008. The brief was simple: what would the residence of the most powerful individual in the world, the White House in Washington, D.C., look like if it were designed today?

Titre:
Medellin: topography of knowledge

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$19.95
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Résumé:
Celebrated as the world’s most innovative city in 2013, Medellín is the quintessential symbol for urban metamorphosis. What makes it a reference model lies as much in its exceptional public facilities and infrastructure as it does in the socially driven, progressive urban policies and bold formats for cooperation. Medellín: Topography of Knowledg is an exhibition and programme that will investigate and disseminate lessons from the Medellín Model, bringing together the diverse range of actors behind it.

Titre:
Nueva Vivienda: New housing paradigms in Mexico

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$70.00
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Résumé:
In the period following World War II, eminent Mexican architects such as Juan O’Gorman and Luis Barragán pioneered the adaptation of an international narrative in housing design to their own cultural environment. Seven decades on, Mexican architecture, and housing design in particular, is experiencing a renaissance and gaining unparalleled international attention owing to the ideas and ambitions of a new generation of architects. Mexico’s architects are making a strong contribution to a global discourse grounded in local economic and cultural issues, as well as environmental concerns. This volume features twenty-two exceptional housing projects in Mexico from the last ten years. Featuring a series of conversations among architects, developers, and researchers, the book illuminates the local context for these projects, highlighting their designers’ new ideas and their contribution to reimagining housing typologies.

Titre:
Helvécia: A Swiss colonial history in Brazil

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$69.00
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Résumé:
The most ''African'' of the Brazilian villages in the south of Bahia bears a Swiss name. Helvécia was founded 200 years ago by Swiss and German colonists, and the coffee grown on its vast estates produced great wealth for them. This would not have been possible without exploitation: in the mid-19th century, for every 200 white colonists, there were 2,000 slaves of African origin. Black people still make up the majority of the population today; many do not know the origins of their community. With great sensitivity and in dialogue with the inhabitants, Swiss photographer Dom Smaz goes in search of traces of the past, capturing the lives of the local people. Smaz’s pictures and text contributions by Shalini Randeria, among others, allow a new look at history and the origins of Switzerland’s wealth, revealing global histories of interconnectedness and power relations of the past that continue into the present.