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This book traces the growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a(...)
janvier 2021
New York: An illustrated history, revised and expanded
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This book traces the growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a worldwide symbol of resilience in the 21st century.
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the(...)
Athens' Polykatoikia 1930-1975
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the rushed mass production of the postwar period and inhospitable living conditions in the inner city. This book sets out to trace the architectural origins of this typology. For the first time, it provides a comprehensive examination of the architectural concepts developed by Greek architects for the polykatoikia.
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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks(...)
Something completely different: Architecture in Belgium
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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecology. The result is a literary text full of surprises and discoveries, showing both the shortcomings and the merits of what architects do.
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
décembre 2023
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From(...)
Works: New Danish architecture
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From detailed precision to elegantly weathered creations, these architects showcase a merger of sculptural form and material poetry. Contributing architects include Johansen Skovsted Arkitekter, Panum & Kappel, Lynge Lynge Arkitekter, Reværk, Hahn Lavsens, Jespersen Nødtvedt, Noaa, and several more.
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
octobre 2021
From Brussels with love: Office Kersten Geers David Van Severen
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
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The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to(...)
avril 2001, New York
L'Esprit Nouveau: Purism in Paris, 1918-1925
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The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to the study of classic 20th-century modernism in painting and architecture. The book serves as the catalogue for an exhibition at the Los Angeles County Museum of Art. The title examines over 75 paintings by Le Corbusier, Ozenfant, and their closest colleague, Fernand Léger. At the heart of the study lies a single work: Le Corbusier's striking design of the Pavillon de l'Esprit Nouveau for the 1925 Exposition Internationale des Arts Décoratifs, at which the term "Art Deco" was coined. The architecture of Le Corbusier's pavilion, along with its interior decoration - paintings, sculpture, furniture, glassware, rugs, and other objects - offers a complete summation of Purist aesthetics. Included here too is the full translated text of Le Corbusier's and Ozenfant's 1918 manifesto, "Après le cubisme".
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avril 2001, New York
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, (...)
mai 2001, Cambridge,MA
Making Paradise: Art, Modernity, and the Myth of the French Riviera
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Côte d'Azur. This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, "Making Paradise" offers a fresh look at the Côte d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the École de Nice of the early 1960s.
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mai 2001, Cambridge,MA
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As a tendency toward formalism returns to architecture, a number of practitioners are investigating the outer limits of tectonic expression. Vanguard architects are extending the boundaries of conventional construction to respond specifically to (...)
Radical tectonics : Enric Miralles, Günther Benisch, Mecanoo, Patkau Architects
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As a tendency toward formalism returns to architecture, a number of practitioners are investigating the outer limits of tectonic expression. Vanguard architects are extending the boundaries of conventional construction to respond specifically to programmatic and site requirements. Capturing this dynamic work, "Radical Tectonics" presents four practices whose buildings push poetic construction to new extremes. All in their own way and according to local sensibility and conditions, Gülnter Behnisch (Stuttgart), Enric Miralles (Barcelona), Patkau Architects (Vancouver), and Mecanoo (Delft) focus on the art of construction and innovative craftsmanship. From Behnisch's contextual awareness of particular social and political environments to Miralles's building as land form, from Patkau's funky vernacular to Mecanoo's playful manipulation of program and landscape, these studies confront architecture's very nature with vigor and provocation.
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janvier 1900, London
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A Matter of Art offers a "section" of Switzerland's most recent architecture, providing insight into cutting-edge contemporary works through a selection of remarkable buildings and an in-depth appraisal of specific themes.
juillet 2001, Paris
Matiere d'art / Matter of Art
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A Matter of Art offers a "section" of Switzerland's most recent architecture, providing insight into cutting-edge contemporary works through a selection of remarkable buildings and an in-depth appraisal of specific themes.
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juillet 2001, Paris