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New Tyrolean architecture
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a(...)
octobre 1998, Vienna
New Tyrolean architecture
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In the Tyrol region of Austria, amid the traditional wood-frame country residences, an innovative style of architecture has recently become preeminent. Current construction no longer has the massive, provincial look customary in this region, but instead projects a cosmopolitan flair that reflects contemporary international trends. This confident art of building employs a more modern architectural language, and uses steel, glass, and concrete as well as wood to achieve its aims. This title examines the work of a younger generation of architects practicing in the Tyrol. These buildings are of a remarkable variety and complexity, and range from more traditional family homes and apartment buildings to unusual designs for kindergardens, schools, footbridges, firehouses, and supermarkets. The author is the editor-in-chief of "Architektur aktuell", a bilingual magazine on international architecture focusing on Austria.
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octobre 1998, Vienna
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$35.95
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an (...)
Revolution of forms : Cuba's forgotten art schools
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
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janvier 1999, New York
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$41.95
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
janvier 1997, London
Frontiers - Artists and architects: AD Profile 128
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A look at the relationship between art and architecture, artists and architects. Among the participants in this profile are Frank Gehry, Claes Oldenburg and Michael Craig-Martin.
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janvier 1997, London
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$94.95
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New paperback edition. See hardcover for description.
avril 1998, New York
International architecture yearbook no. 3
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New paperback edition. See hardcover for description.
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avril 1998, New York
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$68.00
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ABDR, Carmen Andriani, Archea, Aldo Aymonino, Stefano Boeri, Antonio Citterio, Nicola Di Battista, Gruppo Itaca, Mosè Ricci & Filippo Spaini, Renato Rizzi, Mirko Zardini & Lukas Meyer, and Cino Zucchi.
août 1998, Basel
Young Italian architects / Giovani architetti italiani
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ABDR, Carmen Andriani, Archea, Aldo Aymonino, Stefano Boeri, Antonio Citterio, Nicola Di Battista, Gruppo Itaca, Mosè Ricci & Filippo Spaini, Renato Rizzi, Mirko Zardini & Lukas Meyer, and Cino Zucchi.
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août 1998, Basel
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$39.95
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This book investigates the political decisions and historical events behind the redesign of Berlin's governmental architecture by weaving a complex drama of politics, memory, and cultural values in which Helmut Kohl, Albert Speer, Sir Norman Foster, and I.M. Pei all figure as players.
Capital dilemma : Germany's search for a new architecture of democracy
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This book investigates the political decisions and historical events behind the redesign of Berlin's governmental architecture by weaving a complex drama of politics, memory, and cultural values in which Helmut Kohl, Albert Speer, Sir Norman Foster, and I.M. Pei all figure as players.
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mai 1998, New York
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ArchiLab brings together sixty of the most forward-thinking young architects from around the world, among them Asymptote, Greg Lynn, FOA, FAT, Ocean UK and MVRDV. Employing innovative research methods and experimentation, these young architects are redefining the boundaries of spatialization, construction and human understanding of the built world, with results that(...)
novembre 2001, New York
Archilab : radical experiments in global architecture
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ArchiLab brings together sixty of the most forward-thinking young architects from around the world, among them Asymptote, Greg Lynn, FOA, FAT, Ocean UK and MVRDV. Employing innovative research methods and experimentation, these young architects are redefining the boundaries of spatialization, construction and human understanding of the built world, with results that reflect a diverse range of cultural contexts, local conditions and global trends. With essays by today’s leading critics, and with each architect presented through detailed profiles and their most recent projects – backed up by over two thousand illustrations – this ambitious volume is a visual record of cutting-edge architecture.
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novembre 2001, New York
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$65.00
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The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to(...)
avril 2001, New York
L'Esprit Nouveau: Purism in Paris, 1918-1925
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The Purist movement in art, founded by Charles-Édouard Jeanneret (better known as Le Corbusier) and Amedée Ozenfant, championed a traditional classicism while it simultaneously embraced new technologies and materials. The only book on Purism, "L'Esprit Nouveau" is a key contribution to the study of classic 20th-century modernism in painting and architecture. The book serves as the catalogue for an exhibition at the Los Angeles County Museum of Art. The title examines over 75 paintings by Le Corbusier, Ozenfant, and their closest colleague, Fernand Léger. At the heart of the study lies a single work: Le Corbusier's striking design of the Pavillon de l'Esprit Nouveau for the 1925 Exposition Internationale des Arts Décoratifs, at which the term "Art Deco" was coined. The architecture of Le Corbusier's pavilion, along with its interior decoration - paintings, sculpture, furniture, glassware, rugs, and other objects - offers a complete summation of Purist aesthetics. Included here too is the full translated text of Le Corbusier's and Ozenfant's 1918 manifesto, "Après le cubisme".
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avril 2001, New York
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, (...)
mai 2001, Cambridge,MA
Making Paradise: Art, Modernity, and the Myth of the French Riviera
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Côte d'Azur. This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, "Making Paradise" offers a fresh look at the Côte d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the École de Nice of the early 1960s.
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mai 2001, Cambridge,MA
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As a tendency toward formalism returns to architecture, a number of practitioners are investigating the outer limits of tectonic expression. Vanguard architects are extending the boundaries of conventional construction to respond specifically to (...)
Radical tectonics : Enric Miralles, Günther Benisch, Mecanoo, Patkau Architects
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As a tendency toward formalism returns to architecture, a number of practitioners are investigating the outer limits of tectonic expression. Vanguard architects are extending the boundaries of conventional construction to respond specifically to programmatic and site requirements. Capturing this dynamic work, "Radical Tectonics" presents four practices whose buildings push poetic construction to new extremes. All in their own way and according to local sensibility and conditions, Gülnter Behnisch (Stuttgart), Enric Miralles (Barcelona), Patkau Architects (Vancouver), and Mecanoo (Delft) focus on the art of construction and innovative craftsmanship. From Behnisch's contextual awareness of particular social and political environments to Miralles's building as land form, from Patkau's funky vernacular to Mecanoo's playful manipulation of program and landscape, these studies confront architecture's very nature with vigor and provocation.
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janvier 1900, London