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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
janvier 2016
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
Venise déserte
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Pendant le confinement dû au Coronavirus, en mars, avril et mai 2020, Venise a été totalement désertée, comme elle ne l’a probablement jamais été dans son histoire. Luc et Danielle Carton, qui habitent à Venise depuis 2005, ont eu la chance de pouvoir photographier cette ville dans ces conditions exceptionnelles. Leurs photos sont un témoignage rare de cette période hors du commun.
septembre 2022
Venise déserte
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Pendant le confinement dû au Coronavirus, en mars, avril et mai 2020, Venise a été totalement désertée, comme elle ne l’a probablement jamais été dans son histoire. Luc et Danielle Carton, qui habitent à Venise depuis 2005, ont eu la chance de pouvoir photographier cette ville dans ces conditions exceptionnelles. Leurs photos sont un témoignage rare de cette période hors du commun.
Orthodox chic
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''Orthodox chic'' is the second book in a series of visual explorations of architecture and urban space in independent Ukraine. The authors of ''Orthodox chic'', architects Alex Bykov and Oleksandr Burlaka, alongside artist Sasha Kurmaz, turn to photographing post-Soviet religious architecture as a way of capturing its social, political and economic development. The book(...)
janvier 2020
Orthodox chic
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''Orthodox chic'' is the second book in a series of visual explorations of architecture and urban space in independent Ukraine. The authors of ''Orthodox chic'', architects Alex Bykov and Oleksandr Burlaka, alongside artist Sasha Kurmaz, turn to photographing post-Soviet religious architecture as a way of capturing its social, political and economic development. The book portrays new forms of religious architecture, from kiosks, shacks, pop-up chapels attached to giant shopping malls, apartment blocks and magnificent new cathedrals. The author of the introductory text is Asya Bazdyreva, art critic and co-author of research practice at Geocinema.
Madrid 100% arquitectura
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text in English, Spanish and Chinese
Madrid 100% arquitectura
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text in English, Spanish and Chinese
Art-Nouveau Prague
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The English version of a cultural-historical guide by a leading European expert on the Art Nouveau shows visitors to Prague around its Art-Nouveau monuments. In particular it presents the Prague Art-Nouveau architecture (for instance the Municipal House and the Wilson Railway Station) and monumental sculpture (for instance works by F. Bílek, L. Šaloun and S. Sucharda).
Art-Nouveau Prague
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The English version of a cultural-historical guide by a leading European expert on the Art Nouveau shows visitors to Prague around its Art-Nouveau monuments. In particular it presents the Prague Art-Nouveau architecture (for instance the Municipal House and the Wilson Railway Station) and monumental sculpture (for instance works by F. Bílek, L. Šaloun and S. Sucharda).
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The first book to document the projects and progress made by the Make It Right Foundation, established by actor Brad Pitt, in response to the destruction wrought by Hurricane Katrina of homes throughout New Orleans' Lower Ninth Ward.
Architecture in times of need
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The first book to document the projects and progress made by the Make It Right Foundation, established by actor Brad Pitt, in response to the destruction wrought by Hurricane Katrina of homes throughout New Orleans' Lower Ninth Ward.
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
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In this book the author examines the nature of twenty-first-century Irish architectural identity as it develops its own progressive, contemporary idiom. Illustrated with color photographs and drawings, Full Irish includes more than seventy projects from Ireland's leading firms as well as its up-and-coming designers: Boyd Cody, Alan Jones, de Blacam and Meagher, Bucholz(...)
Full irish, new architecture in Ireland
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In this book the author examines the nature of twenty-first-century Irish architectural identity as it develops its own progressive, contemporary idiom. Illustrated with color photographs and drawings, Full Irish includes more than seventy projects from Ireland's leading firms as well as its up-and-coming designers: Boyd Cody, Alan Jones, de Blacam and Meagher, Bucholz McEvoy, de Paor Architects, FKL Architects, Dominic Stevens, Grafton Architects, Henchion+Reuter, Hackett Hall McKnight, Heneghan.Peng, McCullough Mulvin, Hassett + Ducatez, MacGabhann Architects, O'Donnell + Tuomey, and ODOS Architects.
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared(...)
novembre 2009
Provisional: emerging modes of architectural pratice Usa
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared commitment to experimentation and learning-by-doing. Projects by SHoP Architects, Front Studio, Gehry Technologies, Lewis.Tsurumaki.Lewis, Höweler + Yoon Architecture, nARCHITECTS, servo, GYA Architects, and Chris Hoxie Design are included as well as the following projects: Beijing National Stadium, China Central Television (CCTV) Station and Headquarters (Beijing), Dee and Charles Wyly Theater (Dallas)and al.
$65.00
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La couleur serait-elle une nouveauté en architecture? Sa forte présence actuelle a-t-elle des précédents, ou bien est-elle le dernier épisode, paroxystique, de l’ère postmoderne, le signe global d’une architecture décomplexée, dénitivement détachée des pesanteurs dogmatiques du XXe siècle? De quel débat la couleur participe-t-elle réellement? D’un débat sur la forme, le(...)
Accords chromatiques: histoires parisiennes des architectures en couleurs 1200-2010
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La couleur serait-elle une nouveauté en architecture? Sa forte présence actuelle a-t-elle des précédents, ou bien est-elle le dernier épisode, paroxystique, de l’ère postmoderne, le signe global d’une architecture décomplexée, dénitivement détachée des pesanteurs dogmatiques du XXe siècle? De quel débat la couleur participe-t-elle réellement? D’un débat sur la forme, le style, l’ornement, le revêtement, ou plutôt sur la ville et ses règlements — lesquels ne comportent, pour Paris, aucune prescription particulière à ce propos —, sur l’économie du projet? De tous ces débats cumulés? Peut-être. La couleur a manifestement le mérite de susciter des questions, auxquelles il serait vain de prétendre apporter autant de réponses. Nous nous limiterons pour l’heure à la première: la couleur, nouveau matériau architectural, nouvelle donne pour la ville? L’histoire, on le verra, apporte des preuves régulières du contraire. En revanche, il est possible que l’architecture de ce début de XXIe siècle soit la plus colorée jamais produite jusqu’alors; et ce seul constat impose que l’on s’interroge sur les origines et les développements de ce phénomène, dans une ville historiquement considérée comme monochrome ou presque: Paris.