128 Résultats
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livres
livres
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
Titre:
Rogue archives: digital cultural memory and the media fandom
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Rogue archives: digital cultural memory and the media fandom
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The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Classification:
livres
livres
Titre:
A prehistory of the cloud
A prehistory of the cloud
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and(...)
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and(...)
Titre:
A prehistory of the cloud
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and cultural norms, all working to keep us from noticing their existence. In this book, Tung-Hui Hu examines the gap between the real and the virtual in our understanding of the cloud.
A prehistory of the cloud
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We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and cultural norms, all working to keep us from noticing their existence. In this book, Tung-Hui Hu examines the gap between the real and the virtual in our understanding of the cloud.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
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livres
livres
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$54.95
(disponible en magasin)
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Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for(...)
$54.95
(disponible en magasin)
Résumé:
Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for(...)
Titre:
The atlas of new librarianship
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$54.95
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Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for practitioners. He describes a new librarianship based not on books and artifacts but on knowledge and learning; and he suggests a new mission for librarians: to improve society through facilitating knowledge creation in their communities. The vision for a new librarianship must go beyond finding library-related uses for information technology and the Internet; it must provide a durable foundation for the field. Lankes recasts librarianship and library practice using the fundamental concept that knowledge is created though conversation. New librarians approach their work as facilitators of conversation; they seek to enrich, capture, store, and disseminate the conversations of their communities.
The atlas of new librarianship
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$54.95
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Résumé:
Libraries have existed for millennia, but today the library field is searching for solid footing in an increasingly fragmented (and increasingly digital) information environment. What is librarianship when it is unmoored from cataloging, books, buildings, and committees? In "The Atlas of New Librarianship", R. David Lankes offers a guide to this new landscape for practitioners. He describes a new librarianship based not on books and artifacts but on knowledge and learning; and he suggests a new mission for librarians: to improve society through facilitating knowledge creation in their communities. The vision for a new librarianship must go beyond finding library-related uses for information technology and the Internet; it must provide a durable foundation for the field. Lankes recasts librarianship and library practice using the fundamental concept that knowledge is created though conversation. New librarians approach their work as facilitators of conversation; they seek to enrich, capture, store, and disseminate the conversations of their communities.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Classification:
livres
livres
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$32.95
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Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
$32.95
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Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
Publication:
août 2016
août 2016
Titre:
The book in history, the book as history
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$32.95
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Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
The book in history, the book as history
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$32.95
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Résumé:
Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
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livres
livres
Publication:
août 2016
août 2016
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livres
livres
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$52.95
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Résumé:
The normative order and authoritarian use of conventional archives has long been criticised. This volume investigates the digitally informed transformation and multiplication of archives today, in conjunction with the increase in both accessibility and the amount of data produced, stored, and circulated. Despite improved search capabilities, documents, photographs, and(...)
$52.95
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The normative order and authoritarian use of conventional archives has long been criticised. This volume investigates the digitally informed transformation and multiplication of archives today, in conjunction with the increase in both accessibility and the amount of data produced, stored, and circulated. Despite improved search capabilities, documents, photographs, and(...)
Titre:
Order and collapse: the lives of archives
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The normative order and authoritarian use of conventional archives has long been criticised. This volume investigates the digitally informed transformation and multiplication of archives today, in conjunction with the increase in both accessibility and the amount of data produced, stored, and circulated. Despite improved search capabilities, documents, photographs, and other images are in danger of vanishing. Yet new knowledge, connotations, and materialities are also emerging. Through various texts and artworks, a selection of contemporary artistic and research-based approaches to existing archives, the act of collecting images, and creating new archives is represented.
Order and collapse: the lives of archives
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$52.95
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Résumé:
The normative order and authoritarian use of conventional archives has long been criticised. This volume investigates the digitally informed transformation and multiplication of archives today, in conjunction with the increase in both accessibility and the amount of data produced, stored, and circulated. Despite improved search capabilities, documents, photographs, and other images are in danger of vanishing. Yet new knowledge, connotations, and materialities are also emerging. Through various texts and artworks, a selection of contemporary artistic and research-based approaches to existing archives, the act of collecting images, and creating new archives is represented.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
Prix:
$45.95
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Résumé:
Nous entrons dans « l’ère post-numérique », les technologies du numérique ne sont plus perçues comme un phénomène révolutionnaire, mais plutôt comme faisant partie intégrante de notre quotidien. La mutation de l’industrie de la musique et du cinéma, où les fichiers circulent en « bits et octets » via les téléchargements et le streaming, est désormais tenue pour acquise.(...)
$45.95
(disponible en magasin)
Résumé:
Nous entrons dans « l’ère post-numérique », les technologies du numérique ne sont plus perçues comme un phénomène révolutionnaire, mais plutôt comme faisant partie intégrante de notre quotidien. La mutation de l’industrie de la musique et du cinéma, où les fichiers circulent en « bits et octets » via les téléchargements et le streaming, est désormais tenue pour acquise.(...)
Titre:
Post-digital print : la mutation de l'édition depuis 1984
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$45.95
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Nous entrons dans « l’ère post-numérique », les technologies du numérique ne sont plus perçues comme un phénomène révolutionnaire, mais plutôt comme faisant partie intégrante de notre quotidien. La mutation de l’industrie de la musique et du cinéma, où les fichiers circulent en « bits et octets » via les téléchargements et le streaming, est désormais tenue pour acquise. Cependant, dans le monde de l’édition de livres et de revues, cette transformation ne fait que commencer. Pourtant, les prémices de cette mutation sont loin d’être récents. Depuis plus d’un siècle, des artistes d’avant-garde, des activistes et des ingénieurs ont anticipé le développement des réseaux et de l’édition numérique. Bien que la mort annoncée du papier ait été largement exagérée, l’édition numérique est désormais devenue une réalité. Comment l’analogique et le numérique vont-ils coexister dans l’ère post-numérique ? Comment vont-ils s’entrecroiser, se mélanger et se dépasser ? Dans ce livre, Alessandro Ludovico repense l’histoire de la technologie des médias, de l’activisme culturel et des arts d’avant-garde comme une préhistoire de la soi-disant dichotomie entre papier et numérique.
Post-digital print : la mutation de l'édition depuis 1984
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$45.95
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Résumé:
Nous entrons dans « l’ère post-numérique », les technologies du numérique ne sont plus perçues comme un phénomène révolutionnaire, mais plutôt comme faisant partie intégrante de notre quotidien. La mutation de l’industrie de la musique et du cinéma, où les fichiers circulent en « bits et octets » via les téléchargements et le streaming, est désormais tenue pour acquise. Cependant, dans le monde de l’édition de livres et de revues, cette transformation ne fait que commencer. Pourtant, les prémices de cette mutation sont loin d’être récents. Depuis plus d’un siècle, des artistes d’avant-garde, des activistes et des ingénieurs ont anticipé le développement des réseaux et de l’édition numérique. Bien que la mort annoncée du papier ait été largement exagérée, l’édition numérique est désormais devenue une réalité. Comment l’analogique et le numérique vont-ils coexister dans l’ère post-numérique ? Comment vont-ils s’entrecroiser, se mélanger et se dépasser ? Dans ce livre, Alessandro Ludovico repense l’histoire de la technologie des médias, de l’activisme culturel et des arts d’avant-garde comme une préhistoire de la soi-disant dichotomie entre papier et numérique.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Classification:
livres
livres
Prix:
$28.00
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Résumé:
When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments,(...)
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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments,(...)
Titre:
The marvelous clouds: toward a philosophy of elemental media
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$28.00
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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true—environments are media.
The marvelous clouds: toward a philosophy of elemental media
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$28.00
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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true—environments are media.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
Titre:
The digital condition
The digital condition
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$27.95
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Résumé:
Our daily lives, our culture, and our politics are now shaped by the digital condition, in which greater numbers of people are engaged in negotiating meaning in ever more dimensions of life, from the trivial to the profound. They are making use of a complex communication infrastructure, currently dominated by social mass media such as Twitter and Facebook, on which they(...)
$27.95
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Résumé:
Our daily lives, our culture, and our politics are now shaped by the digital condition, in which greater numbers of people are engaged in negotiating meaning in ever more dimensions of life, from the trivial to the profound. They are making use of a complex communication infrastructure, currently dominated by social mass media such as Twitter and Facebook, on which they(...)
Titre:
The digital condition
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$27.95
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Our daily lives, our culture, and our politics are now shaped by the digital condition, in which greater numbers of people are engaged in negotiating meaning in ever more dimensions of life, from the trivial to the profound. They are making use of a complex communication infrastructure, currently dominated by social mass media such as Twitter and Facebook, on which they have come to depend.Amidst a confusing plurality, Felix Stalder argues that there are three key constituents of this condition: the use of existing cultural materials for one’s own production, the way in which new meaning is established as a collective endeavor, and the underlying role of algorithms and automated decision-making processes that give shape to massive volumes of data. These three characteristics define what Stalder calls “the digital condition.”
The digital condition
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$27.95
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Résumé:
Our daily lives, our culture, and our politics are now shaped by the digital condition, in which greater numbers of people are engaged in negotiating meaning in ever more dimensions of life, from the trivial to the profound. They are making use of a complex communication infrastructure, currently dominated by social mass media such as Twitter and Facebook, on which they have come to depend.Amidst a confusing plurality, Felix Stalder argues that there are three key constituents of this condition: the use of existing cultural materials for one’s own production, the way in which new meaning is established as a collective endeavor, and the underlying role of algorithms and automated decision-making processes that give shape to massive volumes of data. These three characteristics define what Stalder calls “the digital condition.”
Classification:
livres
livres
Publication:
décembre 2017
décembre 2017
Classification:
livres
livres
Titre:
Fantasies of the library
Fantasies of the library
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$24.50
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''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a(...)
$24.50
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Résumé:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a(...)
Publication:
août 2018
août 2018
Titre:
Fantasies of the library
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$24.50
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Résumé:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a dialogue with a new media theorist about experiments at the intersection of curatorial practice and open-source ebooks. The reader emerges from this book-as-exhibition with the growing conviction that the library is not only a curatorial space but a bibliological imaginary, ripe for the exploration of consequential paginated affairs. The physicality of the book- and this book- ''resists the digital,'' argues coeditor Etienne Turpin, ''but not in a nostalgic way.''
Fantasies of the library
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$24.50
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Résumé:
''Fantasies of the Library'' imagines, and enacts, the library as both keeper of books and curator of ideas as a platform of the future. The book includes an essay on the institutional ordering principles of book collections; a conversation with the proprietors of the Prelinger Library in San Francisco; reflections on the role of cultural memory and the archive; and a dialogue with a new media theorist about experiments at the intersection of curatorial practice and open-source ebooks. The reader emerges from this book-as-exhibition with the growing conviction that the library is not only a curatorial space but a bibliological imaginary, ripe for the exploration of consequential paginated affairs. The physicality of the book- and this book- ''resists the digital,'' argues coeditor Etienne Turpin, ''but not in a nostalgic way.''
Classification:
livres
livres
Publication:
août 2018
août 2018
Classification:
livres
livres
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$18.95
(disponible en magasin)
Résumé:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles(...)
$18.95
(disponible en magasin)
Résumé:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles(...)
Publication:
octobre 2018
octobre 2018
Titre:
Éditions off-line : projet critique de publications numériques (1989-2001)
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$18.95
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Résumé:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles Rouffineau livre de précieuses analyses d’objets éditoriaux qui ont marqué la décennie et qui sont aujourd’hui difficilement consultables. Reprise d’une recherche doctorale en sciences de l’art rendue publique en 2006, la démarche scientifique de cet amateur de CDrom éclairé pose la question d’un désir de transmission des données et d’un partage d’expériences contrarié par l’obsolescence technique et le caractère incertain de ces objets culturels.
Éditions off-line : projet critique de publications numériques (1989-2001)
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$18.95
(disponible en magasin)
Résumé:
À l’intersection des humanités numériques et de l’archéologie des médias, cet essai propose un projet critique des éditions de CDrom d’auteur des années 1990. En s’appuyant sur une contextualisation socio-technique érudite de ces supports de stockages numériques prometteurs et sur de fines descriptions des interfaces et des parcours au sein de ces univers clos, Gilles Rouffineau livre de précieuses analyses d’objets éditoriaux qui ont marqué la décennie et qui sont aujourd’hui difficilement consultables. Reprise d’une recherche doctorale en sciences de l’art rendue publique en 2006, la démarche scientifique de cet amateur de CDrom éclairé pose la question d’un désir de transmission des données et d’un partage d’expériences contrarié par l’obsolescence technique et le caractère incertain de ces objets culturels.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
