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20 + years of Witte de With
20 + years of Witte de With
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a(...)
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Art, époques et styles
Art, époques et styles
Publication:
février 2011
février 2011
Titre:
20 + years of Witte de With
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$39.95
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
20 + years of Witte de With
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Since its inception in 1990, Witte de With has exhibited some 300 artists and, through its publications, lecture programs and participation in events such as the Venice Biennale and the Shanghai World Expo, the center continues to shape international discourse on art and its institutions. On the occasion of its twentieth anniversary, Witte de With Publishers presents a survey celebrating these achievements.
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livres
livres
Publication:
février 2011
février 2011
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Art, époques et styles
Art, époques et styles
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livres
livres
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$83.00
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of(...)
Titre:
Examples to follow! Expeditions in aesthetics and sustainability
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
Examples to follow! Expeditions in aesthetics and sustainability
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This publication focuses the cultural and aesthetic dimensions of sustainability through the lens of postwar and contemporary art. Also representing the fields of design, architecture and technology, Examples to Follow! highlights works ranging from objects made from recycled products to a floating island where clean water can be made by physical activity. The list of international artists includes Joseph Beuys, Gordon Matta-Clark, Robert Smithson, Jennifer Allora & Guillermo Calzadilla, Richard Box, Ines Doujak, Adib Fricke, Klara Hobza, Lukas Feireiss, Luis Berríos-Negrón, Josef Hack, Henrik Håkansson, Cornelia Hesse-Honegger, Christoph Keller, and others.
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livres
livres
Publication:
février 2011
février 2011
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Art, époques et styles
Art, époques et styles
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livres
livres
Titre:
The more I draw
The more I draw
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In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
$61.00
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In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond(...)
Titre:
The more I draw
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$61.00
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In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
The more I draw
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$61.00
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In the wake of Abstract Expressionism, exponents of drawing found the limits of their art blown wide open. Beuys and Twombly provide two instances of this freedom, and The More I Draw opens its assessment with works by both artists. Fifty artists participate in this overview, among them Ryoko Aoki, Silvia Bächli, Jimmie Durham, Tracey Emin, Dan Perjovschi, Raymond Pettibon, David Shrigley, Sandra Vásquez de la Horra, Jorinde Voigt and many others.
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livres
livres
Publication:
mars 2011
mars 2011
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Art, époques et styles
Art, époques et styles
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livres
livres
Titre:
Minimalism
Minimalism
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Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
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Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
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Minimalism
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Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
Minimalism
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Survey Critic and art historian James Meyer, a leading authority on Minimalism, examines the movement from its beginnings to its broader cultural influence.
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livres
livres
Publication:
mai 2010
mai 2010
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Art, époques et styles
Art, époques et styles
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livres
livres
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$33.95
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Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of(...)
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Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of(...)
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Psychedelic: Optical and visionary art since the 1960s
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Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.
Psychedelic: Optical and visionary art since the 1960s
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Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.
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livres
livres
Publication:
avril 2010
avril 2010
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Art, époques et styles
Art, époques et styles
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livres
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the(...)
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the(...)
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Art, époques et styles
Art, époques et styles
Publication:
septembre 2009
septembre 2009
Titre:
Twilight visions: Surrealism and Paris
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. This volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity.
Twilight visions: Surrealism and Paris
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Through an examination of Surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. This volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity.
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livres
livres
Publication:
septembre 2009
septembre 2009
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Art, époques et styles
Art, époques et styles
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livres
livres
Titre:
Futurism, an anthology
Futurism, an anthology
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Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy(...)
$67.00
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Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy(...)
Titre:
Futurism, an anthology
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Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy for Western civilization.
Futurism, an anthology
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$67.00
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Published to coincide with the 100th anniversary of the founding of futurism, this is the most complete anthology of futurist manifestos, poems, plays, and images ever to bepublished in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate futurism and its haunting legacy for Western civilization.
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livres
livres
Publication:
septembre 2009
septembre 2009
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Art, époques et styles
Art, époques et styles
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livres
livres
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$34.00
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The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were(...)
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The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were(...)
Titre:
Serpentine lines : Max von Moos, André Thomkins, Aldo Walker, Max Ernst
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The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were familiar with his oeuvre, worked with the form of the snake redeemed as a freely curving line. Paul Klee described the serpentine line as an active line on a walk, moving freely, without goal.
Serpentine lines : Max von Moos, André Thomkins, Aldo Walker, Max Ernst
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The snake as an ambivalent symbol and the serpentine line as form and medium are part of the culture of Surrealism. They link Jackson Pollock to Max Ernst. The focus of the work of Max von Moos is human existence under threat, and the motif of the snake is encountered repeatedly in his painting. In the generation after him , André Thomkins and Aldo Walker, who were familiar with his oeuvre, worked with the form of the snake redeemed as a freely curving line. Paul Klee described the serpentine line as an active line on a walk, moving freely, without goal.
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livres
livres
Publication:
juillet 2011
juillet 2011
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Art, époques et styles
Art, époques et styles
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livres
livres
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for(...)
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for(...)
Titre:
Piranesi: The complete etchings
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway.
Piranesi: The complete etchings
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Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway.
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livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Art, époques et styles
Art, époques et styles
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livres
livres
Prix:
$60.00
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Résumé:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
$60.00
(disponible sur commande)
Résumé:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with(...)
Titre:
Italian futurism, 1909-1944: reconstructing the universe
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$60.00
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Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Italian futurism, 1909-1944: reconstructing the universe
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$60.00
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Résumé:
Published to accompany the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. This publication examines the historical sweep of Futurism from its inception with F.T. Marinetti’s manifesto in 1909 through the movement’s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Art, époques et styles
Art, époques et styles
