Exposé.es
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Ce catalogue qui accompagne l’exposition « Exposé·es » ne se divise pas en chapitres, mais entrelace les genres et les modalités d’écriture et de documentation, avec des formats variés. Il comprend notamment une multitude de courts entretiens ou écrits autour des pratiques des artistes et de personnes concernées, des essais commandés à des auteur·rices et des séquences(...)
Exposé.es
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$90.00
(disponible en magasin)
Résumé:
Ce catalogue qui accompagne l’exposition « Exposé·es » ne se divise pas en chapitres, mais entrelace les genres et les modalités d’écriture et de documentation, avec des formats variés. Il comprend notamment une multitude de courts entretiens ou écrits autour des pratiques des artistes et de personnes concernées, des essais commandés à des auteur·rices et des séquences d’images, représentant les travaux des artistes de l’exposition, ou documentant des projets artistiques qui ont eu lieu historiquement dans le contexte de ces luttes.
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws(...)
janvier 2024
Grace Wales Bonner: Dream in the rhythm. Visions of sound and spirit in the MoMA Collection
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition "Artist’s Choice: Grace Wales Bonner—Spirit Movers", this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form(...)
décembre 2023
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible."(...)
décembre 2023
Precarious solidarities: Artists for democracy 1974-1977
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This volume takes Artists for Democracy (AFD) as a starting point to explore the entanglement of artistic practices with transnational solidarities shaped by migration and political mobilization. AFD formed in London in 1974 to give "material and cultural support to liberation movements worldwide" and to use art as "a way of making global political struggles visible." Over the next three years, the collective arranged several large-scale festivals dedicated to the relief of political crises in Chile, Vietnam, Indochina and the United States. Through detailed contextualization, scholastic and artistic commissions and extensive archival documentation, "Precarious solidarities" applies a variety of lenses—artistic, social, political, historical and geographic—to explore AFD’s legacy today.
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et(...)
novembre 2023
Figures seules
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Lee Ufan Arles invite Philippe Dagen, historien de l’art, critique et commissaire d’exposition à imaginer pour l’été 2023 la première exposition temporaire de l’Espace MA.Philippe Dagen, proche du travail de Lee Ufan depuis de nombreuses années, a réuni cinq artistes plasticiens travaillant en France - Brigitte Aubignac, Ymane Chabi-Gara, Marc Desgrandchamps Tim Eitel et Djamel Tatah - qui interrogent et représentent la figure humaine. Celle-ci se présente seule, non pour des raisons formelles, mais parce que cette solitude renvoie à des situations aux significations sociales et psychiques qui caractérisent particulièrement notre époque: l’enfermement en soi, l’absence de l’autre, la mélancolie, l'exclusion ou le deuil.L'exposition « Figures seules » sera présentée à l’Espace MA de Lee Ufan Arles du 1er Juillet au 24 septembre 2023.
Wendat women's arts
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral(...)
avril 2022
Wendat women's arts
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral knowledge across generations of artists and remains a vibrant and important practice today. Breaking new ground in Indigenous art histories, "Wendat women’s arts" is the first book to bring together a full history of the Wendat embroidery art form.
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga(...)
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga (Mono-ha) font par exemple appel à la mémoire et l'histoire inhérente de nos environnements par le truchement et la confrontation de matériaux bruts, qu'ils soient d'origine naturelle ou industrielle, celles d'Hideki Umezawa et Koichi Sato ou d'Hiroshi Yoshimura investissent le médium sonore pour composer des paysages musicaux et visuels en réponse à certaines architectures et créer ainsi des lueurs de calme dans des lieux inattendus. Des approches non sans écho à celles privilégiées par certaines artistes Fluxus réunies ici (Yoko Ono, Mieko Shiomi et Takako Saito) et leur recours au langage.
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Dans un monde saturé d’images, certaines font singulièrement défaut. Cette édition de MOMENTA ouvre des perspectives d’expérimentation et de spéculation autour de la nature, des usages et de la production de cesimages manquantes. Éloges de l’image manquante interroge aussi bien lesenjeux contemporains de l’image que les conséquences actuelles desdynamiques complexes de(...)
Éloges de l'image manquante (Momenta Biennale)
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Dans un monde saturé d’images, certaines font singulièrement défaut. Cette édition de MOMENTA ouvre des perspectives d’expérimentation et de spéculation autour de la nature, des usages et de la production de cesimages manquantes. Éloges de l’image manquante interroge aussi bien lesenjeux contemporains de l’image que les conséquences actuelles desdynamiques complexes de construction des récits. Quelles histoires sontracontées, comment le sont-elles et par qui ? Cette publication réunit un texte de la commissaire invitée, lesprésentations des 22 expositions de la Biennale et une série exclusive departitions graphiques de l’artiste Lou Sheppard.
Prosodic notes
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The exhibition Prosodic Grains at ''BY ART MATTERS'' (??????) draws inspiration from Chinese literature's pursuit of natural law and balanced beauty in phonology. It features works from over a dozen artists across different countries and regions, exploring the origins, elasticity, and limitations of human communication. For individuals, language and music carry fleeting(...)
Prosodic notes
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The exhibition Prosodic Grains at ''BY ART MATTERS'' (??????) draws inspiration from Chinese literature's pursuit of natural law and balanced beauty in phonology. It features works from over a dozen artists across different countries and regions, exploring the origins, elasticity, and limitations of human communication. For individuals, language and music carry fleeting emotions and thoughts; for human communities, they embody living histories and shared memories that reside in our collective consciousness. Embracing this holistic vision, the exhibition weaves individual breaths into the tapestry of global currents, embarking on a journey that awakens synesthetic sensations and delves into the realms of listening, perception, and resonance. In this information age, where attention fragments amidst discord and conflict, perhaps by experiencing and conveying the ineffable rhythmic beauty that transcends time and space, we can guide people back to their primal yearning for connection and mutual understanding. The publication ''Prosodic Notes'' emerges from the exhibition but isn't strictly bound by its concepts—it can be viewed as an alternative aspect of the exhibition. As we shaped this publication, we maintained an open dialogue with artists around the question: "How can works that pulse with sound and language find new life within the bounds of pages?" Some content consists of the original creations by artists. Another thread weaves in the artists' journeys toward their final works, including sketches, notes, archives, and interviews. These elements serve as passageways connecting living memories and experiences of the exhibition.