Syrie: l'art en armes
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« La mort tapie derrière l’œuvre, et l’œuvre comme défi à la mort : c’est le lot commun, et hors de prix, de la création syrienne. » (J. Mandelbaum, Le Monde, 18 février 2012). Ils envoient des vidéos, des dessins, des peintures, des photographies, des affiches ou des caricatures presque quotidiennement sur Internet… La vingtaine d'artistes syriens représentés dans cet(...)
février 2013
Syrie: l'art en armes
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« La mort tapie derrière l’œuvre, et l’œuvre comme défi à la mort : c’est le lot commun, et hors de prix, de la création syrienne. » (J. Mandelbaum, Le Monde, 18 février 2012). Ils envoient des vidéos, des dessins, des peintures, des photographies, des affiches ou des caricatures presque quotidiennement sur Internet… La vingtaine d'artistes syriens représentés dans cet ouvrage témoignent de la violence implacable infligée à un pays par une famille qui détient le pouvoir de vie et de mort.
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An up-to-the-minute survey of contemporary drawing featuring 115 artists from around the world, Vitamin D2 allows the reader to look at the medium in detail and study drawing's unique properties in relation to itself, to contemporary art and to the world at large.
Vitamin D2: new perspectives in drawing
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An up-to-the-minute survey of contemporary drawing featuring 115 artists from around the world, Vitamin D2 allows the reader to look at the medium in detail and study drawing's unique properties in relation to itself, to contemporary art and to the world at large.
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Espaces blancs : essais, créations et dérives dresse un portrait réflexif portant sur les cinq éditions de l'événement biennal Espace blanc, conçues et réalisées par le centre d'artistes Caravansérail, entre 2005 et 2012 à Rimouski, Québec.
Espaces blancs : essais, créations et dérives / essays, artworks and tangeants
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Espaces blancs : essais, créations et dérives dresse un portrait réflexif portant sur les cinq éditions de l'événement biennal Espace blanc, conçues et réalisées par le centre d'artistes Caravansérail, entre 2005 et 2012 à Rimouski, Québec.
$50.00
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Contested Site: Archives and the City is a peer-reviewed exhibition constructed as a complementary discursive engagement with the Universities Art Association of Canada (UAAC) conference being hosted by Concordia University in Fall 2012. The exhibition highlights the emerging phenomenon of research/creation, which is redefining institutions, pedagogy, funding agencies and(...)
Les cahiers : Contested site, archive and the city
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Contested Site: Archives and the City is a peer-reviewed exhibition constructed as a complementary discursive engagement with the Universities Art Association of Canada (UAAC) conference being hosted by Concordia University in Fall 2012. The exhibition highlights the emerging phenomenon of research/creation, which is redefining institutions, pedagogy, funding agencies and artistic practice in a reflexive manner, as perhaps a contested site itself.
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The Book of Books offers an overview of Documenta 13's guiding themes through a compilation of art projects and essays. The Book of Books reproduces the entire 100 Notes - 100 Thoughts series of publications (either as facsimiles or with entirely new layouts), and is supplemented by essays from Carolyn Christov-Bakargiev, Chus Martínez, Franco Berardi and others, plus(...)
documenta (13) : the book of books, catalog 1/3
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The Book of Books offers an overview of Documenta 13's guiding themes through a compilation of art projects and essays. The Book of Books reproduces the entire 100 Notes - 100 Thoughts series of publications (either as facsimiles or with entirely new layouts), and is supplemented by essays from Carolyn Christov-Bakargiev, Chus Martínez, Franco Berardi and others, plus statements by some of the festival's agents and advisors. Illustrated short biographies of all participating artists are included, along with a catalogue of the works on display.
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The Documenta Logbook volume reveals Artistic Director Carolyn Christov-Bakargiev's working methods for the 2012 Documenta, from the earliest planning stages in 2010 right up to the opening of Documenta in 2012, in writings and photographs. A second section of photographs documents the installation of artist's works in Kassel, plus a schedule of the various public events,(...)
documenta (13) : the logbook, catalog 2/3
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The Documenta Logbook volume reveals Artistic Director Carolyn Christov-Bakargiev's working methods for the 2012 Documenta, from the earliest planning stages in 2010 right up to the opening of Documenta in 2012, in writings and photographs. A second section of photographs documents the installation of artist's works in Kassel, plus a schedule of the various public events, from concerts to performances. With its emphasis on the provisional and the processual and the provisional, the Logbook expresses Christov-Bakargiev's guiding strategy and philosophy for Documenta 13.
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The Guidebook is entirely devoted to the artists participating in Documenta 13. Each one is introduced in an illustrated essay written by one of the Documenta's agents, in close collaboration with the artists - who also contribute illustrations, which are as diverse as the projects themselves. These essays are individual visual statements, ranging from drawings to notes.(...)
documenta (13) : the guidebook, catalog 3/3
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The Guidebook is entirely devoted to the artists participating in Documenta 13. Each one is introduced in an illustrated essay written by one of the Documenta's agents, in close collaboration with the artists - who also contribute illustrations, which are as diverse as the projects themselves. These essays are individual visual statements, ranging from drawings to notes. Narrative introductions to the various venues combine factual details with Carolyn Christov-Barkargiev's key ideas and concepts, which are connected to each of the venues.
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly(...)
août 2013
The encyclopedic palace: 55th Biennale di Venezia
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite.
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Participating artists' press agency (PAPA) is an international curated network of artist-correspondents. It is an instrument for world mapping, gently fixing even the most stubborn pieces into meaningful patterns. This publication combines a DIY manual, an introduction to the cities in which PAPA has operated, visual essays and an explanation of PAPA's beginnings. It(...)
mai 2013
The making of PAPA : participating artists press agency
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Participating artists' press agency (PAPA) is an international curated network of artist-correspondents. It is an instrument for world mapping, gently fixing even the most stubborn pieces into meaningful patterns. This publication combines a DIY manual, an introduction to the cities in which PAPA has operated, visual essays and an explanation of PAPA's beginnings. It contains 250 photographs taken by 35 photographers from six countries.
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s(...)
mai 2013
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s “Zones of Immaterial Pictorial Sensibility” (1958), Seth Siegelaub’s “Artist’s Contract “(1971), and Lee Lozano’s “Strike Piece”(1969)—as well as rarely documented works like Keith Obadike’s “Blackness for Sale” (2001) and Kelly Mark’s “In & Out” (1997-ongoing until 2032).