The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical(...)
septembre 2018
The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story. ''The Cabinet of Traces'' remembers these stories, while feeding new ones. Memories are constructions and the traces in the publication form the basis from which these memories can be created. ''The Cabinet of Traces'' is a tool that feeds the imagination. It will be passed on to future artists in residency in order to evoke a reaction. New artists will extend the collection.
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Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, "Vitamin T" is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and(...)
Vitamin T: threads and textiles in contemporary art
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Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, "Vitamin T" is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
mars 2019
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un(...)
février 2019
Latifa Echakhch : le jardin mécanique
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un flipbook retranscrivant au fil des pages le mouvement de cinq vidéos produites pour l'exposition au NMNM.
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Peter Lindbergh, l'un des photographes les plus importants de sa génération, a réalisé des photographies inédites d'oeuvres d'Alberto Giacometti sélectionnées dans la collection de la Fondation Giacometti. Cet ouvrage richement illustré présente le résultat de ce travail singulier, en lien avec des sculptures et de nombreux dessins inédits de Giacometti. Ce face-a-face(...)
Alberto Giacometti / Peter Linbergh : saisir l'invisible
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Peter Lindbergh, l'un des photographes les plus importants de sa génération, a réalisé des photographies inédites d'oeuvres d'Alberto Giacometti sélectionnées dans la collection de la Fondation Giacometti. Cet ouvrage richement illustré présente le résultat de ce travail singulier, en lien avec des sculptures et de nombreux dessins inédits de Giacometti. Ce face-a-face montre le dialogue très intime qui s'est établi entre le photographe et les oeuvres du sculpteur, tout en révélant de nombreux points communs dans leurs manières d'appréhender la représentation du réel.
Proportio
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This book examines the ways in which we experience proportion in our lives and the complex universe in which we live. Proportion-not only a question of numbers, but of balance-emerges in this volume as a universal human pursuit. Throughout the course of known human history, the knowledge of proportions has been applied across civilizations for thousands of years. The(...)
Proportio
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This book examines the ways in which we experience proportion in our lives and the complex universe in which we live. Proportion-not only a question of numbers, but of balance-emerges in this volume as a universal human pursuit. Throughout the course of known human history, the knowledge of proportions has been applied across civilizations for thousands of years. The sophisticated knowledge of sacred geometry was considered closely linked to secretive spiritual wisdom and religious traditions. This volume connects these ancient notions to works by artists such as Le Corbusier, Albrecht Dürer, Sol LeWitt, Anselm Kiefer, Tomas Saraceno, Marina Abramovi c, Anish Kapoor and Michaël Borremans. Beautifully produced and presenting objects drawn from art, nature, physics, economics, history, science, music, medicine and many other sources, "Proportio" uncovers the natural patterns that are used to organize and create the material world.
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This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works,(...)
mai 2016
Unfinished: thoughts left visible
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This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book explores the degrees to which instances of incompleteness were accidental or intentional, experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint(...)
juillet 2016
Manifesta 11: What people do for money
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint ventures along with illustrations of the thematic exhibition, documentation of the Pavillon of Refl ections on Lake Zurich, and coverage of the participatory artists’ guild at Cabaret Voltaire. Including commentaries from the artists’ collaborators, stills from the film programme, sociological research, and new literary texts, it presents a multifaceted portrait of Zurich one which by generating and gauging discussions serves to contextualise the Swiss capital within Europe today.
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées(...)
Jean Nouvel / Claude Parent, musées à venir
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées non réalisés, du Plateau Beaubourg (1971) pensé par les deux architectes au Nouveau Musée de Claude Parent (2014-2015).
Collection architecture
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Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Collection architecture
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Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.