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This book is a clarion call to artists, writers, and scientists to explore their willingness to wonder and drive to discover. Inspired by a quote from Ray Bradbury, “Explode Every Day” is a bold new exhibition harnessing the energy of wonder. This book features works touching on certain facets of wonder, including themes of the perceptual/visionary,(...)
octobre 2016
Explode everyday : an inquiry into the phenomena of wonder
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This book is a clarion call to artists, writers, and scientists to explore their willingness to wonder and drive to discover. Inspired by a quote from Ray Bradbury, “Explode Every Day” is a bold new exhibition harnessing the energy of wonder. This book features works touching on certain facets of wonder, including themes of the perceptual/visionary, technological/scientific, and time/cosmos. In compelling essays on the history of wonder and its intersection with myriad disciplines, including psychology, literature, and science, today’s great minds consider the many avenues for this phenomena. Interviews with the exhibition’s artists provide insight into individual processes of creativity and innovation. The result is an exploration of the richness of wonder: from the every day to the ineffable.
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums,(...)
octobre 2016
Frieze: A to Z of contemporary art
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums, photography, pre-historic art and television; and think pieces on broader cultural topics, such as fame, gentrification, nostalgia, and style. The book's content - selected from throughout the magazine's history - offers a guide to this dynamic era of visual culture, revealing the increasing internationalism, popularity, and market dominance of contemporary art.
$90.00
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Inspired by the 1976 exhibition ''Drawing Now'' at The Museum of Modern Art, Drawing Then investigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Then includes(...)
Drawing then: innovation and influences in American drawings of the sixties
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Inspired by the 1976 exhibition ''Drawing Now'' at The Museum of Modern Art, Drawing Then investigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats.
L'image volée
$95.00
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''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
L'image volée
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''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
The sun placed in the abyss
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This publication brings together the work of more than 45 artists who, since 1970, have used the sun as a subject to explore the historical, social and technological conditions of photography, both still and moving.
The sun placed in the abyss
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This publication brings together the work of more than 45 artists who, since 1970, have used the sun as a subject to explore the historical, social and technological conditions of photography, both still and moving.
Views of Japan
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This volume features the adventures of Gloria Katz and Willard Huyck, two renowned filmmakers--with such writing credits as Indiana Jones and the Temple of Doom and the original Star Wars and Mission Impossible--who began collecting Japanese photography more than a decade ago, and whose ongoing hunt seems indeed like a Hollywood movie. Since 2002, the Huycks have(...)
novembre 2017
Views of Japan
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This volume features the adventures of Gloria Katz and Willard Huyck, two renowned filmmakers--with such writing credits as Indiana Jones and the Temple of Doom and the original Star Wars and Mission Impossible--who began collecting Japanese photography more than a decade ago, and whose ongoing hunt seems indeed like a Hollywood movie. Since 2002, the Huycks have assembled an encyclopedic collection of images from the 19th century to the present, acquiring works by Nobuyoshi Araki, Hiroshi Hamaya, Eikoh Hosoe, Miyako Ishiuchi, Kikuji Kawada, Daido Moriyama, Ikko Narahara, Issei Suda, Shomei Tomatsu and Shoji Ueda.
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The vacant plinth in the north-west corner of London’s Trafalgar Square has provoked controversy for generations. Originally intended to hold an equestrian statue of William IV, it remained empty because of a lack of funds. For a century and half, debate over the plinth’s fate raged until 1998, when it was decided to use the spot as a site of temporary commissions of(...)
août 2016
Fourth plinth: how London created the smallest sculpture park in the world
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The vacant plinth in the north-west corner of London’s Trafalgar Square has provoked controversy for generations. Originally intended to hold an equestrian statue of William IV, it remained empty because of a lack of funds. For a century and half, debate over the plinth’s fate raged until 1998, when it was decided to use the spot as a site of temporary commissions of contemporary art by leading artists.This book tells the story of the ongoing Fourth Plinth program from its inception to the very latest commission, David Shrigley’s "Really Good," to be unveiled in September 2016
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This publication documents diverse approaches to the theme of interiors in contemporary art. Artists include Laurenz Berges, Franz Burkhardt, Francisca Gomez, Patricia Lambertus, Zilla Leutenegger, Marjetica Potrc, Jörg Sasse, Gregor Schneider, Andreas Schulze, Marcus Schwier, Taryn Simon, Erik Steinbrecher, Susa Templin and Claudia Wieser.
Homebase: the interior in contemporary art
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This publication documents diverse approaches to the theme of interiors in contemporary art. Artists include Laurenz Berges, Franz Burkhardt, Francisca Gomez, Patricia Lambertus, Zilla Leutenegger, Marjetica Potrc, Jörg Sasse, Gregor Schneider, Andreas Schulze, Marcus Schwier, Taryn Simon, Erik Steinbrecher, Susa Templin and Claudia Wieser.
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This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city’s historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting(...)
avril 2016
Genesis Dada: 100 years of Dada Zurich
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This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city’s historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting artistic ideas that culminated in Dada. It goes on to trace the explosion of Dada into a worldwide phenomenon that took in such artists and intellectuals as Joan Miró, Marcel Duchamp, Jean Cocteau, and Man Ray. Richly illustrated, this book will stand as the definitive account of the origins of Dada and its little-considered ties to one particular, spectacular city.
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When art takes its inspiration from correctional facilities. This book is the result of an international collective project in which the artists were asked to reflect on the architecture of seclusion, in search of different ways of documenting the institutional spaces intended to punish and, at times, to improve the individuals by their separation from the rest of(...)
août 2016
IK-OO: the spaces of confinement
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When art takes its inspiration from correctional facilities. This book is the result of an international collective project in which the artists were asked to reflect on the architecture of seclusion, in search of different ways of documenting the institutional spaces intended to punish and, at times, to improve the individuals by their separation from the rest of society. Prisons, mental hospitals, and other corrective institutions are constantly developing—ideologically, structurally, and architecturally—enclosing entire stories of violence and resistance. But how is a confinement space conceived? How can it be reported? The artists reflect on places of constriction, correction, and isolation whose functional mechanisms remain behind the visible, aided by a space-time line that separates them from the life outside.