Prospect 1: New Orleans
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Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of(...)
novembre 2008, Brooklyn
Prospect 1: New Orleans
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Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of the city’s important cultural celebrations. For Prospect.1, eighty-one artists have come together from thirty-eight countries to present their work in twenty different locations throughout the city, transforming New Orleans into an expansive showcase for new art.
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
janvier 2008, Vancouver
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
livres
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
juillet 2008, Köln
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
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juillet 2008, Köln
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
juillet 2008, Chicago
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
août 2008, London
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
septembre 2008, New York, London
Street art street life: from 1950s to now
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
août 2008, Amsterdam, New York, Pittsburgh
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
septembre 2008, Berlin, New York
Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
The gatherers
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga(...)
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga (Mono-ha) font par exemple appel à la mémoire et l'histoire inhérente de nos environnements par le truchement et la confrontation de matériaux bruts, qu'ils soient d'origine naturelle ou industrielle, celles d'Hideki Umezawa et Koichi Sato ou d'Hiroshi Yoshimura investissent le médium sonore pour composer des paysages musicaux et visuels en réponse à certaines architectures et créer ainsi des lueurs de calme dans des lieux inattendus. Des approches non sans écho à celles privilégiées par certaines artistes Fluxus réunies ici (Yoko Ono, Mieko Shiomi et Takako Saito) et leur recours au langage.