1213 Résultats
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Titre:
Bad news days: art, criticism, emergency
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Bad news days: art, criticism, emergency
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$32.00
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a(...)
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a(...)
Titre:
Strike art: contemporary art and the post-occupy condition
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
Strike art: contemporary art and the post-occupy condition
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$12.95
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Résumé:
Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a(...)
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a(...)
Titre:
Considérations sur l'état des Beaux-Arts: critique de la modernité
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a aussi peu peint, jamais on a aussi mal peint.
Considérations sur l'état des Beaux-Arts: critique de la modernité
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Résumé:
Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a aussi peu peint, jamais on a aussi mal peint.
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$55.00
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among(...)
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among(...)
Titre:
Bawden, Ravilious and the artists of Great Barfield
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among others, held now-famous “open house” exhibitions, displaying their modernist works to the public in their own homes. These informal shows brought acclaim to the artists, and also brought thousands of visitors to the quaint village. This illustrated book shows how that community, and its neigh- boring landscape, nurtured a distinctive style of art, design, and illustration
Bawden, Ravilious and the artists of Great Barfield
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among others, held now-famous “open house” exhibitions, displaying their modernist works to the public in their own homes. These informal shows brought acclaim to the artists, and also brought thousands of visitors to the quaint village. This illustrated book shows how that community, and its neigh- boring landscape, nurtured a distinctive style of art, design, and illustration
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$74.95
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and(...)
$74.95
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Résumé:
The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
octobre 2015
octobre 2015
Titre:
Black Mountain: an interdisciplinary (1933-1957)
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first director of the school was Josef Albers, and icons such as John Cage, Walter Gropius and Buckminster Fuller were among the many luminaries invited to teach. In consequence, BMC witnessed the development of a cutting-edge range of avant-garde concepts and ideas that still influence the art world today.
Black Mountain: an interdisciplinary (1933-1957)
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Résumé:
The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first director of the school was Josef Albers, and icons such as John Cage, Walter Gropius and Buckminster Fuller were among the many luminaries invited to teach. In consequence, BMC witnessed the development of a cutting-edge range of avant-garde concepts and ideas that still influence the art world today.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$54.95
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Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
$54.95
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Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Titre:
Object lessons : the visualisation of nineteenth-century life sciences
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$54.95
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Résumé:
Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Object lessons : the visualisation of nineteenth-century life sciences
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$54.95
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Résumé:
Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
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Résumé:
For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
Titre:
Flaka Haliti: speculating on the blue
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Flaka Haliti: speculating on the blue
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$39.95
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Résumé:
For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Halka / Haiti: 18°48'05
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
$46.50
(disponible sur commande)
Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
Titre:
Halka / Haiti: 18°48'05
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$46.50
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Halka / Haiti: 18°48'05
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$46.50
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Résumé:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$39.50
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Résumé:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to(...)
$39.50
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Résumé:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to(...)
Titre:
The murmuring of the artistic multitude: global art, politics and post-fordism
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Résumé:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to provide alternatives to the current model of economic exploitation, exploring places of intimacy and "slowability" in the hectic global flow of artistic events and artistically minded trends.
The murmuring of the artistic multitude: global art, politics and post-fordism
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$39.50
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Résumé:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to provide alternatives to the current model of economic exploitation, exploring places of intimacy and "slowability" in the hectic global flow of artistic events and artistically minded trends.
Classification:
livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Intangible economies
Intangible economies
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$20.00
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Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The(...)
$20.00
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Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The(...)
Titre:
Intangible economies
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$20.00
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Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The abstract and abstracting function of value itself becomes particularly significant in this constellation, in its relation to both capitalist economy and to ethics. First developed for a 2011 conference in Vancouver, the essays included in this anthology seek to tackle the difficult task of tracing the role of affect in economic exchanges relative to artistic production, while also enacting the unruly force of such transactions. The contributing essayists are Melanie Gilligan, Juan A. Gaitàn, Hadley + Maxwell, Candice Hopkins, Olaf Nicolai, Patricia Reed, Monika Szewczyk and Jan Verwoert.
Intangible economies
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Prix:
$20.00
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Résumé:
Treating the idea of an economy as a general system of exchange, Intangible Economies advances the idea that personal relationships are produced by economic activity, and that desire generates economic transactions. Intangible Economies, speculatively investigates the role that these “affective transactions” play in modes of representation and cultural production. The abstract and abstracting function of value itself becomes particularly significant in this constellation, in its relation to both capitalist economy and to ethics. First developed for a 2011 conference in Vancouver, the essays included in this anthology seek to tackle the difficult task of tracing the role of affect in economic exchanges relative to artistic production, while also enacting the unruly force of such transactions. The contributing essayists are Melanie Gilligan, Juan A. Gaitàn, Hadley + Maxwell, Candice Hopkins, Olaf Nicolai, Patricia Reed, Monika Szewczyk and Jan Verwoert.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de l’art
Théorie de l’art
