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In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation(...)
Re-collection: art, new media, and social memory
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In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion.
Théorie de l’art
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In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings(...)
Radical prototypes: Allan Kaprow and the invention of happenings
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In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings of projects ranging from Kaprow's 18 Happenings in 6 Parts (1959) to Gerhard Richter's Leben mit Pop (1963).
Théorie de l’art
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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
An anthropology of images: picture, medium, body
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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
Théorie de l’art
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry(...)
Parachute: the anthology, volume II
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around “Performance and Performativity.”
Théorie de l’art
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
The contemporary, the common: art in globalizing world
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
Théorie de l’art
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a(...)
Objects in this mirror: essays
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a self-aware but generous literary and critical form, this book explores the variety of topics within the rubric of art writing or criticism.
Théorie de l’art
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the(...)
Kim Gordon: is it my body? selected texts
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham.
Théorie de l’art
The morbid anatomy anthology
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Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
The morbid anatomy anthology
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Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
Théorie de l’art
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the(...)
Ecologies, environments, and energy systems in art of the 1960s and 1970s
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the material world and a sense of the interconnectedness of all things. In this book, James Nisbet investigates the many levels of intersection between ecology and art in the 1960s and 1970s, examining a series of works that served as sensory interfaces to ecological concepts and reflected the shifting notions of ecology during the period.
Théorie de l’art
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In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative(...)
Refrains for moving bodies: experience and experiment in affective spaces
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In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative experimentalism responsive to the opportunities such spaces provide for rethinking and remaking maps of experience.
Théorie de l’art