1194 Résultats
Classification:
livres
livres
Titre:
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his(...)
$60.00
(disponible sur commande)
Résumé:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his(...)
Titre:
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his final masterpiece, “Etant Donnés” was a decisive touchstone for both Sugimoto and Wall in their formative years, and he demonstrates how they have referenced its maker many times since.
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his final masterpiece, “Etant Donnés” was a decisive touchstone for both Sugimoto and Wall in their formative years, and he demonstrates how they have referenced its maker many times since.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science,(...)
$72.00
(disponible sur commande)
Résumé:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science,(...)
Titre:
Manifesto Marathon, Serpentine Gallery
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's “Altermodern,” Paul Chan's “Sex and the New Way, V.I.,” Jimmie Durham's “No More Silly Hats,” Fritz Haeg's “London : A Manifesto From Your Animals,” David Hockney's “Manifesto for Smoking,” Adam Pendleton's “Black Dada,” Agnès Varda's “What To Do?,” Ben Vautier's “I Don't Know What To Do,” Ai Wewei's “Despicable Things,” Vivienne Westwood's “AR,” Lebbeus Woods' “Slow Manifesto,” plus interviews with Eric Hobsbawm and Tino Sehgal, and photographs from the event.
Manifesto Marathon, Serpentine Gallery
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's “Altermodern,” Paul Chan's “Sex and the New Way, V.I.,” Jimmie Durham's “No More Silly Hats,” Fritz Haeg's “London : A Manifesto From Your Animals,” David Hockney's “Manifesto for Smoking,” Adam Pendleton's “Black Dada,” Agnès Varda's “What To Do?,” Ben Vautier's “I Don't Know What To Do,” Ai Wewei's “Despicable Things,” Vivienne Westwood's “AR,” Lebbeus Woods' “Slow Manifesto,” plus interviews with Eric Hobsbawm and Tino Sehgal, and photographs from the event.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$31.00
(disponible sur commande)
Résumé:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into(...)
$31.00
(disponible sur commande)
Résumé:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into(...)
Titre:
Hans Ulrich Obrist & John Baldessari: The conversation series
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.
Hans Ulrich Obrist & John Baldessari: The conversation series
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Not to play with dead things
Not to play with dead things
Actions:
Prix:
$42.00
(disponible en magasin)
Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
$42.00
(disponible en magasin)
Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
Publication:
mars 2010
mars 2010
Titre:
Not to play with dead things
Actions:
Prix:
$42.00
(disponible en magasin)
Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
Not to play with dead things
Actions:
Prix:
$42.00
(disponible en magasin)
Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Actions:
Prix:
$24.00
(disponible sur commande)
Résumé:
Witte de With's Junior Editorial Team (JET) here gauge the the art world climate through projects and interviews with Marc Bijl, Edith Dekyndt, Tauba Auerbach, Geoffrey Farmer, Ryan Gander, Lawrence Weiner and others.
$24.00
(disponible sur commande)
Résumé:
Witte de With's Junior Editorial Team (JET) here gauge the the art world climate through projects and interviews with Marc Bijl, Edith Dekyndt, Tauba Auerbach, Geoffrey Farmer, Ryan Gander, Lawrence Weiner and others.
Titre:
Jet: it's not a plane, it's not a girl's name, It's a book about art
Actions:
Prix:
$24.00
(disponible sur commande)
Résumé:
Witte de With's Junior Editorial Team (JET) here gauge the the art world climate through projects and interviews with Marc Bijl, Edith Dekyndt, Tauba Auerbach, Geoffrey Farmer, Ryan Gander, Lawrence Weiner and others.
Jet: it's not a plane, it's not a girl's name, It's a book about art
Actions:
Prix:
$24.00
(disponible sur commande)
Résumé:
Witte de With's Junior Editorial Team (JET) here gauge the the art world climate through projects and interviews with Marc Bijl, Edith Dekyndt, Tauba Auerbach, Geoffrey Farmer, Ryan Gander, Lawrence Weiner and others.
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
e-flux journal : reader 2009
e-flux journal : reader 2009
Actions:
Prix:
$18.95
(disponible sur commande)
Résumé:
Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
$18.95
(disponible sur commande)
Résumé:
Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
Titre:
e-flux journal : reader 2009
Actions:
Prix:
$18.95
(disponible sur commande)
Résumé:
Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
e-flux journal : reader 2009
Actions:
Prix:
$18.95
(disponible sur commande)
Résumé:
Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
$27.95
(disponible sur commande)
Résumé:
This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
Titre:
Failure: Documents of contemporary art
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
Failure: Documents of contemporary art
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$14.00
(disponible en magasin)
Résumé:
Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
$14.00
(disponible en magasin)
Résumé:
Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
Titre:
A-Z: lexique des outils pour penser tout haut
Actions:
Prix:
$14.00
(disponible en magasin)
Résumé:
Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
A-Z: lexique des outils pour penser tout haut
Actions:
Prix:
$14.00
(disponible en magasin)
Résumé:
Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Ce que l'image nous dit
Ce que l'image nous dit
Actions:
Prix:
$16.95
(disponible sur commande)
Résumé:
Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de(...)
$16.95
(disponible sur commande)
Résumé:
Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de(...)
Titre:
Ce que l'image nous dit
Actions:
Prix:
$16.95
(disponible sur commande)
Résumé:
Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de saisissants portraits de quelques figures de l'art et de la pensée tels Oskar Kokoschka, Erwin Panofsky, Roman Jakobson, Karl Popper... C'est donc l'autoportrait d'un savant qui se compose au fil des pages, attaché à comprendre ce qu'est la création artistique et à défendre avec passion les conditions nécessaires pour qu'elle continue de vivre.
Ce que l'image nous dit
Actions:
Prix:
$16.95
(disponible sur commande)
Résumé:
Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de saisissants portraits de quelques figures de l'art et de la pensée tels Oskar Kokoschka, Erwin Panofsky, Roman Jakobson, Karl Popper... C'est donc l'autoportrait d'un savant qui se compose au fil des pages, attaché à comprendre ce qu'est la création artistique et à défendre avec passion les conditions nécessaires pour qu'elle continue de vivre.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Le trame et le hasard
Le trame et le hasard
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
$32.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
Titre:
Le trame et le hasard
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Le trame et le hasard
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’art
Théorie de l’art
