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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de(...)
Les promesses du zéro : Robert Smithson, Carsten Höller, Ed Ruscha, Martin Creed, John M Armleder, Tino Sehgal
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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de quelques-unes des œuvres majeures de notre temps.
Théorie de l’art
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Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both(...)
Hans Ulrich Obrist: the China interviews
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Conducted in Obrist’s signature interview format, these conversations lead to surprising revelations about how artistic practices in China have evolved. Spanning a decade but concentrated in 2006 and 2007 – a pivotal moment for contemporary art in China as international interest surged alongside an unprecedented pre-Olympic market upswing-these conversations present both a snapshot of an exuberant historical moment and a unique introduction to the work of the featured artists, as they explain and interpret their own trajectories in dialogue with this relentlessly sharp and inquisitive mind.
Théorie de l’art
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This classic collection of essays by French philosopher and essayist Clément Rosset follows another Free Association title in the same format, Werner Herzog’s travel journal, Of Walking on Ice. The publisher is dedicated to finding worthy essays and other texts that have either been out of print or were never made available in English – especially seeking out works that(...)
Joyful cruelty: towards a philosophy of the real
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This classic collection of essays by French philosopher and essayist Clément Rosset follows another Free Association title in the same format, Werner Herzog’s travel journal, Of Walking on Ice. The publisher is dedicated to finding worthy essays and other texts that have either been out of print or were never made available in English – especially seeking out works that have remained popular, at least among a small, devoted group, over the years.
Théorie de l’art
L'Art contemporain
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Issues de la tradition ou de l'air du temps, mêlant souvent vrai et faux, les idées reçues sont dans toutes les têtes. L'auteur les prend pour point de départ et apporte ici un éclairage distancié et approfondi sur ce que l'on sait ou croit savoir.
L'Art contemporain
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Issues de la tradition ou de l'air du temps, mêlant souvent vrai et faux, les idées reçues sont dans toutes les têtes. L'auteur les prend pour point de départ et apporte ici un éclairage distancié et approfondi sur ce que l'on sait ou croit savoir.
Théorie de l’art
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
Ecstatic worlds: media, utopias, ecologies
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
Théorie de l’art
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since(...)
Marfa: the transformation of a West Texas town
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since artist Donald Judd came to town in the 1970s and began creating spaces for his own and other artists' work. They remember when ranching and the military formed the basis of the town's economy, even as they acknowledge that tourist dollars are now essential to Marfa's sustainability.
Théorie de l’art
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Théorie de l’art
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from(...)
Elegy landscapes: Constable, Turner and the intimate sublime
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists' lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, ''Elegy Landscapes'' takes a wide-angled look at the philosophy of the sublime.
Théorie de l’art
Constable's skies
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent.(...)
Constable's skies
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. Written by Mark Evans, a leading authority on the work of John Constable, ''Constable’s Skies'' captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.
Théorie de l’art
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Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first(...)
Deaccessioning and its discontents: a critical history
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Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.
Théorie de l’art