Louise, sauvez-moi !
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New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un(...)
Louise, sauvez-moi !
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New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un génie qu’on a choisi. Commence alors une relation d'une vingtaine d'années, faite de rencontres mouvementées, abruptes souvent, fécondes toujours. Louise Bourgeois, telle la prêtresse Diotime, aidera la jeune artiste à se métamorphoser et à se dégager de son cocon.
Théorie de l’art
Gertrude Stein et les arts
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De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était(...)
Gertrude Stein et les arts
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De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était la volonté de Stein de créer des liens entre écriture et arts, ce rapport ne serait qu'imparfaitement relaté si on s'en tenait à l'évidente sur-présence de la peinture et de la sculpture dans sa vie. Outre les études novatrices sur la relation de Stein à Duchamp et Picabia, outre les études sur la construction du mythe de Stein en peinture et la réception de ses écrits par les artistes, ce volume cherche à couvrir un terrain plus étendu, qui va de la photographie au cinéma. Ainsi, cet ensemble d'études cherche à réévaluer le rapport de Gertrude Stein aux arts et à complexifier les rapports entre écriture et arts visuels dans son œuvre.
Théorie de l’art
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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of(...)
Intermedia, Fluxus and the Something Else Press: selected writings by Dick Higgins
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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Théorie de l’art
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves(...)
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira's unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
Théorie de l’art
Duchamp's last day
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner(...)
Duchamp's last day
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere and the larger question of whether Duchamp's death can be read as an extension of his work.
Théorie de l’art
Contre culture
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants,(...)
Contre culture
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants, des oeuvres, des idées et des anecdotes à la marge qui ont piqué sa curiosité, influencé l'Histoire, ou furent tout simplement rares.
Théorie de l’art
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for(...)
Ninth street women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.
Théorie de l’art
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Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
As radical, as mother, as salad, as shelter: what should art institutions do now?
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Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
Théorie de l’art
The miraculous
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This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack(...)
The miraculous
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This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call ''contemporary art.'' Each of the fifty episodes in ''The Miraculous'' is a detailed telling of the circumstances surrounding a single work of art; only the name of the artist is withheld until the end of the book.
Théorie de l’art
On fire
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Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
On fire
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Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
Théorie de l’art