1204 Résultats
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L'une des premières analyses à la fois historiques et théoriques de l'impact de l'avènement du numérique sur toutes formes de productions culturelles, Le langage des nouveaux médias constitue un ouvrage de référence sur le sujet. Fondateur de la discipline des software studies, Manovich y propose une analyse systématique et rigoureuse des mécanismes culturels engendrés(...)
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L'une des premières analyses à la fois historiques et théoriques de l'impact de l'avènement du numérique sur toutes formes de productions culturelles, Le langage des nouveaux médias constitue un ouvrage de référence sur le sujet. Fondateur de la discipline des software studies, Manovich y propose une analyse systématique et rigoureuse des mécanismes culturels engendrés(...)
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Le langage des nouveaux médias
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L'une des premières analyses à la fois historiques et théoriques de l'impact de l'avènement du numérique sur toutes formes de productions culturelles, Le langage des nouveaux médias constitue un ouvrage de référence sur le sujet. Fondateur de la discipline des software studies, Manovich y propose une analyse systématique et rigoureuse des mécanismes culturels engendrés par la généralisation de l'informatique, au travers de l'étude de nombreuses œuvres d'art, des avant-gardes historiques aux productions les plus récentes faisant appel aux technologies numériques.
Le langage des nouveaux médias
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L'une des premières analyses à la fois historiques et théoriques de l'impact de l'avènement du numérique sur toutes formes de productions culturelles, Le langage des nouveaux médias constitue un ouvrage de référence sur le sujet. Fondateur de la discipline des software studies, Manovich y propose une analyse systématique et rigoureuse des mécanismes culturels engendrés par la généralisation de l'informatique, au travers de l'étude de nombreuses œuvres d'art, des avant-gardes historiques aux productions les plus récentes faisant appel aux technologies numériques.
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livres
livres
Publication:
août 2014
août 2014
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livres
livres
Titre:
Renew marxkist art history
Renew marxkist art history
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From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis(...)
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From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis(...)
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Théorie de l’art
Théorie de l’art
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août 2014
août 2014
Titre:
Renew marxkist art history
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From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis there has been a resurgence of interest in Marx. Now available in paperback, this collection of essays brings together 30 academics who are reshaping art history along Marxist lines.
Renew marxkist art history
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From the early decades of the twentieth century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics. In the wake of the recent global crisis there has been a resurgence of interest in Marx. Now available in paperback, this collection of essays brings together 30 academics who are reshaping art history along Marxist lines.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Grand Domestic Revolution Handbook compiles investigations and living research into the concept of the home and the "domestic" by more than 25 artists, designers, theorists and activists. Through case studies, project documentation, ephemera, analyses and theory, the status of the home is revealed beyond the narrow lens of private concerns, but with full consideration of(...)
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Grand Domestic Revolution Handbook compiles investigations and living research into the concept of the home and the "domestic" by more than 25 artists, designers, theorists and activists. Through case studies, project documentation, ephemera, analyses and theory, the status of the home is revealed beyond the narrow lens of private concerns, but with full consideration of(...)
Titre:
Grand domestic revolution: handbook
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Grand Domestic Revolution Handbook compiles investigations and living research into the concept of the home and the "domestic" by more than 25 artists, designers, theorists and activists. Through case studies, project documentation, ephemera, analyses and theory, the status of the home is revealed beyond the narrow lens of private concerns, but with full consideration of a "privateness" that revitalizes the individual and allows for other forms of sociality. In both form and content, this volume attempts to uncover the potentialities of the house and the private sphere through a rethinking of social practices in conjunction with practical design approaches.
Grand domestic revolution: handbook
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Grand Domestic Revolution Handbook compiles investigations and living research into the concept of the home and the "domestic" by more than 25 artists, designers, theorists and activists. Through case studies, project documentation, ephemera, analyses and theory, the status of the home is revealed beyond the narrow lens of private concerns, but with full consideration of a "privateness" that revitalizes the individual and allows for other forms of sociality. In both form and content, this volume attempts to uncover the potentialities of the house and the private sphere through a rethinking of social practices in conjunction with practical design approaches.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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$49.95
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Igor Stravinsky's The Rite of Spring was premiered in 1913 by Sergei Diaghilev's Ballets Russes under the choreography of Vaslav Nijinsky, in the Théâtre des Champs Élysées in Paris. To this day it is considered the biggest theater scandal of the twentieth century. With its revolutionary score and choreography, The Rite of Spring can be seen as one of modernism's great(...)
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Igor Stravinsky's The Rite of Spring was premiered in 1913 by Sergei Diaghilev's Ballets Russes under the choreography of Vaslav Nijinsky, in the Théâtre des Champs Élysées in Paris. To this day it is considered the biggest theater scandal of the twentieth century. With its revolutionary score and choreography, The Rite of Spring can be seen as one of modernism's great(...)
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Sacré 101: an anthology on 'The rite of spring'
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Igor Stravinsky's The Rite of Spring was premiered in 1913 by Sergei Diaghilev's Ballets Russes under the choreography of Vaslav Nijinsky, in the Théâtre des Champs Élysées in Paris. To this day it is considered the biggest theater scandal of the twentieth century. With its revolutionary score and choreography, The Rite of Spring can be seen as one of modernism's great breakthrough events, and it is the most choreographed ballet in the world.
Sacré 101: an anthology on 'The rite of spring'
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Igor Stravinsky's The Rite of Spring was premiered in 1913 by Sergei Diaghilev's Ballets Russes under the choreography of Vaslav Nijinsky, in the Théâtre des Champs Élysées in Paris. To this day it is considered the biggest theater scandal of the twentieth century. With its revolutionary score and choreography, The Rite of Spring can be seen as one of modernism's great breakthrough events, and it is the most choreographed ballet in the world.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
Titre:
Marcel Duchamp : étant donnés
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
Marcel Duchamp : étant donnés
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This volume documents photographer Jeff Wall's lecture on Duchamp's Étant donnés, at the First Annual Anne d'Harnoncourt Memorial Symposium at the Philadelphia Museum of Art in 2009. Wall records the impact of Étant donnés upon his own work, which liberated him from the prevalent model of Conceptualism.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Duchamp's "Bottle Rack" (1914) was his first true readymade--an artwork made without "artistic handiwork." Taking a fresh look at this work, art historian Lars Blunck shows how Duchamp, using irony and wordplay, turned against the "retinal" paradigm of his time.
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Duchamp's "Bottle Rack" (1914) was his first true readymade--an artwork made without "artistic handiwork." Taking a fresh look at this work, art historian Lars Blunck shows how Duchamp, using irony and wordplay, turned against the "retinal" paradigm of his time.
Titre:
Marcel Duchamp: porte-bouteilles
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Duchamp's "Bottle Rack" (1914) was his first true readymade--an artwork made without "artistic handiwork." Taking a fresh look at this work, art historian Lars Blunck shows how Duchamp, using irony and wordplay, turned against the "retinal" paradigm of his time.
Marcel Duchamp: porte-bouteilles
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$30.00
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Résumé:
Duchamp's "Bottle Rack" (1914) was his first true readymade--an artwork made without "artistic handiwork." Taking a fresh look at this work, art historian Lars Blunck shows how Duchamp, using irony and wordplay, turned against the "retinal" paradigm of his time.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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This book is a compendium of essays, presented during the 12th International Bauhaus Colloquium 2013, on the idea of the Gesamtkunstwerk. It offers an interdisciplinary approach to an important aspect of the Bauhaus.
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This book is a compendium of essays, presented during the 12th International Bauhaus Colloquium 2013, on the idea of the Gesamtkunstwerk. It offers an interdisciplinary approach to an important aspect of the Bauhaus.
Titre:
The death and life of the total work of art
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This book is a compendium of essays, presented during the 12th International Bauhaus Colloquium 2013, on the idea of the Gesamtkunstwerk. It offers an interdisciplinary approach to an important aspect of the Bauhaus.
The death and life of the total work of art
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This book is a compendium of essays, presented during the 12th International Bauhaus Colloquium 2013, on the idea of the Gesamtkunstwerk. It offers an interdisciplinary approach to an important aspect of the Bauhaus.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$44.95
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un(...)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un(...)
Titre:
Hans Ulrich Obrist : conversations (édition française)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un paysage de trajectoires, de pensées, de projets, de faits et de récits qui produisent une histoire inédite de l'art et de la culture au tournant du XXe et du XXIe siècle.
Hans Ulrich Obrist : conversations (édition française)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un paysage de trajectoires, de pensées, de projets, de faits et de récits qui produisent une histoire inédite de l'art et de la culture au tournant du XXe et du XXIe siècle.
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livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$23.00
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Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
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Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
Titre:
John Dewey : art as experience
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Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
John Dewey : art as experience
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Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$27.00
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Gerhard Richter’s ongoing, encyclopedic Atlas project began in 1964, and now comprises more than 5,000 gridded photographs, diagrams, drawings and sketches. As an image archive, work tool and artist’s book, Atlas sits at the very heart of Richter’s practice, offering a massive summation of his masterful explorations of the tensions between photography and painting,(...)
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Gerhard Richter’s ongoing, encyclopedic Atlas project began in 1964, and now comprises more than 5,000 gridded photographs, diagrams, drawings and sketches. As an image archive, work tool and artist’s book, Atlas sits at the very heart of Richter’s practice, offering a massive summation of his masterful explorations of the tensions between photography and painting,(...)
Titre:
Gerhard Richter: Atlas, the reader
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Gerhard Richter’s ongoing, encyclopedic Atlas project began in 1964, and now comprises more than 5,000 gridded photographs, diagrams, drawings and sketches. As an image archive, work tool and artist’s book, Atlas sits at the very heart of Richter’s practice, offering a massive summation of his masterful explorations of the tensions between photography and painting, history and memory, perception and representation. As a publication, Atlas has gone through numerous editions, each new volume expanding on the previous with elaborations of persistent themes. This book provides a critical tool for navigating Atlas, bringing together Richter’s own writings alongside commentaries by the art historians and curators Armin Zweite, Jean-François Chevrier, Benjamin H.D. Buchloh, Lynne Cooke and Helmut Friedel. Originally published in 2003 to coincide with the Whitechapel Gallery’s exhibition Gerhard Richter: Atlas, this updated edition also includes a review of the exhibition by Adrian Searle.
Gerhard Richter: Atlas, the reader
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Gerhard Richter’s ongoing, encyclopedic Atlas project began in 1964, and now comprises more than 5,000 gridded photographs, diagrams, drawings and sketches. As an image archive, work tool and artist’s book, Atlas sits at the very heart of Richter’s practice, offering a massive summation of his masterful explorations of the tensions between photography and painting, history and memory, perception and representation. As a publication, Atlas has gone through numerous editions, each new volume expanding on the previous with elaborations of persistent themes. This book provides a critical tool for navigating Atlas, bringing together Richter’s own writings alongside commentaries by the art historians and curators Armin Zweite, Jean-François Chevrier, Benjamin H.D. Buchloh, Lynne Cooke and Helmut Friedel. Originally published in 2003 to coincide with the Whitechapel Gallery’s exhibition Gerhard Richter: Atlas, this updated edition also includes a review of the exhibition by Adrian Searle.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de l’art
Théorie de l’art
