1204 Résultats
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de(...)
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de(...)
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Miroirs de faille: à Rome avec Giordano Bruno et Édouard Manet, 1928-29
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de la Renaissance.
Miroirs de faille: à Rome avec Giordano Bruno et Édouard Manet, 1928-29
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de la Renaissance.
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Penser l'image
Penser l'image
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Qu´est-ce qu´une image? La multiplication proliférante des images semble bien - et c´est là son paradoxe - inversment proportionelle à notre faculté de dire ce qu´est réellment une image. Ce livre est un receuil de témoignant de l'incidence de la question de l'image, de sa logique spécifique et de la transformation du champ visuel dans les savoirs contemporains ainsi(...)
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Qu´est-ce qu´une image? La multiplication proliférante des images semble bien - et c´est là son paradoxe - inversment proportionelle à notre faculté de dire ce qu´est réellment une image. Ce livre est un receuil de témoignant de l'incidence de la question de l'image, de sa logique spécifique et de la transformation du champ visuel dans les savoirs contemporains ainsi(...)
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Penser l'image
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Qu´est-ce qu´une image? La multiplication proliférante des images semble bien - et c´est là son paradoxe - inversment proportionelle à notre faculté de dire ce qu´est réellment une image. Ce livre est un receuil de témoignant de l'incidence de la question de l'image, de sa logique spécifique et de la transformation du champ visuel dans les savoirs contemporains ainsi que de la variété de ses approches conceptuelles, de la préhistoire à nos jours, et dans différentes traditions de pensée.
Penser l'image
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Qu´est-ce qu´une image? La multiplication proliférante des images semble bien - et c´est là son paradoxe - inversment proportionelle à notre faculté de dire ce qu´est réellment une image. Ce livre est un receuil de témoignant de l'incidence de la question de l'image, de sa logique spécifique et de la transformation du champ visuel dans les savoirs contemporains ainsi que de la variété de ses approches conceptuelles, de la préhistoire à nos jours, et dans différentes traditions de pensée.
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livres
livres
Publication:
juillet 2010
juillet 2010
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Théorie de l’art
Théorie de l’art
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livres
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
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Documenta series 01: Michael Taussig, fieldwork notebooks
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
Documenta series 01: Michael Taussig, fieldwork notebooks
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What is it that makes notebooks so fascinating? Anthropologist Michael Taussig, for whom fieldwork notebooks are indispensable, discusses notorious notetakers Walter Benjamin, Roland Barthes, Le Corbusier and Joan Didion among others.
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livres
livres
Publication:
août 2011
août 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
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Documenta series 02: Ian Wallace, the first documenta 1955
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
Documenta series 02: Ian Wallace, the first documenta 1955
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The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.
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livres
livres
Publication:
août 2011
août 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
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Documenta series 03: Carolyn Christov-Bakargiev, letter to a friend
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
Documenta series 03: Carolyn Christov-Bakargiev, letter to a friend
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Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition.
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livres
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Publication:
août 2011
août 2011
Sujet:
Théorie de l’art
Théorie de l’art
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
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Documenta series 08: Lawrence Weiner, if in fact there is a context
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
Documenta series 08: Lawrence Weiner, if in fact there is a context
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For this series, artist Lawrence Weiner has made an artist's book of new statements and instructions, in exactly the same format (A6) and with the same number of pages (24) as his first contribution to Documenta, in 1972.
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livres
livres
Publication:
août 2011
août 2011
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Théorie de l’art
Théorie de l’art
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
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Documenta series 09: William Kentridge and Peter L. Galison, the refusal of time
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
Documenta series 09: William Kentridge and Peter L. Galison, the refusal of time
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
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livres
livres
Publication:
août 2011
août 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$25.00
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous(...)
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous(...)
Titre:
Hans Ulrich Obrist, the conversation series 25 : Dan Graham
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives.
Hans Ulrich Obrist, the conversation series 25 : Dan Graham
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives.
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de l’art
Théorie de l’art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
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Résumé:
Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
Titre:
The ruin of exchange and other writings on art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
The ruin of exchange and other writings on art
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
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livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$16.00
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George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors(...)
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Résumé:
George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors(...)
Titre:
Open fields : conversations on the commons
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George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors in the summer months, the project invites artists and visitors to imagine and inhabit the museum's campus as a cultural commons - a shared space for idea exchange, creative gatherings and unexpected interactions. In 2010, the Walker's backyard was home to numerous activities from conversations to performances and temporary sculptures. This volume discusses Open Field's genesis, exploring the meaning and impact of public practice for institutions.
Open fields : conversations on the commons
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Résumé:
George Bernard Shaw once wrote: “If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” Open Field is the Walker Art Center's ongoing experiment in participation and public space. Taking place outdoors in the summer months, the project invites artists and visitors to imagine and inhabit the museum's campus as a cultural commons - a shared space for idea exchange, creative gatherings and unexpected interactions. In 2010, the Walker's backyard was home to numerous activities from conversations to performances and temporary sculptures. This volume discusses Open Field's genesis, exploring the meaning and impact of public practice for institutions.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
