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Following the runaway success of "A Tree," "With a Bird," is the second installment in Onomatopee's five-year, five-volume publication series creating "rich encounters between folklore and critical research." As a reader on avian kinship, "With a Bird," delves into the profound ways birds have inspired human understanding of life, blending scientific inquiry with(...)
With a bird: A reader on avian kinship
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Following the runaway success of "A Tree," "With a Bird," is the second installment in Onomatopee's five-year, five-volume publication series creating "rich encounters between folklore and critical research." As a reader on avian kinship, "With a Bird," delves into the profound ways birds have inspired human understanding of life, blending scientific inquiry with spiritual reflection. Visual art, natural history, sociology, literature and more combine to explore how birds challenge and transcend boundaries—between human and non-human life, dream and reality, life and death, science and folklore and the domains of land, water and sky. Each chapter in this petite, canary-yellow paperback is dedicated to the symbolic roles birds play in human life, from death to dreams to freedom to fortune-telling.
Théorie de l’art
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This book documents the non-profit Evergreen’s public art program in Toronto’s Lower Don River Valley from 2017 through 2024. Twenty-five art and research projects commissioned and presented by Evergreen are reproduced here alongside new essays, interviews, roundtable discussions, and process images. Together the publication coheres current discussions on temporary,(...)
Temporary acts: Public art in Toronto's Don River Valley
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This book documents the non-profit Evergreen’s public art program in Toronto’s Lower Don River Valley from 2017 through 2024. Twenty-five art and research projects commissioned and presented by Evergreen are reproduced here alongside new essays, interviews, roundtable discussions, and process images. Together the publication coheres current discussions on temporary, sustainable, collaborative, and site-responsive public art, and explores the role of artists in deepening our engagement with complex landscapes like the Don River.
Théorie de l’art
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Quelles relations les images entretiennent-elles entre elles si on les décorrèle de leur rapport à l'être humain? Que se passe-t-il dans l'autre côté non accessible des images ? Les images peuvent-elles nous donner un aperçu sur l'autre côté de notre perception ? Telles sont les questions inattendues auxquelles ce livre se confronte. Inattendues, car l'esthétique et(...)
Qu'est-ce que l'éconologie ? : Au bout des images : cinéma, monde, perception
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Quelles relations les images entretiennent-elles entre elles si on les décorrèle de leur rapport à l'être humain? Que se passe-t-il dans l'autre côté non accessible des images ? Les images peuvent-elles nous donner un aperçu sur l'autre côté de notre perception ? Telles sont les questions inattendues auxquelles ce livre se confronte. Inattendues, car l'esthétique et l'iconologie font généralement, si ce n'est exclusivement, usage d'un discours orienté en direction de l'être humain, mieux : déterminé par lui, par ses représentations, par son expérience possible. S'il n'est évidemment pas question de soutenir que l'on pourrait parler depuis l'extériorité de notre appartenance d'espèce (que l'on ne confondra pas avec notre subjectivité), la thèse ici défendue est que quelque chose de l'in-humanité des images peut malgré tout parvenir jusqu'à nous. L'interrogation devient alors : à quelles conditions de tels phénomènes sont-ils possibles ? Pour l'éclaircir, cet essai a recours à la phénoménologie, à l'histoire de l'art, à la littérature, à l'écologie, mais avant tout au cinéma, à sa théorie comme à l'analyse de plusieurs films. Le cinéma s'y impose comme le lieu d'origine spéculatif de l'éconologie, qui bascule brusquement notre manière de penser les images. Et il s'y impose sur fond de toutes sortes de trous.
Théorie de l’art
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Fifty years after the Fall of Saigon and twenty years after her family’s emigration to America, Minh Nguyen returns to her native Vietnam to find out what’s left of the old revolutionary project. In Memorial Park, a collection of essays pairing travelogue and criticism, Nguyen encounters relics of proletarian romance and vestiges of authoritarian control amid an evermore(...)
Memorial Park: Revisiting Vietnam
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Fifty years after the Fall of Saigon and twenty years after her family’s emigration to America, Minh Nguyen returns to her native Vietnam to find out what’s left of the old revolutionary project. In Memorial Park, a collection of essays pairing travelogue and criticism, Nguyen encounters relics of proletarian romance and vestiges of authoritarian control amid an evermore corporatized society. Along the way, she considers how contemporary artspeak confuses state censors, the rise of luxury "Smart Cities" as they supplant socialist housing complexes, and the enduring appeal of propaganda signs that once promised utopia. Driven by a diasporic curiosity that seeks discovery over dwelling on loss, "Memorial Park" avoids nostalgic idealism or reflexive condemnation. Instead, Nguyen takes seriously the legacy of Vietnamese liberation by naming what it has become—and what it has not.
Théorie de l’art
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''Medium Hot'' is the essential handbook for our present conjuncture, exploring the limits of art and technology. Hito Steyerl argues that these practices cannot be divorced from economic and political conditions. In an era of supercharged change, she examines the way machine learning infiltrates every aspect of our lives and what that means for the future.
Medium hot: Images in the Age of Heat
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''Medium Hot'' is the essential handbook for our present conjuncture, exploring the limits of art and technology. Hito Steyerl argues that these practices cannot be divorced from economic and political conditions. In an era of supercharged change, she examines the way machine learning infiltrates every aspect of our lives and what that means for the future.
Théorie de l’art
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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered(...)
If you have never thought gray: A theory of color
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"You’re not a painter if you haven’t painted gray", declared Paul Cézanne. The same could be said of philosophers: you’re not a philosopher if you have never thought gray. This simple four-letter word signifies much more than a quasi-neutral color lying between black and white: we use the same word to describe moods, November skies, the hair of the elderly, the withered features of faces, dusty shelves, faceless bureaucracies, dreary politicians and hundreds of other things. This plain, unassuming word conceals a multitude of thoughts that we seldom pause to consider. In this exceptionally original book, Peter Sloterdijk follows the grey thread through the history of philosophy, art, literature and politics, enabling us to see familiar things in new ways and highlighting features of our lives that would otherwise remain unseen.
Théorie de l’art
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France(...)
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France in the period from 1815 to 1855 could be seen as the half-century of plaster. After the French Revolution, plaster was used for a great variety of things: building, moulding, sculpting, decorating. Cheap and easy to use, plaster was everywhere, from Napoleon’s death mask to household ornaments, from walls to elaborate mouldings. Plaster was king – but a fragile king that easily crumbled and fell apart. The age of plaster was also the reign of the ephemeral and the transient, the vulgar and the eclectic, and the men and women of the time struggled to maintain stability and continuity with the past.
Théorie de l’art
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused(...)
A dream of stone
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Best known for her seminal novel "Memoirs of Hadrian" (1951), an imagined autobiography of the Roman emperor, Yourcenar brings the same depth of inquiry and inventive speculation to her lyric prose on art and artists in this newest title in the ekphrasis series. In these five jewel-like essays, Yourcenar meditates on the decay of time, the desire both satiated and refused by art, and the imagery animating the lives, works, and dreams of Michelangelo, Dürer, and Piranesi. And in an intimate mediation on the historical novel, Yourcenar describes her own encounters with how language and sound reveal the past. Together these exquisite essays explore that fundamental awe—perhaps even the terror—at the heart of an encounter with beauty.
Théorie de l’art
Diffracting the North: Contemporary Latinx Canadian experiences and practices in film, new media
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"Diffracting the North" is the first book to collect and share the experiences and material realities of Latinx Canadian creators of film, media, and visual arts. Bringing together scholars, filmmakers, curators, and artists from a range of Latin American backgrounds, this publication is a forthright and practitioner-driven reflection on the circumstances of producing and(...)
Théorie de l’art
février 2026
Diffracting the North: Contemporary Latinx Canadian experiences and practices in film, new media
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"Diffracting the North" is the first book to collect and share the experiences and material realities of Latinx Canadian creators of film, media, and visual arts. Bringing together scholars, filmmakers, curators, and artists from a range of Latin American backgrounds, this publication is a forthright and practitioner-driven reflection on the circumstances of producing and disseminating work in a country of predominantly anglophone and francophone environments. Contributors to the volume explore topics including how Latinx Canadian identity is constructed, negotiated, and expressed, as well as the networks and solidarities that shape Latinx Canadian experiences. These connections include intergenerational mentorships, cross-cultural alliances, and collaborations with Indigenous and other marginalized communities within racialized and gendered frameworks.
Théorie de l’art
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Surveying some 50 years of groundbreaking art related to digital technology and the screen, "I’ll be your mirror" examines how technologies such as home computers, smartphones and TV have affected art and life over the past five decades. It traces a trajectory stretching back to the late 1960s, a watershed moment in the rise of the screen in the home. Today, accelerated(...)
I'll be your mirror: Art and the digital screen
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Surveying some 50 years of groundbreaking art related to digital technology and the screen, "I’ll be your mirror" examines how technologies such as home computers, smartphones and TV have affected art and life over the past five decades. It traces a trajectory stretching back to the late 1960s, a watershed moment in the rise of the screen in the home. Today, accelerated by the pandemic, our daily life is mediated through screens for work, entertainment and sociality.
Théorie de l’art