1213 Résultats
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livres
livres
Titre:
e-flux journal : reader 2009
e-flux journal : reader 2009
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed(...)
Titre:
e-flux journal : reader 2009
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$18.95
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
e-flux journal : reader 2009
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Since conceptualism, the field of art has become increasingly accustomed to playing host to its own critique, and recent decades have found institutions engaged in self-critique as if by mandate. Important notions of legibility, autonomy, and critical engagement that were once necessary to carve out a space for a critic or critical art publication have transposed themselves onto artistic production proper, and are now considered to be of equal importance to artist, curator, institution, and engaged audience member alike. This climate of disciplinary reconfiguration and geographic dispersal has made the art world a highly complex place — the objective position that once defined the role of a critic has been effectively replaced by a need to understand just how large and varied the whole thing has become. The urgent task has now become to engage the new intellectual territories in a way that can revitalize the critical vocabulary of contemporary art. Perhaps the most productive way of doing this is through a fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude. The selection of essays included in this book seeks to highlight an ongoing topical thread that ran throughout the first eight issues of e-flux journal — a sequence of overlapping concerns passed on from one contribution to the next.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
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This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
Titre:
Failure: Documents of contemporary art
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This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
Failure: Documents of contemporary art
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Résumé:
This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$14.00
(disponible en magasin)
Résumé:
Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
$14.00
(disponible en magasin)
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Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
Titre:
A-Z: lexique des outils pour penser tout haut
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Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
A-Z: lexique des outils pour penser tout haut
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$14.00
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Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Ce que l'image nous dit
Ce que l'image nous dit
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Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de(...)
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Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de(...)
Titre:
Ce que l'image nous dit
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Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de saisissants portraits de quelques figures de l'art et de la pensée tels Oskar Kokoschka, Erwin Panofsky, Roman Jakobson, Karl Popper... C'est donc l'autoportrait d'un savant qui se compose au fil des pages, attaché à comprendre ce qu'est la création artistique et à défendre avec passion les conditions nécessaires pour qu'elle continue de vivre.
Ce que l'image nous dit
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Résumé:
Ernst Gombrich est l'auteur d'une célèbre Histoire de l'art, vendue à plus d'un million d'exemplaires à travers le monde. Mais il est également un éminent spécialiste de la peinture de la Renaissance aussi bien que de la psychologie de la perception. En se confiant ici à Didier Eribon, il retrace sa trajectoire, évoque la multiplicité de ses centres d'intérêt, offre de saisissants portraits de quelques figures de l'art et de la pensée tels Oskar Kokoschka, Erwin Panofsky, Roman Jakobson, Karl Popper... C'est donc l'autoportrait d'un savant qui se compose au fil des pages, attaché à comprendre ce qu'est la création artistique et à défendre avec passion les conditions nécessaires pour qu'elle continue de vivre.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Le trame et le hasard
Le trame et le hasard
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
Titre:
Le trame et le hasard
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$32.95
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Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Le trame et le hasard
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$32.95
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$19.95
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Résumé:
Air Guitar pioneered a kind of plain-talking in cultural criticism, willingly subjective and always candid and direct. A valuable reading tool for art lovers, neophytes, students and teachers alike, Hickey's book--now in its eighth printing--has galvanized a generation of art lovers, with new takes on Norman Rockwell, Robert Mapplethorpe, Stan Brakhage, Andy Warhol and Perry Mason.
$19.95
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Résumé:
Air Guitar pioneered a kind of plain-talking in cultural criticism, willingly subjective and always candid and direct. A valuable reading tool for art lovers, neophytes, students and teachers alike, Hickey's book--now in its eighth printing--has galvanized a generation of art lovers, with new takes on Norman Rockwell, Robert Mapplethorpe, Stan Brakhage, Andy Warhol and Perry Mason.
Titre:
Air guitar: essays on art and democracy
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Résumé:
Air Guitar pioneered a kind of plain-talking in cultural criticism, willingly subjective and always candid and direct. A valuable reading tool for art lovers, neophytes, students and teachers alike, Hickey's book--now in its eighth printing--has galvanized a generation of art lovers, with new takes on Norman Rockwell, Robert Mapplethorpe, Stan Brakhage, Andy Warhol and Perry Mason.
Air guitar: essays on art and democracy
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Prix:
$19.95
(disponible sur commande)
Résumé:
Air Guitar pioneered a kind of plain-talking in cultural criticism, willingly subjective and always candid and direct. A valuable reading tool for art lovers, neophytes, students and teachers alike, Hickey's book--now in its eighth printing--has galvanized a generation of art lovers, with new takes on Norman Rockwell, Robert Mapplethorpe, Stan Brakhage, Andy Warhol and Perry Mason.
Classification:
livres
livres
Publication:
août 1997
août 1997
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$21.95
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Résumé:
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already(...)
$21.95
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Résumé:
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already(...)
Titre:
Heidegger among the sculptors: body, space and the art of dwelling
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$21.95
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In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact.
Heidegger among the sculptors: body, space and the art of dwelling
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$21.95
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Résumé:
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$32.95
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Résumé:
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
$32.95
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Résumé:
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre(...)
Titre:
The horizon: A history of our infinite longing
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What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
The horizon: A history of our infinite longing
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$32.95
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Résumé:
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits—of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder—the urge to know beyond the conceivable—is itself the engine of culture.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$42.00
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Résumé:
First published in 1996, this publication has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian,(...)
$42.00
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Résumé:
First published in 1996, this publication has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian,(...)
Titre:
Theories and documents of contemporary art: a sourcebook of artists' writings
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$42.00
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Résumé:
First published in 1996, this publication has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian, Olafur Eliasson, Matthew Barney, and Takashi Murakami. The writings, which as before take the form of artists' statements, interviews, and essays, make vivid each artist's aesthetic approach and capture the flavor and intent of his or her work.
Theories and documents of contemporary art: a sourcebook of artists' writings
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Prix:
$42.00
(disponible sur commande)
Résumé:
First published in 1996, this publication has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian, Olafur Eliasson, Matthew Barney, and Takashi Murakami. The writings, which as before take the form of artists' statements, interviews, and essays, make vivid each artist's aesthetic approach and capture the flavor and intent of his or her work.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$32.95
(disponible sur commande)
Résumé:
Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social(...)
$32.95
(disponible sur commande)
Résumé:
Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social(...)
Titre:
How to do things with art: the meaning of art's performativity
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$32.95
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Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions.
How to do things with art: the meaning of art's performativity
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Théorie de l’art
Théorie de l’art
