1194 Résultats
Classification:
livres
livres
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which(...)
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which(...)
Titre:
Collage culture : exploring the 21st century identity crisis
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. "Collage Culture" contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger. The first essay, by Mandy Kahn, chronicles collage's forays into the realms of music, fashion, literature and architecture. The second, by Aaron Rose, examines what he sees as the neutralization of countercultural energies in today's pic 'n' mix world.
Collage culture : exploring the 21st century identity crisis
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. "Collage Culture" contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger. The first essay, by Mandy Kahn, chronicles collage's forays into the realms of music, fashion, literature and architecture. The second, by Aaron Rose, examines what he sees as the neutralization of countercultural energies in today's pic 'n' mix world.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$24.00
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Résumé:
On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
Titre:
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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Résumé:
On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Catch me!
Catch me!
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Ever since the Futurists, artists have recognized speed as a determinative quality of modern life. This publication features works exploring the intoxication of speed and acceleration, beginning with Ed Ruscha's "High-Speed Gardening" and including work by Daniel Hafner, Lisi Raskin, Anri Sala, Roman Signer and Markus Wilfling.
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Ever since the Futurists, artists have recognized speed as a determinative quality of modern life. This publication features works exploring the intoxication of speed and acceleration, beginning with Ed Ruscha's "High-Speed Gardening" and including work by Daniel Hafner, Lisi Raskin, Anri Sala, Roman Signer and Markus Wilfling.
Titre:
Catch me!
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$41.00
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Ever since the Futurists, artists have recognized speed as a determinative quality of modern life. This publication features works exploring the intoxication of speed and acceleration, beginning with Ed Ruscha's "High-Speed Gardening" and including work by Daniel Hafner, Lisi Raskin, Anri Sala, Roman Signer and Markus Wilfling.
Catch me!
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Résumé:
Ever since the Futurists, artists have recognized speed as a determinative quality of modern life. This publication features works exploring the intoxication of speed and acceleration, beginning with Ed Ruscha's "High-Speed Gardening" and including work by Daniel Hafner, Lisi Raskin, Anri Sala, Roman Signer and Markus Wilfling.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$42.00
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such(...)
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such(...)
Titre:
Hans Ulrich Obrist and Marina Abramovic: the conversation series, volume 23
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this publication--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
Hans Ulrich Obrist and Marina Abramovic: the conversation series, volume 23
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this publication--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.
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E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.
Titre:
E-flux journal: What is contemporary art?
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E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.
E-flux journal: What is contemporary art?
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E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$32.00
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Résumé:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art(...)
$32.00
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Résumé:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art(...)
Titre:
High price : art between the market and celebrity culture
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$32.00
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Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art world's inner contradictions between symbolic meaning and monetary value.
High price : art between the market and celebrity culture
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$32.00
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Résumé:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art world's inner contradictions between symbolic meaning and monetary value.
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its(...)
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
mai 2010
mai 2010
Titre:
Dexter Sinister: Portable document format
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its broadest sense, stemming from a New York basement workshop and bookstore in 2006. The second part consists of reproductions of a series of 10 images titled W.A.S.T.E. Proof Prints, with their extended captions.
Dexter Sinister: Portable document format
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$24.95
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A library is a collection of books kept for use. That axiom is key to this book. Even the title is sly: the portable document format refers both to texts assembled in the library at dextersinister.org, and to this other artifact of technology, a pocket-sized, hardcover book. Includes 13 texts by a variety of writers that investigate contemporary publishing in its broadest sense, stemming from a New York basement workshop and bookstore in 2006. The second part consists of reproductions of a series of 10 images titled W.A.S.T.E. Proof Prints, with their extended captions.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$35.00
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Résumé:
This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and(...)
$35.00
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and(...)
Titre:
Secret Modernity: Selected writings and interviews 1981-2009
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy’s repressed colonial rule in Africa.
Secret Modernity: Selected writings and interviews 1981-2009
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Résumé:
This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy’s repressed colonial rule in Africa.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$19.95
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Résumé:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
$19.95
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Résumé:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
Titre:
The power of judgement: A debate on aesthetic critique
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Résumé:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
The power of judgement: A debate on aesthetic critique
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$19.95
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Résumé:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$54.95
(disponible sur commande)
Résumé:
This book documents three large-scale symposia at Witte de With Center for Contemporary Art. Structured to establish a lively platform for debate and exchange, these symposia explore the practice of three of the protagonists of the contemporary art world: the critic, the curator and the artist. Are they still the people who decide what art is made, what is seen, and(...)
$54.95
(disponible sur commande)
Résumé:
This book documents three large-scale symposia at Witte de With Center for Contemporary Art. Structured to establish a lively platform for debate and exchange, these symposia explore the practice of three of the protagonists of the contemporary art world: the critic, the curator and the artist. Are they still the people who decide what art is made, what is seen, and(...)
Titre:
Rotterdam dialogues: The critics, the curators, the artists
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$54.95
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Résumé:
This book documents three large-scale symposia at Witte de With Center for Contemporary Art. Structured to establish a lively platform for debate and exchange, these symposia explore the practice of three of the protagonists of the contemporary art world: the critic, the curator and the artist. Are they still the people who decide what art is made, what is seen, and whether it is ''good''? The book includes transcripts from workshops and dialogues, and also contains spirited contributions that arrived from participants in the months after the dialogues took place. Bringing together the cross-generational experience of the attendees, this compendium offers insights from some of the most renowned and promising figures in their fields.
Rotterdam dialogues: The critics, the curators, the artists
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$54.95
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Résumé:
This book documents three large-scale symposia at Witte de With Center for Contemporary Art. Structured to establish a lively platform for debate and exchange, these symposia explore the practice of three of the protagonists of the contemporary art world: the critic, the curator and the artist. Are they still the people who decide what art is made, what is seen, and whether it is ''good''? The book includes transcripts from workshops and dialogues, and also contains spirited contributions that arrived from participants in the months after the dialogues took place. Bringing together the cross-generational experience of the attendees, this compendium offers insights from some of the most renowned and promising figures in their fields.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
