1194 Résultats
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
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Blvd Garibaldi - Variations sur Yona Friedman
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
Blvd Garibaldi - Variations sur Yona Friedman
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$67.95
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or(...)
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or(...)
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The technical image: a history of styles in scientific imagery
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge.
The technical image: a history of styles in scientific imagery
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came(...)
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came(...)
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The cube and the face: around a sculpture by Alberto Giacometti
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.”
The cube and the face: around a sculpture by Alberto Giacometti
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.”
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$54.00
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One of the most influential artists of the 20th century, Romanian sculptor Constantin Brancusi s use of the pedestal launched a reorientation of the relationship between object, viewer and space that influenced the aesthetics of installation for years to come. This exhibition catalog co-published by Kunsthalle Wien on the occasion of the 2014 exhibition, The Brancusi(...)
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One of the most influential artists of the 20th century, Romanian sculptor Constantin Brancusi s use of the pedestal launched a reorientation of the relationship between object, viewer and space that influenced the aesthetics of installation for years to come. This exhibition catalog co-published by Kunsthalle Wien on the occasion of the 2014 exhibition, The Brancusi(...)
Titre:
The Brancusi effect - An archival impulse
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One of the most influential artists of the 20th century, Romanian sculptor Constantin Brancusi s use of the pedestal launched a reorientation of the relationship between object, viewer and space that influenced the aesthetics of installation for years to come. This exhibition catalog co-published by Kunsthalle Wien on the occasion of the 2014 exhibition, The Brancusi Effect, uses the artist's original photographic documentation to illustrate the adaptable and modular structure of his work and the currency of his sensibility in relationship to installation and the sculptural in contemporary art.
The Brancusi effect - An archival impulse
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One of the most influential artists of the 20th century, Romanian sculptor Constantin Brancusi s use of the pedestal launched a reorientation of the relationship between object, viewer and space that influenced the aesthetics of installation for years to come. This exhibition catalog co-published by Kunsthalle Wien on the occasion of the 2014 exhibition, The Brancusi Effect, uses the artist's original photographic documentation to illustrate the adaptable and modular structure of his work and the currency of his sensibility in relationship to installation and the sculptural in contemporary art.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
In the Holocene
In the Holocene
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In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and(...)
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In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
mars 2015
mars 2015
Titre:
In the Holocene
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In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time (cosmic, geological), energy, topology, mimicry, perception, consciousness, et cetera. Sometimes employing scientific methodologies or the epistemology of science, other times investigating phenomena not restricted to any scientific discipline, art can be seen as a form of inquiry into the physical and natural world. In this sense, both art and science share an interest in knowledge, realism, and observable phenomena, yet are subject to different logics, principles of reasoning, and conclusions.
In the Holocene
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In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time (cosmic, geological), energy, topology, mimicry, perception, consciousness, et cetera. Sometimes employing scientific methodologies or the epistemology of science, other times investigating phenomena not restricted to any scientific discipline, art can be seen as a form of inquiry into the physical and natural world. In this sense, both art and science share an interest in knowledge, realism, and observable phenomena, yet are subject to different logics, principles of reasoning, and conclusions.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation.(...)
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation.(...)
Titre:
Aesthetic revolutions and twentieth-century avant-garde movements
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution.
Aesthetic revolutions and twentieth-century avant-garde movements
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$25.00
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents(...)
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents(...)
Titre:
Giving and taking: antidotes to a culture of greed
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents a collective effort to establish a value of art that escapes or transcends the monetary. With contributions from leading philosophers, anthropologists and sociologists such as Peter Sloterdijk, Lewis Hyde, Lars Spuybroek, Zygmunt Bauman and many others.
Giving and taking: antidotes to a culture of greed
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Most would agree that markets and money are crude measures when it comes to establishing the value of art. What exactly is being valued in the financial approach to culture, and what is being overlooked? Giving and Taking is an ambitious project that sets out to answer these questions. In the form of ten essays by authors from a range of disciplines, the volume represents a collective effort to establish a value of art that escapes or transcends the monetary. With contributions from leading philosophers, anthropologists and sociologists such as Peter Sloterdijk, Lewis Hyde, Lars Spuybroek, Zygmunt Bauman and many others.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
Titre:
Akademie X: lessons in Art + Life
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
Akademie X: lessons in Art + Life
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$49.95
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This inspirational and practical guide on how to live a creative life has been devised by thought-provoking artists + writers.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$59.95
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Les successeurs d'Aby Warburg (1866-1929), l'éminent fondateur de l'Institut qui porte son nom, envisagèrent pendant des décennies de publier les très nombreux documents laissés par celui-ci à sa mort ; sans succès, tant ce projet était ambitieux et en partieirréalisable. L'historien de l'art E. H. Gombrich, sollicité pour mettre ces documents en ordre, prit le parti de(...)
$59.95
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Résumé:
Les successeurs d'Aby Warburg (1866-1929), l'éminent fondateur de l'Institut qui porte son nom, envisagèrent pendant des décennies de publier les très nombreux documents laissés par celui-ci à sa mort ; sans succès, tant ce projet était ambitieux et en partieirréalisable. L'historien de l'art E. H. Gombrich, sollicité pour mettre ces documents en ordre, prit le parti de(...)
Titre:
Aby Warburg: une biographie intellectuelle
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Les successeurs d'Aby Warburg (1866-1929), l'éminent fondateur de l'Institut qui porte son nom, envisagèrent pendant des décennies de publier les très nombreux documents laissés par celui-ci à sa mort ; sans succès, tant ce projet était ambitieux et en partieirréalisable. L'historien de l'art E. H. Gombrich, sollicité pour mettre ces documents en ordre, prit le parti de les trier afin de faire ressortir la trajectoire intellectuelle d'Aby Warburg. C'est le sujet de cette biographie singulière, fruit de nombreuses années de décryptage et de sélection, où ne sont cités que des fragments pertinents des archives de Warburg à l'appui du récit rigoureux et lumineux de Gombrich.
Aby Warburg: une biographie intellectuelle
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Les successeurs d'Aby Warburg (1866-1929), l'éminent fondateur de l'Institut qui porte son nom, envisagèrent pendant des décennies de publier les très nombreux documents laissés par celui-ci à sa mort ; sans succès, tant ce projet était ambitieux et en partieirréalisable. L'historien de l'art E. H. Gombrich, sollicité pour mettre ces documents en ordre, prit le parti de les trier afin de faire ressortir la trajectoire intellectuelle d'Aby Warburg. C'est le sujet de cette biographie singulière, fruit de nombreuses années de décryptage et de sélection, où ne sont cités que des fragments pertinents des archives de Warburg à l'appui du récit rigoureux et lumineux de Gombrich.
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livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$35.95
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Nous continuons à considérer l'art en tant que spectateurs, alors que nous en sommes désormais les acteurs. Tel est l'étonnant constat dressé par Boris Groys, l'enfant terrible de la théorie de l'art contemporaine. Mais que cela signifie-t-il ? Quelles sont les conséquences, non seulement esthétiques, mais aussi politiques, de la réalisation de la prophétie de Joseph(...)
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Nous continuons à considérer l'art en tant que spectateurs, alors que nous en sommes désormais les acteurs. Tel est l'étonnant constat dressé par Boris Groys, l'enfant terrible de la théorie de l'art contemporaine. Mais que cela signifie-t-il ? Quelles sont les conséquences, non seulement esthétiques, mais aussi politiques, de la réalisation de la prophétie de Joseph(...)
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En public: poétique de l'auto-design
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Nous continuons à considérer l'art en tant que spectateurs, alors que nous en sommes désormais les acteurs. Tel est l'étonnant constat dressé par Boris Groys, l'enfant terrible de la théorie de l'art contemporaine. Mais que cela signifie-t-il ? Quelles sont les conséquences, non seulement esthétiques, mais aussi politiques, de la réalisation de la prophétie de Joseph Beuys, voulant que chacun devra un jour devenir artiste ? Qu'est-ce qu'un monde dans lequel les créateurs d'images sont en nombre plus important que les spectateurs ?
En public: poétique de l'auto-design
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$35.95
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Résumé:
Nous continuons à considérer l'art en tant que spectateurs, alors que nous en sommes désormais les acteurs. Tel est l'étonnant constat dressé par Boris Groys, l'enfant terrible de la théorie de l'art contemporaine. Mais que cela signifie-t-il ? Quelles sont les conséquences, non seulement esthétiques, mais aussi politiques, de la réalisation de la prophétie de Joseph Beuys, voulant que chacun devra un jour devenir artiste ? Qu'est-ce qu'un monde dans lequel les créateurs d'images sont en nombre plus important que les spectateurs ?
Classification:
livres
livres
Publication:
mai 2015
mai 2015
