1204 Résultats
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livres
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
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Susan Sontag: reborn, journals & notebooks 1947 - 1963
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
Susan Sontag: reborn, journals & notebooks 1947 - 1963
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
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livres
livres
Publication:
septembre 2008, New York
septembre 2008, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Against interpretation
Against interpretation
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass,(...)
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass,(...)
Titre:
Against interpretation
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass, Artaud, Genet, Brecht, Beckett, Bresson and Godard.
Against interpretation
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass, Artaud, Genet, Brecht, Beckett, Bresson and Godard.
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livres
livres
Publication:
juin 1994, London
juin 1994, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$22.95
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Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists(...)
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Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
janvier 1900, Berlin, New York
janvier 1900, Berlin, New York
Titre:
Under pressure : pictures, subjects, and the new spirit of capitalism
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Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists were to take on this strategy? How much can one count on pictures alone, as Mitchell seems to do? And, can pictures really change the "ways of worldmaking"?
Under pressure : pictures, subjects, and the new spirit of capitalism
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Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists were to take on this strategy? How much can one count on pictures alone, as Mitchell seems to do? And, can pictures really change the "ways of worldmaking"?
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livres
livres
Publication:
janvier 1900, Berlin, New York
janvier 1900, Berlin, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$34.95
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Thomas Demand is known for his large-format photographic work. As the head designer of Dior Homme, Hedi Slimane revolutionized men’s fashion. He is also known for his work as an artist. Peter Saville wrote design history with his album covers for British bands such as Joy Division, New Order and Pulp, and with his work for fashion designers. Demand, Slimane, and Saville(...)
$34.95
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Résumé:
Thomas Demand is known for his large-format photographic work. As the head designer of Dior Homme, Hedi Slimane revolutionized men’s fashion. He is also known for his work as an artist. Peter Saville wrote design history with his album covers for British bands such as Joy Division, New Order and Pulp, and with his work for fashion designers. Demand, Slimane, and Saville(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
juillet 2008, New York
juillet 2008, New York
Titre:
Art, fashion and work for hire
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Thomas Demand is known for his large-format photographic work. As the head designer of Dior Homme, Hedi Slimane revolutionized men’s fashion. He is also known for his work as an artist. Peter Saville wrote design history with his album covers for British bands such as Joy Division, New Order and Pulp, and with his work for fashion designers. Demand, Slimane, and Saville have all gone beyond the limitations of a single type of media to realize their ideas and visions. They discuss their work and motivation in a conversation in Berlin with the curator Hans Ulrich Obrist and the editor Cristina Bechtler, and also share their views on new forms of creativity, cross-border endeavors, fashion, architecture, photography, political art and many more subjects.
Art, fashion and work for hire
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$34.95
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Résumé:
Thomas Demand is known for his large-format photographic work. As the head designer of Dior Homme, Hedi Slimane revolutionized men’s fashion. He is also known for his work as an artist. Peter Saville wrote design history with his album covers for British bands such as Joy Division, New Order and Pulp, and with his work for fashion designers. Demand, Slimane, and Saville have all gone beyond the limitations of a single type of media to realize their ideas and visions. They discuss their work and motivation in a conversation in Berlin with the curator Hans Ulrich Obrist and the editor Cristina Bechtler, and also share their views on new forms of creativity, cross-border endeavors, fashion, architecture, photography, political art and many more subjects.
Classification:
livres
livres
Publication:
juillet 2008, New York
juillet 2008, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$18.00
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F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but(...)
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F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
février 2008, Amsterdam
février 2008, Amsterdam
Titre:
F.R. David «Stuff and nonsense» Winter 2008
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F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but equally as a mode that exists parallel to or in service of the visual.
F.R. David «Stuff and nonsense» Winter 2008
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F.R. David is a journal published twice-yearly by the Appel arts centre, Amsterdam. F.R. David focuses on the status of writing in contemporary art practice. Writing as a mode that informs and feeds, supports and describes, backs up and interprets, comments and reflects upon contemporary artistic production. Writing as the core material of a number of visual artists but equally as a mode that exists parallel to or in service of the visual.
Classification:
livres
livres
Publication:
février 2008, Amsterdam
février 2008, Amsterdam
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The comfort of things
The comfort of things
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The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not(...)
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The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not(...)
Titre:
The comfort of things
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The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not television characters, not celebrities, but real people. How could one ever come to know perfect strangers? Danny Miller attempts to achieve this goal in this brilliant exposé of a street in modern London. He leads us behind closed doors to thirty people who live there, showing their intimate lives, their aspirations and frustrations, their tragedies and accomplishments. He places the focus upon the things that really matter to the people he meets, which quite often turn out to be material things, the house, the dog, the music, the Christmas decorations. He creates a gallery of portraits, some comic, some tragic, some cubist, some impressionist, some bleak and some exuberant. We find that a random street in modern London contains the most extraordinary stories. Mass murderers and saints, the most charmed Christmas since Fanny and Alexander and the story of how a CD collection helped someone overcome heroin. Through this sensitive reading of the ordinary lives of ordinary people, Miller uncovers the orders and forms through which people make sense of their lives today. He shows just how much is to be gained when we stop lamenting what we think we used to be, and instead concentrate on what we are becoming now. He reveals above all the sadness of lives and the comfort of things.
The comfort of things
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Résumé:
The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not television characters, not celebrities, but real people. How could one ever come to know perfect strangers? Danny Miller attempts to achieve this goal in this brilliant exposé of a street in modern London. He leads us behind closed doors to thirty people who live there, showing their intimate lives, their aspirations and frustrations, their tragedies and accomplishments. He places the focus upon the things that really matter to the people he meets, which quite often turn out to be material things, the house, the dog, the music, the Christmas decorations. He creates a gallery of portraits, some comic, some tragic, some cubist, some impressionist, some bleak and some exuberant. We find that a random street in modern London contains the most extraordinary stories. Mass murderers and saints, the most charmed Christmas since Fanny and Alexander and the story of how a CD collection helped someone overcome heroin. Through this sensitive reading of the ordinary lives of ordinary people, Miller uncovers the orders and forms through which people make sense of their lives today. He shows just how much is to be gained when we stop lamenting what we think we used to be, and instead concentrate on what we are becoming now. He reveals above all the sadness of lives and the comfort of things.
Classification:
livres
livres
Publication:
juillet 2008, Cambridge
juillet 2008, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Usefil pictures
Usefil pictures
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Résumé:
This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
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Résumé:
This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
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Usefil pictures
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$24.95
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This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
Usefil pictures
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This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
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livres
livres
Publication:
février 2008, Chicago
février 2008, Chicago
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Résumé:
James Elkins tells six independent stories about images made in the last quarter-century. Some come from the world of art (panting and photography) and some from that of science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequate to what they(...)
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Résumé:
James Elkins tells six independent stories about images made in the last quarter-century. Some come from the world of art (panting and photography) and some from that of science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequate to what they(...)
Titre:
Six stories from the End of Representation
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James Elkins tells six independent stories about images made in the last quarter-century. Some come from the world of art (panting and photography) and some from that of science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequate to what they represent. Yet this is precisely why they are of interest. Studies that bring together art and science are often predicated on the idea that science infuences art or vive versa. Elkins challenges this view and remains true to the material of each discipline.
Six stories from the End of Representation
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James Elkins tells six independent stories about images made in the last quarter-century. Some come from the world of art (panting and photography) and some from that of science (physics, astrophysics, and microscopy). What these images have in common is that they all fail as representations: they are blurry, dark, pixelated, or otherwise inadequate to what they represent. Yet this is precisely why they are of interest. Studies that bring together art and science are often predicated on the idea that science infuences art or vive versa. Elkins challenges this view and remains true to the material of each discipline.
Classification:
livres
livres
Publication:
février 2008, Stanford
février 2008, Stanford
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The life and death of images
The life and death of images
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$31.00
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as(...)
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
avril 2008, London, New York
avril 2008, London, New York
Titre:
The life and death of images
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as a return to beauty-but almost no interesting work has been done on the underlying issues. Costello and Willsdon conceive the problem in terms of aesthetics and ethics, and they enlist a number of the foremost writers in and around images in a series of exchanges. The format is innovative, and generates the kind of real interdisciplinary friction that is so often missing from ordinary edited volumes. The book's insights and hopes are an accurate reflection of the state of conceptualization of the image." -James Elkins, School of the Art Institute of Chicago
The life and death of images
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as a return to beauty-but almost no interesting work has been done on the underlying issues. Costello and Willsdon conceive the problem in terms of aesthetics and ethics, and they enlist a number of the foremost writers in and around images in a series of exchanges. The format is innovative, and generates the kind of real interdisciplinary friction that is so often missing from ordinary edited volumes. The book's insights and hopes are an accurate reflection of the state of conceptualization of the image." -James Elkins, School of the Art Institute of Chicago
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livres
livres
Publication:
avril 2008, London, New York
avril 2008, London, New York
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$27.95
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Résumé:
The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
Titre:
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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$27.95
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Résumé:
The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Classification:
livres
livres
Publication:
juillet 2006, Wien, New York
juillet 2006, Wien, New York
Sujet:
Théorie de l’art
Théorie de l’art
