196 Résultats
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
Titre:
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
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livres
livres
Publication:
décembre 2010
décembre 2010
Sujet:
Art canadien
Art canadien
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livres
livres
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7e édition / 7th edition With up-to-date information on over one hundred artist-run centres, this directory is the most complete source of information on the Canadian contemporary art network today.
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7e édition / 7th edition With up-to-date information on over one hundred artist-run centres, this directory is the most complete source of information on the Canadian contemporary art network today.
Titre:
Répertoire des centres d'artistes autogérés/ Directory of artist-run centres
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7e édition / 7th edition With up-to-date information on over one hundred artist-run centres, this directory is the most complete source of information on the Canadian contemporary art network today.
Répertoire des centres d'artistes autogérés/ Directory of artist-run centres
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7e édition / 7th edition With up-to-date information on over one hundred artist-run centres, this directory is the most complete source of information on the Canadian contemporary art network today.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Art canadien
Art canadien
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livres
livres
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This lavishly illustrated book represents the first comprehensive survey of Hildebrand's oeuvre, including works from 2006-present. Featuring an introduction by Richard Rhodes, editor of Canadian Art Magazine, a critical essay by Louise Déry from Galerie de l'UQAM, and an interview with Dil Hildebrand by Christine Redfern.
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This lavishly illustrated book represents the first comprehensive survey of Hildebrand's oeuvre, including works from 2006-present. Featuring an introduction by Richard Rhodes, editor of Canadian Art Magazine, a critical essay by Louise Déry from Galerie de l'UQAM, and an interview with Dil Hildebrand by Christine Redfern.
Titre:
Long drop: the paintings of Dil Hildebrand
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This lavishly illustrated book represents the first comprehensive survey of Hildebrand's oeuvre, including works from 2006-present. Featuring an introduction by Richard Rhodes, editor of Canadian Art Magazine, a critical essay by Louise Déry from Galerie de l'UQAM, and an interview with Dil Hildebrand by Christine Redfern.
Long drop: the paintings of Dil Hildebrand
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This lavishly illustrated book represents the first comprehensive survey of Hildebrand's oeuvre, including works from 2006-present. Featuring an introduction by Richard Rhodes, editor of Canadian Art Magazine, a critical essay by Louise Déry from Galerie de l'UQAM, and an interview with Dil Hildebrand by Christine Redfern.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Art canadien
Art canadien
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livres
livres
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This is a book of photographs showcasing the artist’s work and experiences along the way. From oil stick characters on the side of trains, wheat pasted posters, large scale murals and snapshot photographs.
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This is a book of photographs showcasing the artist’s work and experiences along the way. From oil stick characters on the side of trains, wheat pasted posters, large scale murals and snapshot photographs.
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Other : the artwork of Troy Lovegates
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This is a book of photographs showcasing the artist’s work and experiences along the way. From oil stick characters on the side of trains, wheat pasted posters, large scale murals and snapshot photographs.
Other : the artwork of Troy Lovegates
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This is a book of photographs showcasing the artist’s work and experiences along the way. From oil stick characters on the side of trains, wheat pasted posters, large scale murals and snapshot photographs.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Art canadien
Art canadien
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livres
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Over the past 30 years, American-born Canadian artist Steve Higgins, has worked at the intersection of sculpture, architecture and the urban environment with large-scale temporary projects. Known for large exterior projects, this publication presents small-scale models and intaglio prints of invented urban locations that remind us how connected we are to the buildings and(...)
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Over the past 30 years, American-born Canadian artist Steve Higgins, has worked at the intersection of sculpture, architecture and the urban environment with large-scale temporary projects. Known for large exterior projects, this publication presents small-scale models and intaglio prints of invented urban locations that remind us how connected we are to the buildings and(...)
Titre:
Steve Higgins: all things considered - thoughts about cities and history, war and peace
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Over the past 30 years, American-born Canadian artist Steve Higgins, has worked at the intersection of sculpture, architecture and the urban environment with large-scale temporary projects. Known for large exterior projects, this publication presents small-scale models and intaglio prints of invented urban locations that remind us how connected we are to the buildings and infrastructures that surround us. Published to document a cross-country tour, this original monograph offers an original essay from each participating gallery.
Steve Higgins: all things considered - thoughts about cities and history, war and peace
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Over the past 30 years, American-born Canadian artist Steve Higgins, has worked at the intersection of sculpture, architecture and the urban environment with large-scale temporary projects. Known for large exterior projects, this publication presents small-scale models and intaglio prints of invented urban locations that remind us how connected we are to the buildings and infrastructures that surround us. Published to document a cross-country tour, this original monograph offers an original essay from each participating gallery.
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livres
livres
Publication:
février 2011
février 2011
Sujet:
Art canadien
Art canadien
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livres
livres
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
Titre:
Le livre noir de l'art conceptuel
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
Le livre noir de l'art conceptuel
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
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livres
livres
Publication:
mars 2011
mars 2011
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livres
livres
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar(...)
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar(...)
Titre:
Marcel Dzama : the never known
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar Schlemmer. This volume, published for Dzama's exhibitions at Sies + Höke and Kunstverein Braunschweig, reproduces a wealth of new work, including images, stage sets, puppets, dioramas and sculptures from the films; a suite of ten drawings called Forgotten Terrorists (2008-2011), that draw on a photograph of the Palestinian terrorist and hijacker Leila Khaled; and other recent drawings, such as "Pepper Spray Saturday" (2011), an interpretation of the already iconic image of policeman John Pike pepper spraying Occupy protesters at University of California Davis.
Marcel Dzama : the never known
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar Schlemmer. This volume, published for Dzama's exhibitions at Sies + Höke and Kunstverein Braunschweig, reproduces a wealth of new work, including images, stage sets, puppets, dioramas and sculptures from the films; a suite of ten drawings called Forgotten Terrorists (2008-2011), that draw on a photograph of the Palestinian terrorist and hijacker Leila Khaled; and other recent drawings, such as "Pepper Spray Saturday" (2011), an interpretation of the already iconic image of policeman John Pike pepper spraying Occupy protesters at University of California Davis.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
Titre:
Diane Borsato
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by(...)
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by(...)
Titre:
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by learning salsa, physics, first aid and beekeeping by way of Italian instruction. In "Terrestrial/Celestial," Borsato coordinated an unconventional exchange of observational practices--from opposite ends of the scale--between amateur mycologists and amateur astronomers. In a new work, "Walking Studio," Borsato proposes a different space for research and reflection with her mobile field study lab, comprised of a study center and fully functional sauna. This overview is published to accompany a solo exhibition at the Art Gallery of York University in 2012.
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by learning salsa, physics, first aid and beekeeping by way of Italian instruction. In "Terrestrial/Celestial," Borsato coordinated an unconventional exchange of observational practices--from opposite ends of the scale--between amateur mycologists and amateur astronomers. In a new work, "Walking Studio," Borsato proposes a different space for research and reflection with her mobile field study lab, comprised of a study center and fully functional sauna. This overview is published to accompany a solo exhibition at the Art Gallery of York University in 2012.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
Titre:
Live rightly, die, die...
Live rightly, die, die...
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation(...)
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation(...)
Titre:
Live rightly, die, die...
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation et ses rapports possibles avec les structures économiques et culturelles de la mondialisation souvlèvent des questions fondamentales au sujet des modèles sur lesquels se fondent ces activités artistiques et sur le statut de l'information dès qu'elle est présentée dans de nouveaux lieux culturels. Les artistes prennent-ils maintenant part à une nouvelle forme professionnalisée de tourisme artistique et d'ethnographie amateur? Et quels sont les liens entre tourisme, cueillette et réception de l'information et l'exotique en art contemporain?
Live rightly, die, die...
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation et ses rapports possibles avec les structures économiques et culturelles de la mondialisation souvlèvent des questions fondamentales au sujet des modèles sur lesquels se fondent ces activités artistiques et sur le statut de l'information dès qu'elle est présentée dans de nouveaux lieux culturels. Les artistes prennent-ils maintenant part à une nouvelle forme professionnalisée de tourisme artistique et d'ethnographie amateur? Et quels sont les liens entre tourisme, cueillette et réception de l'information et l'exotique en art contemporain?
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livres
livres
Publication:
août 2012
août 2012
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
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Résumé:
Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers.(...)
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Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers.(...)
Titre:
Misled by nature: contemporary art and the Baroque
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Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers. Three essays discuss ornamentation, hybridity, material sensibilities, transformation and the sublime in contemporary art practice. With works by David Altmejd, Lee Bul, Bharti Kher, Tricia Middleton, Yinka Shonibare MBE, and Sarah Sze. Catalogue accompanying an exhibition organized by the National Gallery of Canada and the Art Gallery of Alberta, in collaboration with the Museum of Contemporary Canadian Art.
Misled by nature: contemporary art and the Baroque
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Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers. Three essays discuss ornamentation, hybridity, material sensibilities, transformation and the sublime in contemporary art practice. With works by David Altmejd, Lee Bul, Bharti Kher, Tricia Middleton, Yinka Shonibare MBE, and Sarah Sze. Catalogue accompanying an exhibition organized by the National Gallery of Canada and the Art Gallery of Alberta, in collaboration with the Museum of Contemporary Canadian Art.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Art canadien
Art canadien
