192 Résultats
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Publication d’une exposition construite autour d’une œuvre monumentale intitulée Vanités. Faite de l’image numérisée de dizaines de miroirs abîmés, cette œuvre imposante ouvre une brèche dans le regard, invité à s’y projeter, mais ne retourne forcément aucune image, mis à part ce que le spectateur y trouvera. Cette pièce centrale est accompagnée de paysages altérés par(...)
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Publication d’une exposition construite autour d’une œuvre monumentale intitulée Vanités. Faite de l’image numérisée de dizaines de miroirs abîmés, cette œuvre imposante ouvre une brèche dans le regard, invité à s’y projeter, mais ne retourne forcément aucune image, mis à part ce que le spectateur y trouvera. Cette pièce centrale est accompagnée de paysages altérés par(...)
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Paréidolies / Pareidolias. Nicholas Baier
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Publication d’une exposition construite autour d’une œuvre monumentale intitulée Vanités. Faite de l’image numérisée de dizaines de miroirs abîmés, cette œuvre imposante ouvre une brèche dans le regard, invité à s’y projeter, mais ne retourne forcément aucune image, mis à part ce que le spectateur y trouvera. Cette pièce centrale est accompagnée de paysages altérés par l’artiste. Ces manipulations donnent lieu à des nocturnes menaçantes dont les détails se confondent avec la tache. Encore une fois, Nicolas Baier encourage l’apparition de formes précises à partir de sensations vague. Cette publication, co-éditée avec le Musée national des beaux-arts du Québec et le Museum of Contemporary Canadian Art, accompagne une exposition itinérante nationale. En français et anglais.
Paréidolies / Pareidolias. Nicholas Baier
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Publication d’une exposition construite autour d’une œuvre monumentale intitulée Vanités. Faite de l’image numérisée de dizaines de miroirs abîmés, cette œuvre imposante ouvre une brèche dans le regard, invité à s’y projeter, mais ne retourne forcément aucune image, mis à part ce que le spectateur y trouvera. Cette pièce centrale est accompagnée de paysages altérés par l’artiste. Ces manipulations donnent lieu à des nocturnes menaçantes dont les détails se confondent avec la tache. Encore une fois, Nicolas Baier encourage l’apparition de formes précises à partir de sensations vague. Cette publication, co-éditée avec le Musée national des beaux-arts du Québec et le Museum of Contemporary Canadian Art, accompagne une exposition itinérante nationale. En français et anglais.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Art canadien
Art canadien
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livres
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$66.00
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Publication:
mai 2010
mai 2010
Titre:
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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livres
livres
Publication:
mai 2010
mai 2010
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livres
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$24.95
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Catalogue of three exhibitions help at the Foreman Art Gallery of Bishop's University, November - January 2007, the Art Gallery of Nova Scotia, Halifax, June - August 207 and Western Branch, Yarmouth, February - Aril 2008.
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Catalogue of three exhibitions help at the Foreman Art Gallery of Bishop's University, November - January 2007, the Art Gallery of Nova Scotia, Halifax, June - August 207 and Western Branch, Yarmouth, February - Aril 2008.
Titre:
Lucie Chan: tears and in between
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Catalogue of three exhibitions help at the Foreman Art Gallery of Bishop's University, November - January 2007, the Art Gallery of Nova Scotia, Halifax, June - August 207 and Western Branch, Yarmouth, February - Aril 2008.
Lucie Chan: tears and in between
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Catalogue of three exhibitions help at the Foreman Art Gallery of Bishop's University, November - January 2007, the Art Gallery of Nova Scotia, Halifax, June - August 207 and Western Branch, Yarmouth, February - Aril 2008.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Art canadien
Art canadien
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livres
livres
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$30.00
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Vendu — Sold coincides with Les éditions esse’s first auction. The publication brings together the work of thirty-two artists and texts by nine specialists who, in the course of their work, have had to reflect on the issue of collections and the art market. This book helps understand main evolutionary trends in this market, both in Canada and abroad. Cette publication(...)
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Vendu — Sold coincides with Les éditions esse’s first auction. The publication brings together the work of thirty-two artists and texts by nine specialists who, in the course of their work, have had to reflect on the issue of collections and the art market. This book helps understand main evolutionary trends in this market, both in Canada and abroad. Cette publication(...)
Titre:
Vendu / sold: regard sur la collection et le marché de l'art
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Vendu — Sold coincides with Les éditions esse’s first auction. The publication brings together the work of thirty-two artists and texts by nine specialists who, in the course of their work, have had to reflect on the issue of collections and the art market. This book helps understand main evolutionary trends in this market, both in Canada and abroad. Cette publication coïncide avec la première vente aux enchères organisée par les éditions esse. L'ouvrage réunit les œuvres de trente-deux artistes et les réflexions de neuf spécialistes ayant eu, au sein de leur pratique, à réfléchir sur la question de la collection et du marché de l’art. Vendu — Sold permet ainsi d’esquisser les grandes lignes de l’évolution de ce marché, tant sur la scène canadienne que sur la scène internationale.
Vendu / sold: regard sur la collection et le marché de l'art
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Vendu — Sold coincides with Les éditions esse’s first auction. The publication brings together the work of thirty-two artists and texts by nine specialists who, in the course of their work, have had to reflect on the issue of collections and the art market. This book helps understand main evolutionary trends in this market, both in Canada and abroad. Cette publication coïncide avec la première vente aux enchères organisée par les éditions esse. L'ouvrage réunit les œuvres de trente-deux artistes et les réflexions de neuf spécialistes ayant eu, au sein de leur pratique, à réfléchir sur la question de la collection et du marché de l’art. Vendu — Sold permet ainsi d’esquisser les grandes lignes de l’évolution de ce marché, tant sur la scène canadienne que sur la scène internationale.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
Titre:
Angela Grauerholz
Angela Grauerholz
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The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. Yet regardless of the subject, her work gives an impression of timelessness with images that are both(...)
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The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. Yet regardless of the subject, her work gives an impression of timelessness with images that are both(...)
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Angela Grauerholz
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The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. Yet regardless of the subject, her work gives an impression of timelessness with images that are both commonplace and sublime. This retrospective publication covers twenty years of production and highlights Grauerholz’s major photographic and installation works. Three critical essays discuss the work in relation to time, memory and representation.
Angela Grauerholz
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The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. Yet regardless of the subject, her work gives an impression of timelessness with images that are both commonplace and sublime. This retrospective publication covers twenty years of production and highlights Grauerholz’s major photographic and installation works. Three critical essays discuss the work in relation to time, memory and representation.
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livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
Titre:
Kelp Stingray
Kelp Stingray
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Kelp Stingray is a book of drawings by Marc Bell and Matthew Thurber. Marc Bell is the editor of Nog A Dod and the creator of several other books including Shrimpy and Paul and Friends, The Stacks and Hot Potatoe [sic]. He lives and works in Canada. Matthew Thurber is the author of the comic book series 1-800-MICE. He lives in Brooklyn and produces drawing and(...)
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Kelp Stingray is a book of drawings by Marc Bell and Matthew Thurber. Marc Bell is the editor of Nog A Dod and the creator of several other books including Shrimpy and Paul and Friends, The Stacks and Hot Potatoe [sic]. He lives and works in Canada. Matthew Thurber is the author of the comic book series 1-800-MICE. He lives in Brooklyn and produces drawing and(...)
Titre:
Kelp Stingray
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Kelp Stingray is a book of drawings by Marc Bell and Matthew Thurber. Marc Bell is the editor of Nog A Dod and the creator of several other books including Shrimpy and Paul and Friends, The Stacks and Hot Potatoe [sic]. He lives and works in Canada. Matthew Thurber is the author of the comic book series 1-800-MICE. He lives in Brooklyn and produces drawing and writing and performs as Ambergris.
Kelp Stingray
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Kelp Stingray is a book of drawings by Marc Bell and Matthew Thurber. Marc Bell is the editor of Nog A Dod and the creator of several other books including Shrimpy and Paul and Friends, The Stacks and Hot Potatoe [sic]. He lives and works in Canada. Matthew Thurber is the author of the comic book series 1-800-MICE. He lives in Brooklyn and produces drawing and writing and performs as Ambergris.
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livres
livres
Publication:
janvier 2010
janvier 2010
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livres
livres
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$40.00
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
Titre:
Olivia Boudreau : l'oscillation du visible
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
Olivia Boudreau : l'oscillation du visible
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Art canadien
Art canadien
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livres
livres
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
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Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Classification:
livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
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$49.95
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Résumé:
Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
$49.95
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
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The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
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livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Art canadien
Art canadien
Classification:
livres
livres
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$39.95
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
$39.95
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Résumé:
A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Titre:
Hans-Ulrich Obrist hear us, featuring Bill Burns
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Hans-Ulrich Obrist hear us, featuring Bill Burns
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$39.95
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Classification:
livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Art canadien
Art canadien
