1920 Résultats
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
Publication:
septembre 2006, Seattle
septembre 2006, Seattle
Titre:
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
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septembre 2006, Seattle
septembre 2006, Seattle
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
Titre:
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
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Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Titre:
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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Publication:
septembre 2004, Milano
septembre 2004, Milano
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
Publication:
mars 2006, London
mars 2006, London
Titre:
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
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Publication:
mars 2006, London
mars 2006, London
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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Publication:
octobre 2005, Brisbane
octobre 2005, Brisbane
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Titre:
Lara Almarcegui
Lara Almarcegui
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une(...)
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une(...)
Publication:
mars 2006, Arles
mars 2006, Arles
Titre:
Lara Almarcegui
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une lecture critique des modes de développement urbains et invite à reconquérir ces terrains vagues qui racontent l'histoire de la ville et jouent une fonction sociale, historique et poétique.
Lara Almarcegui
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une lecture critique des modes de développement urbains et invite à reconquérir ces terrains vagues qui racontent l'histoire de la ville et jouent une fonction sociale, historique et poétique.
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mars 2006, Arles
mars 2006, Arles
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$67.50
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Ed Ruscha is one of the first American artists to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is(...)
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Ed Ruscha is one of the first American artists to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is(...)
Publication:
avril 2002, Cambridge, Mass. / London
avril 2002, Cambridge, Mass. / London
Titre:
Leave any information at the signal : writings, interviews, bits, pages
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Ed Ruscha is one of the first American artists to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. "Leave any information at the signal" not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.
Leave any information at the signal : writings, interviews, bits, pages
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Ed Ruscha is one of the first American artists to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. "Leave any information at the signal" not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. The book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.
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Publication:
avril 2002, Cambridge, Mass. / London
avril 2002, Cambridge, Mass. / London
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$120.00
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Project organized by Fabian Carlsson Gallery, London.
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Project organized by Fabian Carlsson Gallery, London.
Publication:
janvier 1900, Edinburg / London
janvier 1900, Edinburg / London
Titre:
Andy Goldsworthy : touching north
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Project organized by Fabian Carlsson Gallery, London.
Andy Goldsworthy : touching north
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Project organized by Fabian Carlsson Gallery, London.
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Publication:
janvier 1900, Edinburg / London
janvier 1900, Edinburg / London
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Titre:
Dan Graham
Dan Graham
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
Titre:
Dan Graham
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
Dan Graham
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
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livres
Publication:
juillet 1998, Barcelona
juillet 1998, Barcelona
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livres
livres
Titre:
Gordon Matta-Clark
Gordon Matta-Clark
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$113.95
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A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
$113.95
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Résumé:
A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
Publication:
janvier 1993
janvier 1993
Titre:
Gordon Matta-Clark
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A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
Gordon Matta-Clark
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$113.95
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A thorough retrospective and monograph from an exhibition at centro IVAM, 1993..Text in Spanish with English translation. Show also travelled to Marseille and London.
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Publication:
janvier 1993
janvier 1993
