1908 Résultats
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Bringing together a variety of participants, from Mexican sign-painters to British Guardsmen, Francis Alÿs collaborations have produced several works. Published to accompany his largest retrospective to date, this publication is more a guidebook than a conventional monograph, reflecting the spirit of the artist's wandering practice.
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Bringing together a variety of participants, from Mexican sign-painters to British Guardsmen, Francis Alÿs collaborations have produced several works. Published to accompany his largest retrospective to date, this publication is more a guidebook than a conventional monograph, reflecting the spirit of the artist's wandering practice.
Titre:
Francis Alÿs: a story of deception
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Bringing together a variety of participants, from Mexican sign-painters to British Guardsmen, Francis Alÿs collaborations have produced several works. Published to accompany his largest retrospective to date, this publication is more a guidebook than a conventional monograph, reflecting the spirit of the artist's wandering practice.
Francis Alÿs: a story of deception
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Bringing together a variety of participants, from Mexican sign-painters to British Guardsmen, Francis Alÿs collaborations have produced several works. Published to accompany his largest retrospective to date, this publication is more a guidebook than a conventional monograph, reflecting the spirit of the artist's wandering practice.
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Publication:
août 2010
août 2010
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livres
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Merging art and science, Eliasson engages the observer as participant, challenging the passive viewing experience by utilizing such elements as temperature, smell, moisture and light to trigger physical sensations. Olafur Eliasson: Inner City Out documents the artist's first project in Berlin, where he has lived and worked for many years. Designed for the(...)
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Merging art and science, Eliasson engages the observer as participant, challenging the passive viewing experience by utilizing such elements as temperature, smell, moisture and light to trigger physical sensations. Olafur Eliasson: Inner City Out documents the artist's first project in Berlin, where he has lived and worked for many years. Designed for the(...)
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Olafur Eliasson: Inner city out
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Merging art and science, Eliasson engages the observer as participant, challenging the passive viewing experience by utilizing such elements as temperature, smell, moisture and light to trigger physical sensations. Olafur Eliasson: Inner City Out documents the artist's first project in Berlin, where he has lived and worked for many years. Designed for the Martin-Gropius-Bau, and curated by Daniel Birnbaum, it examines the relationship between the museum and the city, bridging the two through ephemeral installations placed in various locations throughout the city as well as within the museum itself.
Olafur Eliasson: Inner city out
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Merging art and science, Eliasson engages the observer as participant, challenging the passive viewing experience by utilizing such elements as temperature, smell, moisture and light to trigger physical sensations. Olafur Eliasson: Inner City Out documents the artist's first project in Berlin, where he has lived and worked for many years. Designed for the Martin-Gropius-Bau, and curated by Daniel Birnbaum, it examines the relationship between the museum and the city, bridging the two through ephemeral installations placed in various locations throughout the city as well as within the museum itself.
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livres
Publication:
septembre 2010
septembre 2010
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livres
Titre:
John Baldessari: parse
John Baldessari: parse
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For this publication, Baldessari has designed a sequence of enigmatically fragmentary and geometrically emphatic images, arranged rhythmically across the volume´s landscape format, that slowly accrete narrative as the reader-viewer moves through the book. These fragments, derived largely from B-movie stills, lead into a second chapter that reproduces the complete(...)
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For this publication, Baldessari has designed a sequence of enigmatically fragmentary and geometrically emphatic images, arranged rhythmically across the volume´s landscape format, that slowly accrete narrative as the reader-viewer moves through the book. These fragments, derived largely from B-movie stills, lead into a second chapter that reproduces the complete(...)
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John Baldessari: parse
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For this publication, Baldessari has designed a sequence of enigmatically fragmentary and geometrically emphatic images, arranged rhythmically across the volume´s landscape format, that slowly accrete narrative as the reader-viewer moves through the book. These fragments, derived largely from B-movie stills, lead into a second chapter that reproduces the complete pictures. Parse juggles with the themes of composition, information, omission and rhythm.
John Baldessari: parse
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For this publication, Baldessari has designed a sequence of enigmatically fragmentary and geometrically emphatic images, arranged rhythmically across the volume´s landscape format, that slowly accrete narrative as the reader-viewer moves through the book. These fragments, derived largely from B-movie stills, lead into a second chapter that reproduces the complete pictures. Parse juggles with the themes of composition, information, omission and rhythm.
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livres
livres
Publication:
juillet 2010
juillet 2010
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
Titre:
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
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livres
Publication:
août 2010
août 2010
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Titre:
Philip Guston: Roma
Philip Guston: Roma
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This volume reunites a selection of paintings from the Roma series, completed during Guston's residency at the American Academy in Rome in 1970-71. From early in his career, Guston had taken inspiration from Italian art, and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico, Masaccio, Piero della Francesca, Giotto and Tiepolo. The Roma works(...)
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This volume reunites a selection of paintings from the Roma series, completed during Guston's residency at the American Academy in Rome in 1970-71. From early in his career, Guston had taken inspiration from Italian art, and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico, Masaccio, Piero della Francesca, Giotto and Tiepolo. The Roma works(...)
Publication:
octobre 2010
octobre 2010
Titre:
Philip Guston: Roma
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This volume reunites a selection of paintings from the Roma series, completed during Guston's residency at the American Academy in Rome in 1970-71. From early in his career, Guston had taken inspiration from Italian art, and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico, Masaccio, Piero della Francesca, Giotto and Tiepolo. The Roma works consolidate this dialogue with Italian art and culture. Diary entries published alongside the reproductions recount exchanges at the American Academy, pilgrimages to Venice, Arezzo, Sicily and Orvieto, and observations of the international cultural community in Rome.
Philip Guston: Roma
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This volume reunites a selection of paintings from the Roma series, completed during Guston's residency at the American Academy in Rome in 1970-71. From early in his career, Guston had taken inspiration from Italian art, and his 1973 painting "Pantheon" features a list of Italian painters: de Chirico, Masaccio, Piero della Francesca, Giotto and Tiepolo. The Roma works consolidate this dialogue with Italian art and culture. Diary entries published alongside the reproductions recount exchanges at the American Academy, pilgrimages to Venice, Arezzo, Sicily and Orvieto, and observations of the international cultural community in Rome.
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Publication:
octobre 2010
octobre 2010
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Known for his rich, complex collage works that depict large-scale themes via African-American subjects, Romare Bearden (1911-1988) drew inspiration from myriad cultural influences--from historical and modern art to music and literature. Based on the 2007 National Bearden Symposium, this volume examines Bearden's relationships to modernism, postmodernism and the avant(...)
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Known for his rich, complex collage works that depict large-scale themes via African-American subjects, Romare Bearden (1911-1988) drew inspiration from myriad cultural influences--from historical and modern art to music and literature. Based on the 2007 National Bearden Symposium, this volume examines Bearden's relationships to modernism, postmodernism and the avant(...)
Publication:
juillet 2010
juillet 2010
Titre:
Romare Bearden: In the Modernish tradition
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Known for his rich, complex collage works that depict large-scale themes via African-American subjects, Romare Bearden (1911-1988) drew inspiration from myriad cultural influences--from historical and modern art to music and literature. Based on the 2007 National Bearden Symposium, this volume examines Bearden's relationships to modernism, postmodernism and the avant garde, through his wide-ranging interests and associations with artists, intellectuals and musicians of his era--including Duke Ellington, Ralph Ellison and Stuart Davis, to name a few--as well as his practices.
Romare Bearden: In the Modernish tradition
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Known for his rich, complex collage works that depict large-scale themes via African-American subjects, Romare Bearden (1911-1988) drew inspiration from myriad cultural influences--from historical and modern art to music and literature. Based on the 2007 National Bearden Symposium, this volume examines Bearden's relationships to modernism, postmodernism and the avant garde, through his wide-ranging interests and associations with artists, intellectuals and musicians of his era--including Duke Ellington, Ralph Ellison and Stuart Davis, to name a few--as well as his practices.
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Publication:
juillet 2010
juillet 2010
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Gary Hume: Yardwork
Gary Hume: Yardwork
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Gary Hume first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life-size scale in high-gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists. Twenty years later, Yardwork features recent paintings and sculpture completed by Gary Hume in his upstate(...)
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Gary Hume first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life-size scale in high-gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists. Twenty years later, Yardwork features recent paintings and sculpture completed by Gary Hume in his upstate(...)
Titre:
Gary Hume: Yardwork
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Gary Hume first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life-size scale in high-gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists. Twenty years later, Yardwork features recent paintings and sculpture completed by Gary Hume in his upstate New York studio. The pictures explore familiar themes in Hume's work, including flowers, birds, doors and female figures. In the new work, however, the doors are now barn doors, as opposed to the hospital doors found in his earlier works; the blackbirds, roses and daisies are all things he sees from his window, not images drawn from books or media. Yardwork includes an essay by Dave Hickey that places Hume's paintings in the context of a group of artists the author names abstractionists of daily life.
Gary Hume: Yardwork
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Gary Hume first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life-size scale in high-gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists. Twenty years later, Yardwork features recent paintings and sculpture completed by Gary Hume in his upstate New York studio. The pictures explore familiar themes in Hume's work, including flowers, birds, doors and female figures. In the new work, however, the doors are now barn doors, as opposed to the hospital doors found in his earlier works; the blackbirds, roses and daisies are all things he sees from his window, not images drawn from books or media. Yardwork includes an essay by Dave Hickey that places Hume's paintings in the context of a group of artists the author names abstractionists of daily life.
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Publication:
juillet 2010
juillet 2010
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Sigmar Polke recently completed a series of 12 windows for the Grossmünster cathedral in Zürich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Polke designed images of figures from(...)
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Sigmar Polke recently completed a series of 12 windows for the Grossmünster cathedral in Zürich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Polke designed images of figures from(...)
Publication:
septembre 2010
septembre 2010
Titre:
Sigmar Polke: Windows for the Zürich Grossmünster
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Sigmar Polke recently completed a series of 12 windows for the Grossmünster cathedral in Zürich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Polke designed images of figures from the Old Testament, based on medieval illuminations, which have themselves undergone transformation in the course of their long journey through time. Polke's figures now appear as radiantly contemporary icons created in colored glass, using a variety of traditional and customized techniques devised especially for this project.
Sigmar Polke: Windows for the Zürich Grossmünster
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Sigmar Polke recently completed a series of 12 windows for the Grossmünster cathedral in Zürich, setting new standards for the mutual relationship between art and church. One group of seven Romanesque windows shows luminous mosaics of thinly sliced agate, some of it artificially colored, to produce pulsating blocks of back-lit color. Polke designed images of figures from the Old Testament, based on medieval illuminations, which have themselves undergone transformation in the course of their long journey through time. Polke's figures now appear as radiantly contemporary icons created in colored glass, using a variety of traditional and customized techniques devised especially for this project.
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livres
Publication:
septembre 2010
septembre 2010
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Titre:
Alighiero e Boetti: mappa
Alighiero e Boetti: mappa
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This publication presents the cartographic pieces that Boetti commissioned from female weavers in Afghanistan and Pakistan, beginning in 1971. In these maps, every country appears in the color and design of its national flag, and the borders are inscribed with texts of Boetti's devising along with statements from the local populace about their political aspects of their daily life.
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This publication presents the cartographic pieces that Boetti commissioned from female weavers in Afghanistan and Pakistan, beginning in 1971. In these maps, every country appears in the color and design of its national flag, and the borders are inscribed with texts of Boetti's devising along with statements from the local populace about their political aspects of their daily life.
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Alighiero e Boetti: mappa
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This publication presents the cartographic pieces that Boetti commissioned from female weavers in Afghanistan and Pakistan, beginning in 1971. In these maps, every country appears in the color and design of its national flag, and the borders are inscribed with texts of Boetti's devising along with statements from the local populace about their political aspects of their daily life.
Alighiero e Boetti: mappa
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This publication presents the cartographic pieces that Boetti commissioned from female weavers in Afghanistan and Pakistan, beginning in 1971. In these maps, every country appears in the color and design of its national flag, and the borders are inscribed with texts of Boetti's devising along with statements from the local populace about their political aspects of their daily life.
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Publication:
septembre 2010
septembre 2010
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
Publication:
juillet 2010
juillet 2010
Titre:
Richard Hamilton : Modern moral matters
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
Richard Hamilton : Modern moral matters
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.
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livres
livres
Publication:
juillet 2010
juillet 2010
