1910 Résultats
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and(...)
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and(...)
Titre:
Delicious Metropolis: the desserts and urban scenes of Wayne Thiebaud
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays.
Delicious Metropolis: the desserts and urban scenes of Wayne Thiebaud
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays.
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Publication:
mai 2019
mai 2019
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Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it(...)
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Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it(...)
Publication:
septembre 2018
septembre 2018
Titre:
Alexander Calder: from the stony river to the sky
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Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it includes many previously unseen works. An essay by Jessica Holmes focuses on the artist's handcrafted domestic objects, offering insight into Calder's life and inventive practice. Susan Braeuer Dam focuses on Calder's move to Roxbury in 1933 and the shifts in his work, drawing upon themes of nature, process and monumentality, specifically as related to the 1934 sculptures surveyed here.
Alexander Calder: from the stony river to the sky
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Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it includes many previously unseen works. An essay by Jessica Holmes focuses on the artist's handcrafted domestic objects, offering insight into Calder's life and inventive practice. Susan Braeuer Dam focuses on Calder's move to Roxbury in 1933 and the shifts in his work, drawing upon themes of nature, process and monumentality, specifically as related to the 1934 sculptures surveyed here.
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Publication:
septembre 2018
septembre 2018
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
Titre:
J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
Titre:
Minoru Onoda
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
Titre:
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
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Publication:
mars 2019
mars 2019
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
Titre:
The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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Publication:
mars 2019
mars 2019
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
Titre:
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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livres
Publication:
avril 2019
avril 2019
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
Titre:
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
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livres
Publication:
avril 2019
avril 2019
Classification:
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livres
Titre:
Louise Bourgeois: Spiral
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
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Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
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Publication:
février 2019
février 2019
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
Titre:
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
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livres
livres
Publication:
janvier 2019
janvier 2019
Classification:
livres
livres
Titre:
The Richter interviews
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
